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Oakland jurors hear how bad parallel parking job led to killing
OAKLAND An Alameda County prosecutor on Thursday asked jurors to convict two men accused of killing a Merchant Marine Academy graduate because he bumped their car while parallel parking outside a North Oakland store.
Prosecutor Butch Ford argued that Cartier Hunter, 27, and Giovonte Douglas,imitation rolex daytona men, 24, are guilty of first degree murder in the Dec. 22, 2011, shooting of 23 year old Charles Butler Jr. at 46th and West streets. Defense attorneys argued that the prosecution has failed to meet its burden of proof in a case reliant on witness statements and surveillance video.
They are asking for acquittals for the defendants, who police said were reputed gang members though neither defendant is facing any gang related charges.
Butler was fatally shot in the head while driving a block from his home after leaving the North Side Supermarket.
Police said Butler bumped the defendants Lexus while trying to parallel park outside the store, though the incident was believed to cause no damage to the car. Ford said that Butler can be seen on video interacting with the defendants before they followed him to commit murder.
The case was unsolved, according to Ford, until a woman who witnessed the shooting was compelled by media coverage of Butler distraught father to contact police.
The woman testified that Hunter jumped out of a car that Douglas was driving,imitation rolex daytona gold, ran up to Butler car and fired numerous shots.
She, and other witnesses who placed the defendants in the area minutes before the shooting,imitation rolex daytona white gold, knew the defendants from the neighborhood and were scared to testify for fear of retaliation,imitation daytona rolex, Ford said.
Defense attorneys for Hunter and Douglas argued that the woman testimony is not credible and testimony from other prosecution witnesses add up. are problems with every significant part of their case, said attorney Paul Feuerwerker.
OAKLAND An Alameda County prosecutor on Thursday asked jurors to convict two men accused of killing a Merchant Marine Academy graduate because he bumped their car while parallel parking outside a North Oakland store.
Prosecutor Butch Ford argued that Cartier Hunter, 27, and Giovonte Douglas,imitation rolex daytona men, 24, are guilty of first degree murder in the Dec. 22, 2011, shooting of 23 year old Charles Butler Jr. at 46th and West streets. Defense attorneys argued that the prosecution has failed to meet its burden of proof in a case reliant on witness statements and surveillance video.
They are asking for acquittals for the defendants, who police said were reputed gang members though neither defendant is facing any gang related charges.
Butler was fatally shot in the head while driving a block from his home after leaving the North Side Supermarket.
Police said Butler bumped the defendants Lexus while trying to parallel park outside the store, though the incident was believed to cause no damage to the car. Ford said that Butler can be seen on video interacting with the defendants before they followed him to commit murder.
The case was unsolved, according to Ford, until a woman who witnessed the shooting was compelled by media coverage of Butler distraught father to contact police.
The woman testified that Hunter jumped out of a car that Douglas was driving,imitation rolex daytona gold, ran up to Butler car and fired numerous shots.
She, and other witnesses who placed the defendants in the area minutes before the shooting,imitation rolex daytona white gold, knew the defendants from the neighborhood and were scared to testify for fear of retaliation,imitation daytona rolex, Ford said.
Defense attorneys for Hunter and Douglas argued that the woman testimony is not credible and testimony from other prosecution witnesses add up. are problems with every significant part of their case, said attorney Paul Feuerwerker.
Mother claims Jackson begged to sleep with teen
Michael Jackson begged the mother of a teenage boy to allow the kid to share his bed, and the pair spent weeks sleeping in the same bedroom when she relented, jurors at the pop star's child sex abuse trial heard on Monday.
The mother, whose son was at the centre of 1993 molestation allegations against Jackson that were settled out of court, testified that the singer spent weeks at the family's Southern California home forming a close bond with her then 13 year old son.
"We're a family. [He] is having fun. Why can't he sleep in my bed . don't you trust me,imitation rolex daytona black?" she recalled a sobbing and trembling Jackson asking her on a trip to Las Vegas in March 1993.
The mother said she relented and allowed her son to sleep with Jackson.
The next day,fake rolex date just, the singer presented her with a Cartier gold bracelet.
The woman, who has reportedly been estranged from her son since the mid 1990s, is one of nine witnesses prosecutors have been permitted to call in a bid to prove that Jackson has a history of inappropriate behaviour toward young boys.
Jackson was never charged in the 1993 case but the judge in the current trial ruled last month that evidence about it could be presented.
The ruling was a major setback to the pop singer's defence.
Jackson is charged with molesting a different 13 year old boy at his Neverland Valley Ranch, plying the youth with alcohol in order to abuse him and conspiring to commit false imprisonment, child abduction and extortion.
The performer, who has pleaded innocent, faces more than two decades in prison if convicted on all 10 counts.
The mother said on Monday her son was already a fan of Jackson when they happened to meet at her ex husband's car rental office in Los Angeles in mid 1992.
The two quickly established a telephone friendship, which then blossomed to invitations for the family to come to Jackson's Neverland Valley Ranch in central California, a trip to Las Vegas, and an invitation for Jackson to visit the family in Santa Monica, a community adjacent to Los Angeles.
The mother said Jackson stayed at her home on more than 30 occasions, sometimes for week or two at a time.
Each time the singer slept in her son's bedroom, usually leaving when the boy went to school and reappearing when he returned.
"He started dressing like Michael, he started acting withdrawn, sort of smart alecky not as sweet as he was," the mother said,imitation rolex daytona ladies watch, describing how her son's behaviour changed.
By September 1993, the mother said she was becoming concerned, and she confronted Jackson.
"[He] was spending too much time with Mr Jackson I was getting upset. [He] didn't want to be with us. He was sullen," she testified.
"He [Jackson] was upset that I wanted my son back, I didn't like the situation it was getting out of hand."
Jurors also heard on Monday from Bob Jones,rolex lady day date fake, who spent some 16 years as Jackson's publicist before he was fired last year and began writing a tell all book about the superstar.
Michael Jackson begged the mother of a teenage boy to allow the kid to share his bed, and the pair spent weeks sleeping in the same bedroom when she relented, jurors at the pop star's child sex abuse trial heard on Monday.
The mother, whose son was at the centre of 1993 molestation allegations against Jackson that were settled out of court, testified that the singer spent weeks at the family's Southern California home forming a close bond with her then 13 year old son.
"We're a family. [He] is having fun. Why can't he sleep in my bed . don't you trust me,imitation rolex daytona black?" she recalled a sobbing and trembling Jackson asking her on a trip to Las Vegas in March 1993.
The mother said she relented and allowed her son to sleep with Jackson.
The next day,fake rolex date just, the singer presented her with a Cartier gold bracelet.
The woman, who has reportedly been estranged from her son since the mid 1990s, is one of nine witnesses prosecutors have been permitted to call in a bid to prove that Jackson has a history of inappropriate behaviour toward young boys.
Jackson was never charged in the 1993 case but the judge in the current trial ruled last month that evidence about it could be presented.
The ruling was a major setback to the pop singer's defence.
Jackson is charged with molesting a different 13 year old boy at his Neverland Valley Ranch, plying the youth with alcohol in order to abuse him and conspiring to commit false imprisonment, child abduction and extortion.
The performer, who has pleaded innocent, faces more than two decades in prison if convicted on all 10 counts.
The mother said on Monday her son was already a fan of Jackson when they happened to meet at her ex husband's car rental office in Los Angeles in mid 1992.
The two quickly established a telephone friendship, which then blossomed to invitations for the family to come to Jackson's Neverland Valley Ranch in central California, a trip to Las Vegas, and an invitation for Jackson to visit the family in Santa Monica, a community adjacent to Los Angeles.
The mother said Jackson stayed at her home on more than 30 occasions, sometimes for week or two at a time.
Each time the singer slept in her son's bedroom, usually leaving when the boy went to school and reappearing when he returned.
"He started dressing like Michael, he started acting withdrawn, sort of smart alecky not as sweet as he was," the mother said,imitation rolex daytona ladies watch, describing how her son's behaviour changed.
By September 1993, the mother said she was becoming concerned, and she confronted Jackson.
"[He] was spending too much time with Mr Jackson I was getting upset. [He] didn't want to be with us. He was sullen," she testified.
"He [Jackson] was upset that I wanted my son back, I didn't like the situation it was getting out of hand."
Jurors also heard on Monday from Bob Jones,rolex lady day date fake, who spent some 16 years as Jackson's publicist before he was fired last year and began writing a tell all book about the superstar.
'Edwardian Opulence' At Yale Center For British Art
To make one, manufacturers had to run dozens of dull, drab, gray feathers through a lengthy cleansing and fluffing process to make them perfectly clean, light and floaty. They were bound together with a handle made from the shells of hundreds of tortoises. That handle was sometimes encrusted with diamonds from one of Africa's British owned diamond mines.
The fan that came out of this process was soft, feminine, exquisite, fragile, and cost a small fortune. "It was a profligate, almost inconceivable degree of elite consumption," says Angus Trumble.
Trumble, co curator of "Edwardian Opulence," the new exhibit at Yale Center for British Art, says things haven't changed much. "You go into Barney's and see $5,000 for a pair of shoes."
The exhibit, Trumble says, can be used as a "cultural mirror" to show comparisons between the lavish lifestyles of the rich and titled of 100 years ago and the world of today, where the gap between the rich and the poor gets wider every year. "This period and subject . have more to say to us than I think we realize at face value."
The period is even more relevant, he says, with the 100th anniversary of the start of World War I coming up in summer 2014 and the popularity of the Edwardian and post Edwardian era PBS TV show "Downton Abbey."
The exhibit features dozens of items that demonstrate how the wealthy lived in the decade after longtime monarch Queen Victoria died and her son, Edward, held the throne. Their lifestyles reflected the arrogance that was the inevitable result of being among the elite class in the hub of the world's largest empire, which, Trumble says, "had the imperial pretensions akin to the last days of the Roman Empire."
"Edwardian Opulence" also delves into the decline of this lifestyle. "This is a decade of social mobility, the aristocracy being infiltrated. . Their political power was being removed constitutionally,rolex date imitation," Trumble says. "Whatever this is, it is emphatical not Victorian. It's not modern either."
The exhibit opens in spectacular fashion, with a large display case featuring a dress owned by Mary Curzon. Curzon was the daughter of the founder of Marshall Fields department store in Chicago, and the wife of the Viceroy of India, a trendy Edwardian marriage of "American new money and impoverished aristocracy,rolex daytona watch imitation," Trumble says. After the white silk dress with the long train was delivered from House of Worth in Paris, Curzon had it embroidered with gold and silver thread by skilled Indian artisans.
"She very carefully cultivated her persona," Trumble says. "She combined exotic reverie with the English ruling stance. Her body transmitted these signals to people around her."
Another woman who carefully presented herself to the world was Evelyn Cavendish, Duchess of Devonshire. A painting of her by John Singer Sargent, in which she wears a diamond brooch and enormous diamond earrings, hangs behind a showcase of those very pieces of jewelry.
More diamonds on display are a pair of gorgeous fern brooches by Cartier, designed to be worn together or separately, and a tiara worn by Maria Consuelo, Duchess of Manchester.
"Diamonds are a thread that flow through this exhibit," Trumble says. In that era, diamonds were transported from Kimberley, South Africa, to processors in Amsterdam, who cut them and vastly increased their value.
Diamonds and other precious stones are seen on Faberg bell pushes, which were installed in homes of the wealthy at the same time electricity was installed,fake rolex daytona for ladies, to sound a bell to summon a servant.
Silver, too, is a focus of the exhibit, with several household items on display, including an 1899 centerpiece that is so ornate, in the style of the rococo revival of that period, that it borders on ugly. Another rococo revival item in the show is a chaise lounge,rolex daytona imitation, surrounded by wall hangings by Charles Corder being exhibited together for the first time in 110 years.
A variety of photographs show Edwardian ladies and gentlemen in the most extravagant of their clothings, including bridal gowns and crowns. A fascinating segment of the exhibit is made up of autochrome color photographs of aristocrats and average people, including one of King Edward VII himself, wearing a kilt and holding a cane.
Short silent film clips of life in London range from royal processionals to common street scenes. The latter which show motorcars piled together in some of the earliest ever traffic jams are a silly and charming respite from all the pageantry.
To make one, manufacturers had to run dozens of dull, drab, gray feathers through a lengthy cleansing and fluffing process to make them perfectly clean, light and floaty. They were bound together with a handle made from the shells of hundreds of tortoises. That handle was sometimes encrusted with diamonds from one of Africa's British owned diamond mines.
The fan that came out of this process was soft, feminine, exquisite, fragile, and cost a small fortune. "It was a profligate, almost inconceivable degree of elite consumption," says Angus Trumble.
Trumble, co curator of "Edwardian Opulence," the new exhibit at Yale Center for British Art, says things haven't changed much. "You go into Barney's and see $5,000 for a pair of shoes."
The exhibit, Trumble says, can be used as a "cultural mirror" to show comparisons between the lavish lifestyles of the rich and titled of 100 years ago and the world of today, where the gap between the rich and the poor gets wider every year. "This period and subject . have more to say to us than I think we realize at face value."
The period is even more relevant, he says, with the 100th anniversary of the start of World War I coming up in summer 2014 and the popularity of the Edwardian and post Edwardian era PBS TV show "Downton Abbey."
The exhibit features dozens of items that demonstrate how the wealthy lived in the decade after longtime monarch Queen Victoria died and her son, Edward, held the throne. Their lifestyles reflected the arrogance that was the inevitable result of being among the elite class in the hub of the world's largest empire, which, Trumble says, "had the imperial pretensions akin to the last days of the Roman Empire."
"Edwardian Opulence" also delves into the decline of this lifestyle. "This is a decade of social mobility, the aristocracy being infiltrated. . Their political power was being removed constitutionally,rolex date imitation," Trumble says. "Whatever this is, it is emphatical not Victorian. It's not modern either."
The exhibit opens in spectacular fashion, with a large display case featuring a dress owned by Mary Curzon. Curzon was the daughter of the founder of Marshall Fields department store in Chicago, and the wife of the Viceroy of India, a trendy Edwardian marriage of "American new money and impoverished aristocracy,rolex daytona watch imitation," Trumble says. After the white silk dress with the long train was delivered from House of Worth in Paris, Curzon had it embroidered with gold and silver thread by skilled Indian artisans.
"She very carefully cultivated her persona," Trumble says. "She combined exotic reverie with the English ruling stance. Her body transmitted these signals to people around her."
Another woman who carefully presented herself to the world was Evelyn Cavendish, Duchess of Devonshire. A painting of her by John Singer Sargent, in which she wears a diamond brooch and enormous diamond earrings, hangs behind a showcase of those very pieces of jewelry.
More diamonds on display are a pair of gorgeous fern brooches by Cartier, designed to be worn together or separately, and a tiara worn by Maria Consuelo, Duchess of Manchester.
"Diamonds are a thread that flow through this exhibit," Trumble says. In that era, diamonds were transported from Kimberley, South Africa, to processors in Amsterdam, who cut them and vastly increased their value.
Diamonds and other precious stones are seen on Faberg bell pushes, which were installed in homes of the wealthy at the same time electricity was installed,fake rolex daytona for ladies, to sound a bell to summon a servant.
Silver, too, is a focus of the exhibit, with several household items on display, including an 1899 centerpiece that is so ornate, in the style of the rococo revival of that period, that it borders on ugly. Another rococo revival item in the show is a chaise lounge,rolex daytona imitation, surrounded by wall hangings by Charles Corder being exhibited together for the first time in 110 years.
A variety of photographs show Edwardian ladies and gentlemen in the most extravagant of their clothings, including bridal gowns and crowns. A fascinating segment of the exhibit is made up of autochrome color photographs of aristocrats and average people, including one of King Edward VII himself, wearing a kilt and holding a cane.
Short silent film clips of life in London range from royal processionals to common street scenes. The latter which show motorcars piled together in some of the earliest ever traffic jams are a silly and charming respite from all the pageantry.
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Aujourd'hui, Bernard Arnault et François Pinault, l'ensemble des propriétaires des deux groupes mondiaux du luxe, Ont delawares maisons fashion, pour fabuleux musées, Des fondations, doms stuff d'art et s maisons vente. Depuis the milieu des années 1990, luxe, way et artwork se font los angeles courte échelle à bour des valeurs des valeurs ajoutées. Ajoutez the shape, Qui suscite un engouement délirant depuis e dizaine d'années, l. a,chicago musique, do not les B boys milliardaires sont devenus acteurs de l'art contemporain et de los angeles way (Pharrell Williams, Kanye to the west), Et vous avez l. a,fake oyster collection rolex,chicago mapdie l'époque : L'esthétisme.
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boston ma CELTICSUne nouvelle ère start. Kevin Garnett et paul Pierce sont partis à Brooklyn, Le gucci file waters chez les trimmers. les celtics redémarrent presque pour zéro avec beaucoup jeunes, really don't le nouvel entraîneur, Brad Stevens (37 ans). Comme il m'était possible d'obtenir des échantillons,replica rolex oyster watch, J'ai vite écrit afin nufactured découvrir ces créations qui m'étaient tout à fait étrangères. en très peu environnant les conditions, Je reçus ce cual j'avais demandé. Huit scents, Toutes uniques, Et qui valaient bien l'attente.
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Au musée d'art contemporain l'ordre de Rio
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0 save the BlackBerry tablet
Last year, RIM released the BlackBerry PlayBook, a tablet computer designed to compete with the Apple iPad. But reviews were tepid, sales were lackluster, and RIM was forced to repeatedly slash the price on the device,replica cartier bracelet diamond, in a (mostly) unsuccessful effort to gin up consumer interest. Now RIM has announced the arrival of PlayBook 2.0,replica forever bracelet cartier, a software upgrade that addresses some of the complaints voiced by critics of the RIM tablet.
Among the niceties on the PlayBook 2.0 software: more social networking integration, more apps, and the ability to check your email without tethering the PlayBook to a BlackBerry smartphone.
"It's what the first Playbook software should have been from a company which stakes its brand on messaging strength, with tightly integrated calendar, email, and contacts," Frost and Sullivan analyst Craig Cartier told Reuters today.10 most intriguing tablets of 2012
"I've spent a bit of time with PlayBook 2.0, and the upgrades are neat. But the changes all represent minor improvements to a tablet that needed to take massive steps forward to compete with its ever progressing competitors,replica how much is cartier love bracelet," Cheng writes. "The PlayBook launched nearly a year ago in April, and despite the new software,replica cartier love bracelet vintage, the hardware remains the same."
And what would you wait for, exactly? Maybe the Apple iPad 3, which is very likely to be unveiled next month. Or the new Nook Tablet, which debuted this week.
Last year, RIM released the BlackBerry PlayBook, a tablet computer designed to compete with the Apple iPad. But reviews were tepid, sales were lackluster, and RIM was forced to repeatedly slash the price on the device,replica cartier bracelet diamond, in a (mostly) unsuccessful effort to gin up consumer interest. Now RIM has announced the arrival of PlayBook 2.0,replica forever bracelet cartier, a software upgrade that addresses some of the complaints voiced by critics of the RIM tablet.
Among the niceties on the PlayBook 2.0 software: more social networking integration, more apps, and the ability to check your email without tethering the PlayBook to a BlackBerry smartphone.
"It's what the first Playbook software should have been from a company which stakes its brand on messaging strength, with tightly integrated calendar, email, and contacts," Frost and Sullivan analyst Craig Cartier told Reuters today.10 most intriguing tablets of 2012
"I've spent a bit of time with PlayBook 2.0, and the upgrades are neat. But the changes all represent minor improvements to a tablet that needed to take massive steps forward to compete with its ever progressing competitors,replica how much is cartier love bracelet," Cheng writes. "The PlayBook launched nearly a year ago in April, and despite the new software,replica cartier love bracelet vintage, the hardware remains the same."
And what would you wait for, exactly? Maybe the Apple iPad 3, which is very likely to be unveiled next month. Or the new Nook Tablet, which debuted this week.
The greatest art theft in history
The devil and the art dealer
Alex Shoumatoff Vanity Fair March 2014
How an elderly German called Cornelius Gurlitt came to have paintings worth a billion dollars in his Munich apartment. His father, though partly Jewish, had worked for the Nazis collecting looted masterpieces, selling art abroad, and keeping the best for himself. The art world theft of the century? Perhaps; except that no crime seems to have been committed by Gurlitt or his father, at least under German law. It should be called "Juliet and Her Nurse", or "Romeo and Benvolio", if the title is meant to reflect the main relationship in the story, as measured by the dialogue between characters. Juliet speaks only 155 lines to Romeo,replica forever bracelet cartier, and he speaks only 101 to her. If you think Jimi Hendrix sang me while I kiss this guy in Purple Haze, that a mondegreen. is one of the signature malaises of music in the age of mechanical reproduction. Words that are unintelligible in recordings often remain unintelligible They in our memories into the misconstrued forms in which we stored them, through multiple listenings
Shane MacGowan: God lucky man
Matthew Hennessey City Journal 14 March 2014
Famed for his songwriting and debauchery, the Pogues leader is a Christian within the rich and sensual faith tradition practiced by his Irish ancestors His Catholicism is home with the sacred and the profane God must be taking care of him, because he has been doing the job himself His rheumy eyes, throat clearing cackle and toothless grin suggest genius, but late stage dipsomaniaBarbara Rose Interview 12 March 2014
Conversation with the monumental wrapper. projects have two distinct periods: software period and hardware period. The software period is where the work exists in the mind of the thousand people who try to stop us and the thousand people who try to help us. The hardware period is where the project gets built His latest work: a $350m pile of oil drums in Abu Dhabi bigger than the Great Pyramid,replica bangle cartier.
The Tri X factor
Bryan Appleyard Intelligent Life 11 March 2014
In praise of Kodak Tri X, the black and white film beloved by old school photographers for its and tones. It was and forgiving you could muff the exposure and still get a decent shot. Devotees included Henri Cartier Bresson, Irving Penn, Richard Avedon, Don McCullin. When Kodak filed for bankruptcy in 2012,replica cartier love bracelet vintage, Anton Corbijn bought thousands of rolls of Tri X and stuffed them in the fridge.
The gavel drops at Sotheby Andrew Rice New York 11 March 2014
Portrait of the venerable auction house, lagging behind Christie and under siege from investor Daniel Loeb, who sees art as expanding economy and Sotheby stock as only public route to investing in it Entertaining cast of tycoons and collectors including David Martinez Guzman,replica love bracelet with diamonds, Mexican born financier who keeps a billion dollars worth of art in a Swiss warehouse and never looks at it.
For more articles worth reading, visit The Browser. If you would like to comment on this story or anything else you have seen on BBC Culture, head over to our Facebook page or message us on Twitter.
The devil and the art dealer
Alex Shoumatoff Vanity Fair March 2014
How an elderly German called Cornelius Gurlitt came to have paintings worth a billion dollars in his Munich apartment. His father, though partly Jewish, had worked for the Nazis collecting looted masterpieces, selling art abroad, and keeping the best for himself. The art world theft of the century? Perhaps; except that no crime seems to have been committed by Gurlitt or his father, at least under German law. It should be called "Juliet and Her Nurse", or "Romeo and Benvolio", if the title is meant to reflect the main relationship in the story, as measured by the dialogue between characters. Juliet speaks only 155 lines to Romeo,replica forever bracelet cartier, and he speaks only 101 to her. If you think Jimi Hendrix sang me while I kiss this guy in Purple Haze, that a mondegreen. is one of the signature malaises of music in the age of mechanical reproduction. Words that are unintelligible in recordings often remain unintelligible They in our memories into the misconstrued forms in which we stored them, through multiple listenings
Shane MacGowan: God lucky man
Matthew Hennessey City Journal 14 March 2014
Famed for his songwriting and debauchery, the Pogues leader is a Christian within the rich and sensual faith tradition practiced by his Irish ancestors His Catholicism is home with the sacred and the profane God must be taking care of him, because he has been doing the job himself His rheumy eyes, throat clearing cackle and toothless grin suggest genius, but late stage dipsomaniaBarbara Rose Interview 12 March 2014
Conversation with the monumental wrapper. projects have two distinct periods: software period and hardware period. The software period is where the work exists in the mind of the thousand people who try to stop us and the thousand people who try to help us. The hardware period is where the project gets built His latest work: a $350m pile of oil drums in Abu Dhabi bigger than the Great Pyramid,replica bangle cartier.
The Tri X factor
Bryan Appleyard Intelligent Life 11 March 2014
In praise of Kodak Tri X, the black and white film beloved by old school photographers for its and tones. It was and forgiving you could muff the exposure and still get a decent shot. Devotees included Henri Cartier Bresson, Irving Penn, Richard Avedon, Don McCullin. When Kodak filed for bankruptcy in 2012,replica cartier love bracelet vintage, Anton Corbijn bought thousands of rolls of Tri X and stuffed them in the fridge.
The gavel drops at Sotheby Andrew Rice New York 11 March 2014
Portrait of the venerable auction house, lagging behind Christie and under siege from investor Daniel Loeb, who sees art as expanding economy and Sotheby stock as only public route to investing in it Entertaining cast of tycoons and collectors including David Martinez Guzman,replica love bracelet with diamonds, Mexican born financier who keeps a billion dollars worth of art in a Swiss warehouse and never looks at it.
For more articles worth reading, visit The Browser. If you would like to comment on this story or anything else you have seen on BBC Culture, head over to our Facebook page or message us on Twitter.
Lord of the Dancehall,replica cartier bracelet with diamonds
Tony Kelly doesn't look like the king of the dancehall. A soft spoken man in his late thirties, he could be anybody enjoying an early afternoon lunch at Segafredo's on South Beach's Lincoln Road, casually watching the tourists and other pedestrians stroll by. Save for the large, expensive Cartier Roadster watch on his wrist, his look (jeans and dress shirt) doesn't bespeak excess, and it isn't as if he's smoking a blunt at his table, shouting out "irie" and "bumbaclot" to the passersby.
Despite considerable gains nowadays, everyone knows what a riddim is, and Gwen Stefani's cover of Louchie Lou and Michie One's "Rich Girl" is currently blazing up the charts dancehall is still considered to be something of a novelty genre, and its producers don't inspire as much fan boy idolatry that, say, a hip hop producer such as Just Blaze does. But if you listen to the radio or go to nightclubs, you've probably heard a Tony Kelly track. Remember Sean Paul's "Like Glue," which hit the Billboard Top 20 in 2003? How about Tanto Metro and Devonte's "Everyone Falls In Love"?
It may be presumptuous for Kelly to call himself "King of the Dancehall" after a recent single he recorded with Beenie Man, since there are a few other producers, from Scatta Burrell (the inescapable Coolie Dance riddim) to his own brother Dave Kelly (Wayne Wonder's "No Letting Go," Beenie Man's "Dude"), who could lay claim to that title. Nevertheless, Kelly is responsible for a lot of hits.
Which leads to the real reason Kelly is here today. He wants to get more media exposure for himself because he realizes that being a "name" producer will help bring him larger fees from labels and artists for his beats and more clout within the music industry.
"My initial way of it was, I want to be behind the music,'" he says in a steady, patois inflected voice. "In order for people to know what I'm doing and for me to step to the next phase easier, I have to let people know who I am." Toward that end, he has pressed up a modest CD R, King of the Dancehall, to give to the press. The disc collects clean versions of his biggest American smashes, from the aforementioned cuts to Patra's 1993 standout "Worker Man," and its memorably kittenish chorus: "I want a real teddy bear/Don't matter how big,replica diamond love bracelet, I don't care." It's as if he wants to gently nudge you and say, hey, I helped make these songs a success, too. Several gay rights groups protested the prevalence of homophobic attitudes within Jamaican dancehall culture last year, and many performers found their progress towards the mainstream pop market perilously interrupted as a result. Beenie Man, for example, was removed from the lineup for one of MTV's Video Music Awards block parties in downtown Miami this past August.
When asked what he thinks of the role played by "Chi Chi Man" in the controversy, Kelly gives a complicated and somewhat unsatisfactory answer, the inevitable result of choosing his words too carefully. "The thing is, it's gone too far. You have the right to say whatever, but y'know, you don't have to say things that are harmful," he begins. But then he adds, "Jamaica is a hard place. It's like ghetto. You stay hard. So you are going to say stuff the hardest way . Them saying this,' it's not really meaning like they gonna light somebody on fire.
"When I did that song, it did not mean gays,replica cartier bangle for sale, but someone who was not living right. When you're a robber, you're a chi chi man. You kill people, you're a chi chi man," he continues. misrepresented the meaning of the song in interviews, making it more of a specific attack against homosexuals. "They killed my song!" he cries. But he accepts the subsequent public outcry and concert cancellations: "You can't incite violence on people and then expect people to sit and not protest."
Kelly says he got his first break at age sixteen as an assistant studio engineer at Tuff Gong Studios. "In Jamaica, engineers get a wonderful training that you don't get anywhere else," he says. "It's more like you are training to be a producer. Most of the producers were really like executive producers; they bring in the money. But [engineers] have to tell the artist,replica forever bracelet cartier, singing in the wrong key,'" doing the hands on tweaking that producers in the States are usually accredited with.
In the late Eighties, he toured with Ziggy Marley during the latter's Conscious Party peak, then went on the road with reggae balladeer Maxi Priest. For both artists, he was a jack of all trades, from playing multiple instruments to DJing and dancing. Understandably, he soon chose to return to the comforts of the studio, and first earned stateside attention with Patra's first album, Queen of the Pack.
Kelly currently splits his time between Davie, where he lives with his wife, and his hometown of Kingston, Jamaica. Why doesn't he live in New York or London, to name two other dancehall hot spots? "Nah . I don't like cold," he says dismissively. "Miami is the place for me."
Tony Kelly doesn't look like the king of the dancehall. A soft spoken man in his late thirties, he could be anybody enjoying an early afternoon lunch at Segafredo's on South Beach's Lincoln Road, casually watching the tourists and other pedestrians stroll by. Save for the large, expensive Cartier Roadster watch on his wrist, his look (jeans and dress shirt) doesn't bespeak excess, and it isn't as if he's smoking a blunt at his table, shouting out "irie" and "bumbaclot" to the passersby.
Despite considerable gains nowadays, everyone knows what a riddim is, and Gwen Stefani's cover of Louchie Lou and Michie One's "Rich Girl" is currently blazing up the charts dancehall is still considered to be something of a novelty genre, and its producers don't inspire as much fan boy idolatry that, say, a hip hop producer such as Just Blaze does. But if you listen to the radio or go to nightclubs, you've probably heard a Tony Kelly track. Remember Sean Paul's "Like Glue," which hit the Billboard Top 20 in 2003? How about Tanto Metro and Devonte's "Everyone Falls In Love"?
It may be presumptuous for Kelly to call himself "King of the Dancehall" after a recent single he recorded with Beenie Man, since there are a few other producers, from Scatta Burrell (the inescapable Coolie Dance riddim) to his own brother Dave Kelly (Wayne Wonder's "No Letting Go," Beenie Man's "Dude"), who could lay claim to that title. Nevertheless, Kelly is responsible for a lot of hits.
Which leads to the real reason Kelly is here today. He wants to get more media exposure for himself because he realizes that being a "name" producer will help bring him larger fees from labels and artists for his beats and more clout within the music industry.
"My initial way of it was, I want to be behind the music,'" he says in a steady, patois inflected voice. "In order for people to know what I'm doing and for me to step to the next phase easier, I have to let people know who I am." Toward that end, he has pressed up a modest CD R, King of the Dancehall, to give to the press. The disc collects clean versions of his biggest American smashes, from the aforementioned cuts to Patra's 1993 standout "Worker Man," and its memorably kittenish chorus: "I want a real teddy bear/Don't matter how big,replica diamond love bracelet, I don't care." It's as if he wants to gently nudge you and say, hey, I helped make these songs a success, too. Several gay rights groups protested the prevalence of homophobic attitudes within Jamaican dancehall culture last year, and many performers found their progress towards the mainstream pop market perilously interrupted as a result. Beenie Man, for example, was removed from the lineup for one of MTV's Video Music Awards block parties in downtown Miami this past August.
When asked what he thinks of the role played by "Chi Chi Man" in the controversy, Kelly gives a complicated and somewhat unsatisfactory answer, the inevitable result of choosing his words too carefully. "The thing is, it's gone too far. You have the right to say whatever, but y'know, you don't have to say things that are harmful," he begins. But then he adds, "Jamaica is a hard place. It's like ghetto. You stay hard. So you are going to say stuff the hardest way . Them saying this,' it's not really meaning like they gonna light somebody on fire.
"When I did that song, it did not mean gays,replica cartier bangle for sale, but someone who was not living right. When you're a robber, you're a chi chi man. You kill people, you're a chi chi man," he continues. misrepresented the meaning of the song in interviews, making it more of a specific attack against homosexuals. "They killed my song!" he cries. But he accepts the subsequent public outcry and concert cancellations: "You can't incite violence on people and then expect people to sit and not protest."
Kelly says he got his first break at age sixteen as an assistant studio engineer at Tuff Gong Studios. "In Jamaica, engineers get a wonderful training that you don't get anywhere else," he says. "It's more like you are training to be a producer. Most of the producers were really like executive producers; they bring in the money. But [engineers] have to tell the artist,replica forever bracelet cartier, singing in the wrong key,'" doing the hands on tweaking that producers in the States are usually accredited with.
In the late Eighties, he toured with Ziggy Marley during the latter's Conscious Party peak, then went on the road with reggae balladeer Maxi Priest. For both artists, he was a jack of all trades, from playing multiple instruments to DJing and dancing. Understandably, he soon chose to return to the comforts of the studio, and first earned stateside attention with Patra's first album, Queen of the Pack.
Kelly currently splits his time between Davie, where he lives with his wife, and his hometown of Kingston, Jamaica. Why doesn't he live in New York or London, to name two other dancehall hot spots? "Nah . I don't like cold," he says dismissively. "Miami is the place for me."
A God's eye view of the world
Superman sits with his chin on his hand, glum.
He appears to be suffering from ennui. His familiar red and blue suit, complete with cape and knee high boots, is as slick as ever. He is an animation, but life like. He is dressed to fly around and save people, but there is no one to save. He is alone on a dark planet, surrounded by craters. The sky above is a sour, indeterminate green. It appears toxic, the result of a nuclear holocaust, perhaps, in which everyone has died. There is a full moon, with all its symbolism of metamorphosis and bewitchment, but Superman is indifferent to it.
This is one of the most complex and melancholic images in an exhibition of recent works by the German "photo artist" Andreas Gursky, which has just opened at White Cube Gallery in Bermondsey. It belongs to the tradition of German Romantic painting, exemplified by Caspar David Friedrich's 1818 painting Wanderer Above The Sea of Fog, which shows a solitary male figure contemplating the sublime power of nature. The idea of the sublime was defined in the late 18th century as that which provokes a feeling of terror and awe. By contrast,used cartier tank replica, Gursky's Superman seems to be feeling nothing much at all.
Gursky is best known for creating vast,fake tank watch womens, digitally manipulated photographs of landscapes so empty and crowds so dense that the viewer feels a kind of elemental panic. He effects the pose of an all seeing God, with a view from everywhere and nowhere at once. This is enabled by his process: since 1992, he has taken several photographs of a scene and then digitally merged the results. This allows him to achieve a panoramic perspective that would otherwise be impossible.
In 2011, Gursky's photograph The Rhine II sold for $4.3 million at Christie's in New York, despite the fact that it was one of six editions. It became the most expensive photograph in history. Due to the market value and the monumental scale of his images, Gursky is considered by many to be the most significant photographer working today.
I am not quite so fanatical, but I loved this exhibition. It dramatises Gursky's Romantic themes, reinvented for our consumer world of high rise offices, CCTV cameras, and ecological devastation, but shows a departure in his work too. The superhero series was made earlier this year,fake cartier ballon watch price, and introduces a sense of narrative which isn't present in the near painterly abstraction for which he is famous.
Most fascinating is the way the exhibition brings to light the tension in Gursky's work. On the one hand, his images appear chillingly neutral towards the human life that they so avidly document. On the other, they exist in the passionate, expressive tradition of German Romanticism. They manage to be both cold and intense. He has said: "The composition of my landscapes is orientated towards images of the Romantic period: only the Kodak colours transport them back into the present day."
Gursky was born in Leipzig in 1955, into a family of photographers. He studied under Bernhard and Hilla Becher in Dusseldorf. He is understandably strict about the reproduction of his images, and seems as mysterious and resistant to the press as Tino Sehgal. Now 59, he lives in Dsseldorf.
While there is an annoying trend in contemporary art of incorporating cartoon characters and other pop cultural icons into work, a lazy hangover from Pop Art, the superhero series is one of the few instances where it works. Superman translates as bermensch in German, an idea which is also key to the Romantic tradition. Rather than a comic book hero,cartier tank ladies watches fake, the bermensch points to a tortured genius who must rise above the crowd in order to achieve individual greatness. It was used by the Nazis to justify the dominance of the Arian race, which was a misinterpretation of the philosopher Friedrich Nietzsche's original idea.
Gursky's image of Superman is unsettling partly because it should be funny, but it is not. Like Superman himself, the viewer feels almost nothing. There is no pang in the chest. Gursky is expert at engineering emotional response; he can make you feel what he wants you to, even apathy. Superman's sadness is not grand enough to be tragic. He has lost the will to be wonderful, indeed, to be a hero. In this way, the monumentality of the German Romantic tradition is punctured.
Superman originated in 1930s Depression era America as a Left leaning character who fought for social causes. This was later annulled by his massive popularity and commercial value. He was co opted. It seems that Gursky is evoking these histories. One of the major themes of Romanticism was nature versus industry, which Gursky has adapted for our era of global capital.
Another image in the superhero series shows Ironman embracing a blonde ponytailed woman on a tropical beach that would be worthy of a Sandals brochure, if not for the sick pink tint that contaminates the scene. They stand beneath silhouetted palm trees. Is Gursky mocking the conventions of love? The image is not cynical. It is not sincere either.
What makes Gursky such a great artist is the genuine elusiveness of his work. It can't be easily read. Even when he uses motifs that would be trite in others' hands, he manages to make them meaningful. Here Ironman and his girlfriend are staring into one another's eyes, except Ironman's eyes consist of two glowing white holes. She doesn't seem perturbed. There is another glowing white hole in his chest, which I initially mistook for his heart, but in fact it is a uni beam projector, part of Ironman's armour. His grand passion may simply be a pre programmed defensive function.
The most affecting work on display at White Cube is the only film, The Wash (2014), which provokes the kind of primal response that the Romantics must have hoped for. It is not by Gursky, however, but the young American artist Alex Perweiler.
The concept is simple but the effect is so vertiginous that I felt both physically nauseated and unable to look away. It seems that a camera has been positioned over a waterfall. The moment when the falling water hits the river below and produces clouds of white froth and mist is played continuously only a loop. The collision of water on water expresses a great, natural violence; it appears like a thundering death trap, willing you to fall.
This feeling of terror and awe is enhanced by the soundtrack, which consists of a monotonous techno rhythm, faster than a regular heartbeat. Indeed, it made my heart beat faster; my body seemed to align itself to what was happening on the screen. The combination of the music and the moving image creates a sense of tense, unpleasant excitement. Here the sublime does not bring us closer to God, but induces a horrible vertigo.
A smaller exhibition of Gursky's work, Early Landscapes, has also opened at Sprth Magers Gallery. It focuses on his photographs from the late 1980s and early 1990s, prior to his use of digital manipulation. These are analogue images, and I prefer them. Rather than aesthetic disinterest, they point to Cartier Bresson's idea of "the decisive moment", whereby a photographer must act immediately to capture life as it occurs.
This is the case in the astonishing, large photograph Niagara Falls (1989). Gursky was on holiday at the falls when he saw a boat careening towards their base. He climbed over the safety barrier and took the photograph, which is staggering for the moment of danger that it expresses. The image shows the boat dwarfed by the immense power of water. The river runs from black to bottle green to the purest white. There are figures on the boat, but their faces are indiscernible. Not only is the water capable of killing them, but it is indifferent. Once again, there is the sense of an almighty presence that simply doesn't care.
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Superman sits with his chin on his hand, glum.
He appears to be suffering from ennui. His familiar red and blue suit, complete with cape and knee high boots, is as slick as ever. He is an animation, but life like. He is dressed to fly around and save people, but there is no one to save. He is alone on a dark planet, surrounded by craters. The sky above is a sour, indeterminate green. It appears toxic, the result of a nuclear holocaust, perhaps, in which everyone has died. There is a full moon, with all its symbolism of metamorphosis and bewitchment, but Superman is indifferent to it.
This is one of the most complex and melancholic images in an exhibition of recent works by the German "photo artist" Andreas Gursky, which has just opened at White Cube Gallery in Bermondsey. It belongs to the tradition of German Romantic painting, exemplified by Caspar David Friedrich's 1818 painting Wanderer Above The Sea of Fog, which shows a solitary male figure contemplating the sublime power of nature. The idea of the sublime was defined in the late 18th century as that which provokes a feeling of terror and awe. By contrast,used cartier tank replica, Gursky's Superman seems to be feeling nothing much at all.
Gursky is best known for creating vast,fake tank watch womens, digitally manipulated photographs of landscapes so empty and crowds so dense that the viewer feels a kind of elemental panic. He effects the pose of an all seeing God, with a view from everywhere and nowhere at once. This is enabled by his process: since 1992, he has taken several photographs of a scene and then digitally merged the results. This allows him to achieve a panoramic perspective that would otherwise be impossible.
In 2011, Gursky's photograph The Rhine II sold for $4.3 million at Christie's in New York, despite the fact that it was one of six editions. It became the most expensive photograph in history. Due to the market value and the monumental scale of his images, Gursky is considered by many to be the most significant photographer working today.
I am not quite so fanatical, but I loved this exhibition. It dramatises Gursky's Romantic themes, reinvented for our consumer world of high rise offices, CCTV cameras, and ecological devastation, but shows a departure in his work too. The superhero series was made earlier this year,fake cartier ballon watch price, and introduces a sense of narrative which isn't present in the near painterly abstraction for which he is famous.
Most fascinating is the way the exhibition brings to light the tension in Gursky's work. On the one hand, his images appear chillingly neutral towards the human life that they so avidly document. On the other, they exist in the passionate, expressive tradition of German Romanticism. They manage to be both cold and intense. He has said: "The composition of my landscapes is orientated towards images of the Romantic period: only the Kodak colours transport them back into the present day."
Gursky was born in Leipzig in 1955, into a family of photographers. He studied under Bernhard and Hilla Becher in Dusseldorf. He is understandably strict about the reproduction of his images, and seems as mysterious and resistant to the press as Tino Sehgal. Now 59, he lives in Dsseldorf.
While there is an annoying trend in contemporary art of incorporating cartoon characters and other pop cultural icons into work, a lazy hangover from Pop Art, the superhero series is one of the few instances where it works. Superman translates as bermensch in German, an idea which is also key to the Romantic tradition. Rather than a comic book hero,cartier tank ladies watches fake, the bermensch points to a tortured genius who must rise above the crowd in order to achieve individual greatness. It was used by the Nazis to justify the dominance of the Arian race, which was a misinterpretation of the philosopher Friedrich Nietzsche's original idea.
Gursky's image of Superman is unsettling partly because it should be funny, but it is not. Like Superman himself, the viewer feels almost nothing. There is no pang in the chest. Gursky is expert at engineering emotional response; he can make you feel what he wants you to, even apathy. Superman's sadness is not grand enough to be tragic. He has lost the will to be wonderful, indeed, to be a hero. In this way, the monumentality of the German Romantic tradition is punctured.
Superman originated in 1930s Depression era America as a Left leaning character who fought for social causes. This was later annulled by his massive popularity and commercial value. He was co opted. It seems that Gursky is evoking these histories. One of the major themes of Romanticism was nature versus industry, which Gursky has adapted for our era of global capital.
Another image in the superhero series shows Ironman embracing a blonde ponytailed woman on a tropical beach that would be worthy of a Sandals brochure, if not for the sick pink tint that contaminates the scene. They stand beneath silhouetted palm trees. Is Gursky mocking the conventions of love? The image is not cynical. It is not sincere either.
What makes Gursky such a great artist is the genuine elusiveness of his work. It can't be easily read. Even when he uses motifs that would be trite in others' hands, he manages to make them meaningful. Here Ironman and his girlfriend are staring into one another's eyes, except Ironman's eyes consist of two glowing white holes. She doesn't seem perturbed. There is another glowing white hole in his chest, which I initially mistook for his heart, but in fact it is a uni beam projector, part of Ironman's armour. His grand passion may simply be a pre programmed defensive function.
The most affecting work on display at White Cube is the only film, The Wash (2014), which provokes the kind of primal response that the Romantics must have hoped for. It is not by Gursky, however, but the young American artist Alex Perweiler.
The concept is simple but the effect is so vertiginous that I felt both physically nauseated and unable to look away. It seems that a camera has been positioned over a waterfall. The moment when the falling water hits the river below and produces clouds of white froth and mist is played continuously only a loop. The collision of water on water expresses a great, natural violence; it appears like a thundering death trap, willing you to fall.
This feeling of terror and awe is enhanced by the soundtrack, which consists of a monotonous techno rhythm, faster than a regular heartbeat. Indeed, it made my heart beat faster; my body seemed to align itself to what was happening on the screen. The combination of the music and the moving image creates a sense of tense, unpleasant excitement. Here the sublime does not bring us closer to God, but induces a horrible vertigo.
A smaller exhibition of Gursky's work, Early Landscapes, has also opened at Sprth Magers Gallery. It focuses on his photographs from the late 1980s and early 1990s, prior to his use of digital manipulation. These are analogue images, and I prefer them. Rather than aesthetic disinterest, they point to Cartier Bresson's idea of "the decisive moment", whereby a photographer must act immediately to capture life as it occurs.
This is the case in the astonishing, large photograph Niagara Falls (1989). Gursky was on holiday at the falls when he saw a boat careening towards their base. He climbed over the safety barrier and took the photograph, which is staggering for the moment of danger that it expresses. The image shows the boat dwarfed by the immense power of water. The river runs from black to bottle green to the purest white. There are figures on the boat, but their faces are indiscernible. Not only is the water capable of killing them, but it is indifferent. Once again, there is the sense of an almighty presence that simply doesn't care.
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