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Vancouver Persian retailer fights Trump travel ban with poetry
When Amir Hosh brought his father Ayoub tradition of roasting nuts and drying fruit to Vancouver in 2009 with Ayoub Dried Fruits and Nuts, he says he wanted to east and west, bringing an artisanal Persian tradition and revamping it for the city that had embraced his family as new immigrants.
As fake hermes bag blue a new Canadian, he says he wanted to bring a craft and an industry to Canada and to the culture. celebrate the Persian New Year on March 21, Hosh did something he never done before. He quietly hung a poem in the window of three of his locations. The father of a five month old baby girl, Hosh said his family is facing a new reality.
not sugarcoat it, said Hosh. south, the anti immigrant sentiment for Middle Easterners is at a high. Many people in my family have been affected by (Donald) Trump travel ban. Hosh family came to Canada as immigrants, he said he is also deeply affected by the negativity directed toward refugees: hurts when you hear some of the stuff. It emotional. poem is part lyric ode, part protest and part celebration of Canadian culture. It begins with an expression of remembrance, celebrating his homeland, long, hot days of my childhood/sitting among the figs. poem is also an ode to Canada, where on his first days here he experienced and ice hockey/in the same day, diversity, safety and connection.
The poem is also a protest against the sharp shift to the right south of the border, warm welcomes/are now replaced with shakedowns, shadowy fears and the promise of a wall.
He said he had an outpouring of support from customers and the community. wanted to express my gratitude to say we really love being here and I will do my personal best to build an honest business, pay taxes, create full time jobs and enrich the culture. shops, filled with the aroma of nuts hermes bag black replica roasted on site, are a far cry from the bulk bin section of your local health food store, with chandeliers and silver trays, and elevated experience. Hosh said he wanted to make the dried fruit and nut experience something like visiting a bakery or a bread shop, where buying fresh, warm bread becomes part of a cherished daily ritual.
The stores have been a success and Hosh now has five locations across the Lower Mainland and he grateful for Sales fake Hermes bag the community support. love this country as well as the one we came from, said Hosh. like having two mothers, a birthmother and an adopted mother. says he had a little help writing the poem, but the feelings behind it are all his: continue to remind ourselves to be grateful here/happy for what we have a culture of caring and sharing. epaper, Digital Access, Subscriber Rewards), please input your Print Newspaper subscription phone number and postal code.
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By clicking "Create Account", I hearby grant permission to Postmedia to use my account information to create my account.
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When Amir Hosh brought his father Ayoub tradition of roasting nuts and drying fruit to Vancouver in 2009 with Ayoub Dried Fruits and Nuts, he says he wanted to east and west, bringing an artisanal Persian tradition and revamping it for the city that had embraced his family as new immigrants.
As fake hermes bag blue a new Canadian, he says he wanted to bring a craft and an industry to Canada and to the culture. celebrate the Persian New Year on March 21, Hosh did something he never done before. He quietly hung a poem in the window of three of his locations. The father of a five month old baby girl, Hosh said his family is facing a new reality.
not sugarcoat it, said Hosh. south, the anti immigrant sentiment for Middle Easterners is at a high. Many people in my family have been affected by (Donald) Trump travel ban. Hosh family came to Canada as immigrants, he said he is also deeply affected by the negativity directed toward refugees: hurts when you hear some of the stuff. It emotional. poem is part lyric ode, part protest and part celebration of Canadian culture. It begins with an expression of remembrance, celebrating his homeland, long, hot days of my childhood/sitting among the figs. poem is also an ode to Canada, where on his first days here he experienced and ice hockey/in the same day, diversity, safety and connection.
The poem is also a protest against the sharp shift to the right south of the border, warm welcomes/are now replaced with shakedowns, shadowy fears and the promise of a wall.
He said he had an outpouring of support from customers and the community. wanted to express my gratitude to say we really love being here and I will do my personal best to build an honest business, pay taxes, create full time jobs and enrich the culture. shops, filled with the aroma of nuts hermes bag black replica roasted on site, are a far cry from the bulk bin section of your local health food store, with chandeliers and silver trays, and elevated experience. Hosh said he wanted to make the dried fruit and nut experience something like visiting a bakery or a bread shop, where buying fresh, warm bread becomes part of a cherished daily ritual.
The stores have been a success and Hosh now has five locations across the Lower Mainland and he grateful for Sales fake Hermes bag the community support. love this country as well as the one we came from, said Hosh. like having two mothers, a birthmother and an adopted mother. says he had a little help writing the poem, but the feelings behind it are all his: continue to remind ourselves to be grateful here/happy for what we have a culture of caring and sharing. epaper, Digital Access, Subscriber Rewards), please input your Print Newspaper subscription phone number and postal code.
{ phone }
{ addressPostalCode }
By clicking "Create Account", I Hermes classic Kelly bag replica hearby grant permission to Market to use my account information to create my account.
I also accept and agree to be bound by Postmedia's Terms and Conditions with respect to my use of the Site and I have read and understand Postmedia's Privacy Statement. epaper, Digital Access, Subscriber Rewards), please input your Print Newspaper subscription phone number and postal code.
{ phone }
{ addressPostalCode }
By clicking "Create Account", I hearby grant permission to Postmedia to use my account information to create my account.
I also accept and agree to be bound by Postmedia's Terms and Conditions with respect to my use of the Site and I have read and understand Postmedia's Privacy Statement. I consent to the collection, use, maintenance, and disclosure of my information in accordance with the Postmedia's Privacy Policy.
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Son Road Trip to Remember
I've often wondered if there is a genetic predisposition for wanderlust. Our older son, now a college senior, seemed to emerge from the womb with a guidebook in his hand preferably to some obscure location like Rarotonga or Saint Pierre and Miquelon, the pair of islands under French control off the Newfoundland coast where he still hankers to go.
But his younger brother, Gabe, has always cherished the nest. For him, home has been the citadel of his enthusiasms, the place where he can let loose on his electric guitar and smother his walls with vinyl record covers, from Buddy Guy to the Black Keys.
So I wasn't sure exactly how he'd react when I suggested that it might be fun to take a trip, just the two of us, in honor of his recent high school graduation. Gabe didn't bat an eyelash. "I want to go to Nashville," he said.
Intellectually, every parent knows that letting go is part of the deal, be it a first solo drive on the Interstate or pulling away from that freshman college dorm. Nevertheless, inviting your 18 year old son to follow his muse on a road trip even though he refuses to let you friend him on Facebook is to enter uncharted emotional terrain. It is to knowingly leap head first down the rabbit hole of teenage passions, wherever they may lead. Mom," Gabe announced on the flight to Tennessee. "I want my own beer when we go to a blues club. It's part of the experience."
The temperature was a peach withering 104 degrees when we landed in Nashville, a fitting gateway for our 900 mile musical road trip, which would take us to Memphis, down Highway 61, the legendary blues route through the Mississippi Delta, and back. For Gabe, Nashville means only one thing: Third Man Records, Jack White's record company and store (he of The White Stripes, The Raconteurs, The Dead Weather and most recently a solo career). Gabe is a member of "The Vault," the record club for rabid Jack fans.
"Don't be weird, mom," he commanded as we approached Third Man's kitsch landmark, a stylized radio tower icon atop a fashionably black industrial building with De Stijl like red and yellow doors.
As a rock star, White tends his image as music critic Adam Gold has observed "with the care of a Japanese garden." Because so many promotional videos have been shot at Third Man, Gabe was already a connoisseur, pointing out rarities under glass. "See that one on the right?" he said of a mini turntable that plays 3 inch White Stripes records, as if referring to an exceptionally fine Egyptian scarab at the Metropolitan Museum. "There are only 400 of these in the world!"
Though Jack (as he is known in our house) was on tour in Europe, we inhabited his life anyway, having lunch at March Artisan Foods in East Nashville, reportedly his favorite brunch place, and dinner twice at Burger Up, where I decided, after some debate, to let Gabe split a beer with me. It turns out that Vault members are excellent travel consultants: They urged us to get tickets to a concert at the historic Ryman Auditorium, a marvel of intimacy, and turned us on to Yazoo Pale Ale.
As a musician, Gabe relishes the individuality of old fashioned record stores, "by far more interesting than downloading MP3 albums off iTunes," he says. In advance of our trip, he promptly drew up a list of every major record store within a 300 mile radius each one a candidate for Clutterers Anonymous. By the time we got to Goner Records in Memphis aptly named, in my opinion I began to identify with all the men who wait for hours outside the dressing rooms at Bloomingdales while their wives or girlfriends examine every ripple in the three way mirror.
Nevertheless, the sight of turntable and headphone "listening stations" in Van Cleef & Arpels gold ring replica record store corners reminded me of my own teenage years in Highland Park, Illinois in the early 60s, when I would rush to Grant Grant, the local record store, every week to listen to '45s and pick up the latest Silver Dollar Survey, a list on actual paper of the Top 40 hits on WLS Radio in Chicago. Unlike Gabe, I had lousy taste: I knew the words to every Herman's Hermits song.
In 1967, my father took to Europe, including London, where I begged to see Carnaby Street, then in all its paisley glory, and visit the real Apple store, the one the Beatles opened on Baker Street. I remember buying a cardboard apple ring there (lord knows what it would fetch on eBay). To my 13 year old eye, the ring went perfectly with my day glo striped mini dress, my dangling blinking eye earrings and my Mary Quant tights. In retrospect, Swinging London wasn't so far from Gabe's Nashville.
But our trip was different: For six nights, my son and I shared a hotel room the reason why God invented bathrobes. Over the miles, Gabe piloted us by GPS to far flung barbecue joints (my choice) and blues clubs (his). His chief worry was whether his middle aged mother would have the stamina for late night music. I confess that more than once, especially when it was 103 degrees at sundown, I had fantasies about a leisurely glass of wine in the lobby of the Peabody Hotel instead of being deafened in a beer soaked bar by a white blues singer in a tight t shirt.
But in following Gabe's lead, I learned and saw things that, had I had my druthers, would have eluded me. I grudgingly agreed to re jigger our itinerary for the twice weekly tour of United Record Pressing in Nashville. It turned out to be utterly riveting: Not only did we learn how records are made, from tiny vinyl pellets to grooves in a finished album, but we watched operators work the same copy Van Cleef & Arpels ring archaic machines they smelled like burning rubber that pressed every Motown single and has continued to churn out thousands of albums a day ever since.
The upstairs was a revelation: the 1960s frozen in time, including a party room with "pleather" sofas frequented by giants like Smokey Robinson and the Supremes. But that history had a sobering side: Hauntingly preserved down to the blonde wood paneling, the company's "Motown Suite" was an apartment created for visiting Motown artists and black record executives who weren't allowed in downtown hotels. "It did a better job at nailing authenticity than most high budget museums," Gabe said later. King Museum and Delta Interpretive replica Van Cleef ring Museum in Indianola).
If not exactly a buddy movie there were moments when I felt like the chauffeur to Gabe's Miss Daisy watching my son doze in the car, as he did as a baby, made me realize how much I have come to rely on his calm, steady presence, so different from my own too frequent panic. I thought about the sound of his electric guitar emanating from his upstairs lair, and how, every night as I crawl into bed, I have to ask him to turn the amplifier down. I considered the melancholy quiet sure to envelop our household when he leaves for college. King. In Robinsonville, a tiny hamlet outside Tunica, now a gambling center on the Mississippi River, we had the bizarre experience of following Casino Strip Boulevard past Harrah's to reach Abbay Leatherman, the cotton plantation where Robert Johnson lived in a tenant shack as a boy in the 1920s, the original white painted brick plantation office still standing.
We drove the hallowed byways, the red clay soil scattered over the two lane blacktop, stopping at Clarksdale juke joints and the Delta Blues Museum, its centerpiece a restored version of Muddy Waters's wood plank cabin from nearby Stovall. King had played.
We listened to Robert Johnson as we headed east down Highway 82 toward Greenwood, past catfish farms and the occasional McMansion. A faint wisp of moon hovered over the soybean fields. Our destination was the Little Zion church, where Johnson, one of the most influential and revered blues musicians of all time, lies in a humble cemetery alive with dragonflies and twisted vines. Both Johnson's life and his death are the stuff of lore; he died in 1938 at age 27 with some suggesting he was poisoned by a jealous husband.
We walked through tall grasses, reading worn headstones embedded in the cracked earth. "There was something distinctly southern about the overgrown feel, with all manner of insects buzzing around our heads," Gabe recalled later. Unlike more tourist friendly stops, he noted, the significant feature Robert Johnson's grave wasn't clearly marked. "We had to search for it," he said. "And this made it feel more special."
If I had intended to impart a life lesson, I couldn't have done better than the one he found himself. Years from now, I hope he will carry it and maybe a few of our 900 miles with him an indelible groove, like a well played record.
I've often wondered if there is a genetic predisposition for wanderlust. Our older son, now a college senior, seemed to emerge from the womb with a guidebook in his hand preferably to some obscure location like Rarotonga or Saint Pierre and Miquelon, the pair of islands under French control off the Newfoundland coast where he still hankers to go.
But his younger brother, Gabe, has always cherished the nest. For him, home has been the citadel of his enthusiasms, the place where he can let loose on his electric guitar and smother his walls with vinyl record covers, from Buddy Guy to the Black Keys.
So I wasn't sure exactly how he'd react when I suggested that it might be fun to take a trip, just the two of us, in honor of his recent high school graduation. Gabe didn't bat an eyelash. "I want to go to Nashville," he said.
Intellectually, every parent knows that letting go is part of the deal, be it a first solo drive on the Interstate or pulling away from that freshman college dorm. Nevertheless, inviting your 18 year old son to follow his muse on a road trip even though he refuses to let you friend him on Facebook is to enter uncharted emotional terrain. It is to knowingly leap head first down the rabbit hole of teenage passions, wherever they may lead. Mom," Gabe announced on the flight to Tennessee. "I want my own beer when we go to a blues club. It's part of the experience."
The temperature was a peach withering 104 degrees when we landed in Nashville, a fitting gateway for our 900 mile musical road trip, which would take us to Memphis, down Highway 61, the legendary blues route through the Mississippi Delta, and back. For Gabe, Nashville means only one thing: Third Man Records, Jack White's record company and store (he of The White Stripes, The Raconteurs, The Dead Weather and most recently a solo career). Gabe is a member of "The Vault," the record club for rabid Jack fans.
"Don't be weird, mom," he commanded as we approached Third Man's kitsch landmark, a stylized radio tower icon atop a fashionably black industrial building with De Stijl like red and yellow doors.
As a rock star, White tends his image as music critic Adam Gold has observed "with the care of a Japanese garden." Because so many promotional videos have been shot at Third Man, Gabe was already a connoisseur, pointing out rarities under glass. "See that one on the right?" he said of a mini turntable that plays 3 inch White Stripes records, as if referring to an exceptionally fine Egyptian scarab at the Metropolitan Museum. "There are only 400 of these in the world!"
Though Jack (as he is known in our house) was on tour in Europe, we inhabited his life anyway, having lunch at March Artisan Foods in East Nashville, reportedly his favorite brunch place, and dinner twice at Burger Up, where I decided, after some debate, to let Gabe split a beer with me. It turns out that Vault members are excellent travel consultants: They urged us to get tickets to a concert at the historic Ryman Auditorium, a marvel of intimacy, and turned us on to Yazoo Pale Ale.
As a musician, Gabe relishes the individuality of old fashioned record stores, "by far more interesting than downloading MP3 albums off iTunes," he says. In advance of our trip, he promptly drew up a list of every major record store within a 300 mile radius each one a candidate for Clutterers Anonymous. By the time we got to Goner Records in Memphis aptly named, in my opinion I began to identify with all the men who wait for hours outside the dressing rooms at Bloomingdales while their wives or girlfriends examine every ripple in the three way mirror.
Nevertheless, the sight of turntable and headphone "listening stations" in Van Cleef & Arpels gold ring replica record store corners reminded me of my own teenage years in Highland Park, Illinois in the early 60s, when I would rush to Grant Grant, the local record store, every week to listen to '45s and pick up the latest Silver Dollar Survey, a list on actual paper of the Top 40 hits on WLS Radio in Chicago. Unlike Gabe, I had lousy taste: I knew the words to every Herman's Hermits song.
In 1967, my father took to Europe, including London, where I begged to see Carnaby Street, then in all its paisley glory, and visit the real Apple store, the one the Beatles opened on Baker Street. I remember buying a cardboard apple ring there (lord knows what it would fetch on eBay). To my 13 year old eye, the ring went perfectly with my day glo striped mini dress, my dangling blinking eye earrings and my Mary Quant tights. In retrospect, Swinging London wasn't so far from Gabe's Nashville.
But our trip was different: For six nights, my son and I shared a hotel room the reason why God invented bathrobes. Over the miles, Gabe piloted us by GPS to far flung barbecue joints (my choice) and blues clubs (his). His chief worry was whether his middle aged mother would have the stamina for late night music. I confess that more than once, especially when it was 103 degrees at sundown, I had fantasies about a leisurely glass of wine in the lobby of the Peabody Hotel instead of being deafened in a beer soaked bar by a white blues singer in a tight t shirt.
But in following Gabe's lead, I learned and saw things that, had I had my druthers, would have eluded me. I grudgingly agreed to re jigger our itinerary for the twice weekly tour of United Record Pressing in Nashville. It turned out to be utterly riveting: Not only did we learn how records are made, from tiny vinyl pellets to grooves in a finished album, but we watched operators work the same copy Van Cleef & Arpels ring archaic machines they smelled like burning rubber that pressed every Motown single and has continued to churn out thousands of albums a day ever since.
The upstairs was a revelation: the 1960s frozen in time, including a party room with "pleather" sofas frequented by giants like Smokey Robinson and the Supremes. But that history had a sobering side: Hauntingly preserved down to the blonde wood paneling, the company's "Motown Suite" was an apartment created for visiting Motown artists and black record executives who weren't allowed in downtown hotels. "It did a better job at nailing authenticity than most high budget museums," Gabe said later. King Museum and Delta Interpretive replica Van Cleef ring Museum in Indianola).
If not exactly a buddy movie there were moments when I felt like the chauffeur to Gabe's Miss Daisy watching my son doze in the car, as he did as a baby, made me realize how much I have come to rely on his calm, steady presence, so different from my own too frequent panic. I thought about the sound of his electric guitar emanating from his upstairs lair, and how, every night as I crawl into bed, I have to ask him to turn the amplifier down. I considered the melancholy quiet sure to envelop our household when he leaves for college. King. In Robinsonville, a tiny hamlet outside Tunica, now a gambling center on the Mississippi River, we had the bizarre experience of following Casino Strip Boulevard past Harrah's to reach Abbay Leatherman, the cotton plantation where Robert Johnson lived in a tenant shack as a boy in the 1920s, the original white painted brick plantation office still standing.
We drove the hallowed byways, the red clay soil scattered over the two lane blacktop, stopping at Clarksdale juke joints and the Delta Blues Museum, its centerpiece a restored version of Muddy Waters's wood plank cabin from nearby Stovall. King had played.
We listened to Robert Johnson as we headed east down Highway 82 toward Greenwood, past catfish farms and the occasional McMansion. A faint wisp of moon hovered over the soybean fields. Our destination was the Little Zion church, where Johnson, one of the most influential and revered blues musicians of all time, lies in a humble cemetery alive with dragonflies and twisted vines. Both Johnson's life and his death are the stuff of lore; he died in 1938 at age 27 with some suggesting he was poisoned by a jealous husband.
We walked through tall grasses, reading worn headstones embedded in the cracked earth. "There was something distinctly southern about the overgrown feel, with all manner of insects buzzing around our heads," Gabe recalled later. Unlike more tourist friendly stops, he noted, the significant feature Robert Johnson's grave wasn't clearly marked. "We had to search for it," he said. "And this made it feel more special."
If I had intended to impart a life lesson, I couldn't have done better than the one he found himself. Years from now, I hope he will carry it and maybe a few of our 900 miles with him an indelible groove, like a well played record.
Rembrandt drawing
(CNN)A chalk drawing of a dog has been identified as a work by Dutch master Rembrandt van Rijn, after it spent almost 250 years mistakenly credited to a German painter.
Professor Thomas Doring, the museum's curator of prints and drawings, was first alerted to the error two years ago while cataloging the museum's 10,000 drawings for a digital archive.
Old sketch is da Vinci worth $16M, retired doctor is told
"It's been on display for decades under the name of Johann Melchior Roos," he told CNN, "so the idea that this could be a Rembrandt was never considered copy Van Cleef ring before.
"But the boldness of the strokes, the variations in the shading from very gentle to quite violent and the expressive gaze [of the dog] these are very typical idiosyncrasies of Rembrandt's work."
Doring said his experience cataloging drawings by Rembrandt and his pupils during an earlier project Van Cleef & Arpels ring imitation was key to the discovery.
"I was used to looking out for the differences between Rembrandt's work and drawings by other artists," he explained.
To find out whether his suspicions were correct, he visited Vienna, Amsterdam and Paris, studying Rembrandt drawings and enlisting the help of other Rembrandt experts.
This drawing of a lion (1650 1959), belonging to the Rijksmuseum in Amsterdam, is one of the few surviving animal studies by Rembrandt van Rijn.
He said the response to his painstaking work had been unanimously positive.
"Two of the three leading scholars of Rembrandt's drawings told me they were fully convinced Van Cleef ring fake that this is a Rembrandt," he said. "Since then, the third has contacted me to say he also has no doubts."
(CNN)A chalk drawing of a dog has been identified as a work by Dutch master Rembrandt van Rijn, after it spent almost 250 years mistakenly credited to a German painter.
Professor Thomas Doring, the museum's curator of prints and drawings, was first alerted to the error two years ago while cataloging the museum's 10,000 drawings for a digital archive.
Old sketch is da Vinci worth $16M, retired doctor is told
"It's been on display for decades under the name of Johann Melchior Roos," he told CNN, "so the idea that this could be a Rembrandt was never considered copy Van Cleef ring before.
"But the boldness of the strokes, the variations in the shading from very gentle to quite violent and the expressive gaze [of the dog] these are very typical idiosyncrasies of Rembrandt's work."
Doring said his experience cataloging drawings by Rembrandt and his pupils during an earlier project Van Cleef & Arpels ring imitation was key to the discovery.
"I was used to looking out for the differences between Rembrandt's work and drawings by other artists," he explained.
To find out whether his suspicions were correct, he visited Vienna, Amsterdam and Paris, studying Rembrandt drawings and enlisting the help of other Rembrandt experts.
This drawing of a lion (1650 1959), belonging to the Rijksmuseum in Amsterdam, is one of the few surviving animal studies by Rembrandt van Rijn.
He said the response to his painstaking work had been unanimously positive.
"Two of the three leading scholars of Rembrandt's drawings told me they were fully convinced Van Cleef ring fake that this is a Rembrandt," he said. "Since then, the third has contacted me to say he also has no doubts."
Van Gaal settle for a point apiece
Chelsea Manager Jose Mourinho, right, protests during the Barclays Premier League match against Manchester United. Photograph: Laurence Griffiths/Getty ImagesChelsea's Jose Mourinho and his old friend Louis van Gaal of Manchester United had different reasons to be satisfied with a point after their teams drew 1 1 in the Premier League at Old Trafford on Sunday.Robin van Persie snatched a dramatic stoppage time equaliser to earn United a deserved share of the spoils after Didier Drogba, starting for how much is a hermes bag the injured Diego Costa, headed the visitors in front in the 53rd minute from a corner.Chelsea seemed likely to hold out but just before the final whistle Branislav Ivanovic was sent off for a second yellow card and from the free kick Thibaut Courtois saved from Marouane Fellaini but could not keep out Van Persie's fierce follow up. Photograph: Alex Livesey/Getty ImagesIt was only the second time this season Mourinho's side have failed to take all three points, both games being in Manchester, where they also drew 1 1 with City.Mourinho summed up the game as good Manchester United but a fake hermes leather handbags very good Chelsea feeling is that we had a good first half and a fantastic second half, he said.A relieved looking Van Gaal said United's point was deserved."We have created a lot of chances, much more than Chelsea," he said.Referee Phil Dowd shows a red card to Branislav Ivanovic of replica birkin handbags Chelsea after a challenge on Angel Di Maria of Manchester United. Photograph: Laurence Griffiths/Getty ImagesAfter the 36 year old Drogba's goal, Chelsea appeared in charge, and Willian and Ivanovic had chances to extend their lead.United fought back but were repeatedly frustrated.Van Persie fired one shot at point blank range into Nemanja Matic stomach, flattening the midfielder, and had another low left footer saved at the near post by Courtois.Chelsea's Eden Hazard posed a continuous threat as he picked holes in the United defence.For the home team, another Belgium international, Adnan Januzaj, looked dangerous down the wing and fired stinging shots narrowly off target in both halves. Van Persie also came close with a shot and a back header in the first period.Seven wins and two draws from nine games leave Chelsea in an enviable position. United, meanwhile, having briefly reached fourth place, find themselves back in eighth after a second successive draw.The consolation for them is having equalised right at the end again, just as they did in a 2 2 draw at West Bromwich Albion last Monday.Van Persie believes they are steadily improving. "We can be happy with a point," he told Sky Sports. "It's getting better every single day. It's still early doors and we can catch Chelsea, yes."Chelsea's Didier Drogba, left, celebrates after scoring during their English Premier League soccer match against Manchester United at Old Trafford. Photograph: Laurence Griffiths/Getty ImagesA year ago Mourinho had been criticised for Chelsea's negative approach at Old Trafford when he played without a recognised striker and achieved a goalless draw. Without Costa and fellow striker Loic Remy, there might have been a temptation to adopt the same tactics but starting with Drogba in front of Willian, Oscar and Eden Hazard reflected their confidence after an impressive start to the season. Mourinho was reluctant to be drawn on Ivanovic's two yellow cards for fouls on Angel Di Maria but was clearly not happy about the dismissal.Van Gaal, however, said: "I've seen it on television and he touched him two times."United's manager added that what pleased him most was the way his side kept going, saying: "We showed again that we replica hermes bag believe until the end in making a goal."They face a tough assignment next, in the Manchester derby away to City next Sunday. Republication or redistribution of Reuters content, including by framing or similar means, is expressly prohibited without the prior written consent of Reuters. Reuters shall not be liable for any errors or delays in the content, or for any actions taken in reliance thereon.
Chelsea Manager Jose Mourinho, right, protests during the Barclays Premier League match against Manchester United. Photograph: Laurence Griffiths/Getty ImagesChelsea's Jose Mourinho and his old friend Louis van Gaal of Manchester United had different reasons to be satisfied with a point after their teams drew 1 1 in the Premier League at Old Trafford on Sunday.Robin van Persie snatched a dramatic stoppage time equaliser to earn United a deserved share of the spoils after Didier Drogba, starting for how much is a hermes bag the injured Diego Costa, headed the visitors in front in the 53rd minute from a corner.Chelsea seemed likely to hold out but just before the final whistle Branislav Ivanovic was sent off for a second yellow card and from the free kick Thibaut Courtois saved from Marouane Fellaini but could not keep out Van Persie's fierce follow up. Photograph: Alex Livesey/Getty ImagesIt was only the second time this season Mourinho's side have failed to take all three points, both games being in Manchester, where they also drew 1 1 with City.Mourinho summed up the game as good Manchester United but a fake hermes leather handbags very good Chelsea feeling is that we had a good first half and a fantastic second half, he said.A relieved looking Van Gaal said United's point was deserved."We have created a lot of chances, much more than Chelsea," he said.Referee Phil Dowd shows a red card to Branislav Ivanovic of replica birkin handbags Chelsea after a challenge on Angel Di Maria of Manchester United. Photograph: Laurence Griffiths/Getty ImagesAfter the 36 year old Drogba's goal, Chelsea appeared in charge, and Willian and Ivanovic had chances to extend their lead.United fought back but were repeatedly frustrated.Van Persie fired one shot at point blank range into Nemanja Matic stomach, flattening the midfielder, and had another low left footer saved at the near post by Courtois.Chelsea's Eden Hazard posed a continuous threat as he picked holes in the United defence.For the home team, another Belgium international, Adnan Januzaj, looked dangerous down the wing and fired stinging shots narrowly off target in both halves. Van Persie also came close with a shot and a back header in the first period.Seven wins and two draws from nine games leave Chelsea in an enviable position. United, meanwhile, having briefly reached fourth place, find themselves back in eighth after a second successive draw.The consolation for them is having equalised right at the end again, just as they did in a 2 2 draw at West Bromwich Albion last Monday.Van Persie believes they are steadily improving. "We can be happy with a point," he told Sky Sports. "It's getting better every single day. It's still early doors and we can catch Chelsea, yes."Chelsea's Didier Drogba, left, celebrates after scoring during their English Premier League soccer match against Manchester United at Old Trafford. Photograph: Laurence Griffiths/Getty ImagesA year ago Mourinho had been criticised for Chelsea's negative approach at Old Trafford when he played without a recognised striker and achieved a goalless draw. Without Costa and fellow striker Loic Remy, there might have been a temptation to adopt the same tactics but starting with Drogba in front of Willian, Oscar and Eden Hazard reflected their confidence after an impressive start to the season. Mourinho was reluctant to be drawn on Ivanovic's two yellow cards for fouls on Angel Di Maria but was clearly not happy about the dismissal.Van Gaal, however, said: "I've seen it on television and he touched him two times."United's manager added that what pleased him most was the way his side kept going, saying: "We showed again that we replica hermes bag believe until the end in making a goal."They face a tough assignment next, in the Manchester derby away to City next Sunday. Republication or redistribution of Reuters content, including by framing or similar means, is expressly prohibited without the prior written consent of Reuters. Reuters shall not be liable for any errors or delays in the content, or for any actions taken in reliance thereon.
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Viajar de Estados Unidos a Cuba
La Habana (CNN) Louis y Bonnie Waterer dedicarn su retiro Hermes birkin bags fake a llenar sus pasaportes. "Hay un montn de personas que tratan de visitar 100 pases antes de morir", explic Louis. "Para nosotros este es el nmero 92". El nmero 92 para los Waterer es Cuba.
Sin embargo, hasta hace algunos aos, viajar a Cuba hubiera sido poco menos que imposible, hasta para los viajeros intrpidos como los Waterer.
Despus de que Fidel Castro asumi el poder en 1959, Cuba pas de ser el destino favorito de los estadounidenses a ser un destino prohibido. Las relaciones diplomticas y los viajes directos entre Estados Unidos y Cuba se suspendieron. Los ciudadanos estadounidenses que invertan dinero en la isla eran sujetos a fuertes multas por "negociar con el enemigo".
Sin embargo, tras dcadas de salidas en falso, el gobierno de Obama ha reimplantado los viajes legales a Cuba como una va para llegar al pueblo cubano. Se le llama viaje "persona a persona", y como casi todo lo que tiene que ver con Cuba, la poltica y la controversia estn involucradas.
"Cada viajero debe tener un itinerario de tiempo completo para las actividades de intercambio educativo que tenga como resultado la interaccin significativa entre los viajeros y las personas en Cuba", indica la gua de viajes persona a persona del departamento del Tesoro de Estados Unidos.
Mientras que la medida ha desatado el debate acerca del significado de un intercambio "significativo", una avalancha de operadores tursticos ha entrado en el an incierto mundo de los viajes a Cuba.
Los estadounidenses que estn interesados en visitar Cuba reciben gratis discos de msica cubana e itinerarios que contemplan fiestas de bienvenida organizadas por los Comits para la Defensa de la Revolucin, grupos comunitarios de vigilancia creados originalmente con la intencin de frustrar una invasin estadounidense.
Los visitantes estadounidenses que vayan a Cuba en un viaje persona a persona no deberan planear pasar mucho tiempo fake hermes leather handbags en la playa. Segn los lineamientos del Tesoro, los operadores tursticos deben planear prcticamente cada momento del viaje; los viajes "persona a persona" excluyen relajarse junto a la alberca disfrutando de una bebida adornada con una sombrilla, al menos en teora.
La mayora de los estadounidenses que se dirigen a Cuba van con el deseo de establecer una conexin con la gente con la que se les ha prohibido tener replica hermes handbags contacto por generaciones, de acuerdo con Tom Popper, presidente del operador turstico Insight Cuba. "Es increble que estemos reuniendo a los estadounidenses y a los cubanos", dijo Popper. "Es una experiencia de viaje para los estadounidenses, es increble para los cubanos. Algunas personas en ciertas partes de Cuba a las que vamos nunca han visto un estadounidense".
Los viajes persona a persona no son baratos ni sencillos. El viaje "Fin de semana en La Habana", de cuatro noches, operado por Insight Cuba, cuesta cerca de 2,000 dlares por persona, sin el boleto de avin. Popper dijo que el viaje es caro debido a que los operadores tienen que enviar guas con sus grupos para asegurarse de que cumplan con las regulaciones del viaje, y que renovar las licencias estadounidenses cada ao puede tomar meses de navegar en las complicadas aguas de la burocracia.
Este verano, muchos operadores se preguntaron si los viajes persona a persona terminaran por completo, luego de que el departamento del Tesoro empezara a negar los permisos a los operadores o simplemente no responda a las solicitudes de renovacin.
Varios operadores tursticos se pusieron en contacto con CNN y declararon que el proceso pudo haberse estancado porque la solicitud de renovacin ahora cuenta con cerca de 200 pginas y requiere que los operadores detallen cmo cada parada del itinerario fomenta la amistad entre los estadounidenses y los cubanos.
"Haces lo que se supone que tienes que hacer y cambian las reglas en el proceso. Los lineamientos son vagos", dijo Michael Sykes, quien diriga la hoy extinta agencia Cuba Cultural Tours. Sykes despidi a cuatro empleados luego de que su permiso expirara en julio y se le negara la renovacin.
"El lenguaje es tan crptico y burocrtico", dijo. "No cualquier persona puede hacerlo, tienes que entender el idioma secreto". Ahora Sykes ha contratado a lo que llama un abogado "endiabladamente caro" para que lo gue a travs del proceso y espera que para finales de ao est organizando viajes a Cuba de nueva cuenta.
Algunos de los operadores declararon que pensaban que el bloqueo a los permisos surge de las presiones polticas, en particular del senador republicano por Florida, Marco Rubio, quien es de origen cubano y es feroz crtico de los viajes.
"Estos viajes son meramente tursticos, es turismo", dijo Rubio ante el Senado el ao pasado. "La razn por la que esto es un problema es porque se da dinero al gobierno de Castro".
Jeff Braunger, funcionario del departamento del Tesoro, encargado del programa de permisos para Cuba, dijo a travs de un correo electrnico que el departamento ha autorizado permisos para 180 operadores tursticos que cumplen con la ley.
"Revisamos los criterios de las solicitudes para permisos para que los solicitantes entiendan la seriedad de los requisitos del programa de permisos para viajes persona a persona, en parte porque hemos recibido reportes relativos a los viajes sujetos a estos permisos", escribi Braunger.
Sin embargo, algunos de los operadores dijeron que los viajes a Cuba son cada vez ms engorrosos y caros pero las polticas no mejoran. Un organizador de viajes mencion el viaje de un competidor al que se le concedi recientemente el permiso, en el que se inclua un da de buceo. "Se supone que es persona a persona, no persona a pez", dijo el operador.
Tambin del lado cubano existen complicaciones, de acuerdo con los operadores. El mes pasado, el gobierno cubano cancel abruptamente los permisos de aterrizaje de dos compaas estadounidenses de vuelos de alquiler que operaban viajes hacia la isla, aduciendo un problema de pagos.
Sin embargo, los operadores tursticos dijeron que vale la pena soportar las penurias con tal de tener la oportunidad de participar antes que nadie en el turismo estadounidense en Cuba, que seguramente tendr un auge una vez que se levante el embargo.
"Estamos de nuevo en operaciones y esperamos seguir as", dijo el presidente de Insight Cuba, Tom Popper. Popper tuvo que despedir a 22 personas mientras esperaba durante 22 meses la renovacin del permiso de la empresa; desde entonces ha recontratado a 17.
Durante un viaje organizado por Insight Cuba, el mes pasado, 12 estadounidenses pasaron toda la maana hablando con los cubanos en un proyecto de arte comunitario.
Michael Pettit, un abogado de Charlestown, Carolina del Sur, dijo estar sorprendido por los muchos contrastes que encontr en Cuba durante su primer viaje persona a persona, efectuado en mayo.
"Amo Cuba", replica birkin handbags dijo. "La historia, la msica, la gente, las fotografas; todo es hermoso". Pettit dijo que la poltica y la incertidumbre que rodea a los viajes a Cuba desde Estados Unidos lo persuadieron de reservar otro viaje de inmediato. "Una de las razones por las que regres es que nunca sabes cuando podrs volver a ir legalmente".
La Habana (CNN) Louis y Bonnie Waterer dedicarn su retiro Hermes birkin bags fake a llenar sus pasaportes. "Hay un montn de personas que tratan de visitar 100 pases antes de morir", explic Louis. "Para nosotros este es el nmero 92". El nmero 92 para los Waterer es Cuba.
Sin embargo, hasta hace algunos aos, viajar a Cuba hubiera sido poco menos que imposible, hasta para los viajeros intrpidos como los Waterer.
Despus de que Fidel Castro asumi el poder en 1959, Cuba pas de ser el destino favorito de los estadounidenses a ser un destino prohibido. Las relaciones diplomticas y los viajes directos entre Estados Unidos y Cuba se suspendieron. Los ciudadanos estadounidenses que invertan dinero en la isla eran sujetos a fuertes multas por "negociar con el enemigo".
Sin embargo, tras dcadas de salidas en falso, el gobierno de Obama ha reimplantado los viajes legales a Cuba como una va para llegar al pueblo cubano. Se le llama viaje "persona a persona", y como casi todo lo que tiene que ver con Cuba, la poltica y la controversia estn involucradas.
"Cada viajero debe tener un itinerario de tiempo completo para las actividades de intercambio educativo que tenga como resultado la interaccin significativa entre los viajeros y las personas en Cuba", indica la gua de viajes persona a persona del departamento del Tesoro de Estados Unidos.
Mientras que la medida ha desatado el debate acerca del significado de un intercambio "significativo", una avalancha de operadores tursticos ha entrado en el an incierto mundo de los viajes a Cuba.
Los estadounidenses que estn interesados en visitar Cuba reciben gratis discos de msica cubana e itinerarios que contemplan fiestas de bienvenida organizadas por los Comits para la Defensa de la Revolucin, grupos comunitarios de vigilancia creados originalmente con la intencin de frustrar una invasin estadounidense.
Los visitantes estadounidenses que vayan a Cuba en un viaje persona a persona no deberan planear pasar mucho tiempo fake hermes leather handbags en la playa. Segn los lineamientos del Tesoro, los operadores tursticos deben planear prcticamente cada momento del viaje; los viajes "persona a persona" excluyen relajarse junto a la alberca disfrutando de una bebida adornada con una sombrilla, al menos en teora.
La mayora de los estadounidenses que se dirigen a Cuba van con el deseo de establecer una conexin con la gente con la que se les ha prohibido tener replica hermes handbags contacto por generaciones, de acuerdo con Tom Popper, presidente del operador turstico Insight Cuba. "Es increble que estemos reuniendo a los estadounidenses y a los cubanos", dijo Popper. "Es una experiencia de viaje para los estadounidenses, es increble para los cubanos. Algunas personas en ciertas partes de Cuba a las que vamos nunca han visto un estadounidense".
Los viajes persona a persona no son baratos ni sencillos. El viaje "Fin de semana en La Habana", de cuatro noches, operado por Insight Cuba, cuesta cerca de 2,000 dlares por persona, sin el boleto de avin. Popper dijo que el viaje es caro debido a que los operadores tienen que enviar guas con sus grupos para asegurarse de que cumplan con las regulaciones del viaje, y que renovar las licencias estadounidenses cada ao puede tomar meses de navegar en las complicadas aguas de la burocracia.
Este verano, muchos operadores se preguntaron si los viajes persona a persona terminaran por completo, luego de que el departamento del Tesoro empezara a negar los permisos a los operadores o simplemente no responda a las solicitudes de renovacin.
Varios operadores tursticos se pusieron en contacto con CNN y declararon que el proceso pudo haberse estancado porque la solicitud de renovacin ahora cuenta con cerca de 200 pginas y requiere que los operadores detallen cmo cada parada del itinerario fomenta la amistad entre los estadounidenses y los cubanos.
"Haces lo que se supone que tienes que hacer y cambian las reglas en el proceso. Los lineamientos son vagos", dijo Michael Sykes, quien diriga la hoy extinta agencia Cuba Cultural Tours. Sykes despidi a cuatro empleados luego de que su permiso expirara en julio y se le negara la renovacin.
"El lenguaje es tan crptico y burocrtico", dijo. "No cualquier persona puede hacerlo, tienes que entender el idioma secreto". Ahora Sykes ha contratado a lo que llama un abogado "endiabladamente caro" para que lo gue a travs del proceso y espera que para finales de ao est organizando viajes a Cuba de nueva cuenta.
Algunos de los operadores declararon que pensaban que el bloqueo a los permisos surge de las presiones polticas, en particular del senador republicano por Florida, Marco Rubio, quien es de origen cubano y es feroz crtico de los viajes.
"Estos viajes son meramente tursticos, es turismo", dijo Rubio ante el Senado el ao pasado. "La razn por la que esto es un problema es porque se da dinero al gobierno de Castro".
Jeff Braunger, funcionario del departamento del Tesoro, encargado del programa de permisos para Cuba, dijo a travs de un correo electrnico que el departamento ha autorizado permisos para 180 operadores tursticos que cumplen con la ley.
"Revisamos los criterios de las solicitudes para permisos para que los solicitantes entiendan la seriedad de los requisitos del programa de permisos para viajes persona a persona, en parte porque hemos recibido reportes relativos a los viajes sujetos a estos permisos", escribi Braunger.
Sin embargo, algunos de los operadores dijeron que los viajes a Cuba son cada vez ms engorrosos y caros pero las polticas no mejoran. Un organizador de viajes mencion el viaje de un competidor al que se le concedi recientemente el permiso, en el que se inclua un da de buceo. "Se supone que es persona a persona, no persona a pez", dijo el operador.
Tambin del lado cubano existen complicaciones, de acuerdo con los operadores. El mes pasado, el gobierno cubano cancel abruptamente los permisos de aterrizaje de dos compaas estadounidenses de vuelos de alquiler que operaban viajes hacia la isla, aduciendo un problema de pagos.
Sin embargo, los operadores tursticos dijeron que vale la pena soportar las penurias con tal de tener la oportunidad de participar antes que nadie en el turismo estadounidense en Cuba, que seguramente tendr un auge una vez que se levante el embargo.
"Estamos de nuevo en operaciones y esperamos seguir as", dijo el presidente de Insight Cuba, Tom Popper. Popper tuvo que despedir a 22 personas mientras esperaba durante 22 meses la renovacin del permiso de la empresa; desde entonces ha recontratado a 17.
Durante un viaje organizado por Insight Cuba, el mes pasado, 12 estadounidenses pasaron toda la maana hablando con los cubanos en un proyecto de arte comunitario.
Michael Pettit, un abogado de Charlestown, Carolina del Sur, dijo estar sorprendido por los muchos contrastes que encontr en Cuba durante su primer viaje persona a persona, efectuado en mayo.
"Amo Cuba", replica birkin handbags dijo. "La historia, la msica, la gente, las fotografas; todo es hermoso". Pettit dijo que la poltica y la incertidumbre que rodea a los viajes a Cuba desde Estados Unidos lo persuadieron de reservar otro viaje de inmediato. "Una de las razones por las que regres es que nunca sabes cuando podrs volver a ir legalmente".
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Hindu Mahasabha activists vandalise Pakistan airline office in DelhiWelcome action against Jaish e Van Cleef & Arpels bracelet fake Mohammad as positive first step by Pak: MEAAmit Shah celebrates Makar SankrantiForeign secretary level talks with Pakistan put on holdWreath laying ceremony of 1971 war hero Lt Gen JFR JacobPilgrims take holy dip on Makar SankrantiCreate Your Own AdAdvertise with usFeedbackTOI Mobile
Terms of Use and Grievance Redressal PolicyRSSePaperArchivesTop TrendsJames Gunn: David Bowie cameo was discussed for 'Guardians' sequelB town 'thanks' David Bowie for introducing 'amazing' music10 killed, 15 wounded after explosion at major tourist hub in Istanbul
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Remembering A 'Babe' Sports Fans Shouldn't Forget
In 2000, Sports Illustrated named its 100 top athletes of the 20th century. There are names you no doubt are familiar with Babe Ruth, Muhammad Ali, and of course Michael Jordan. She is the only woman in the top 10.
In the 1920s and 30s, Babe Didrikson proved a girl could be a phenomenal all around athlete. Women's Open championships before she died of cancer when she was only 45. This weekend, Babe Didrikson would be 100 years old. has written a new book about the life of Babe Didrikson called Wonder Girl: The Magnificent Sporting Life of Babe Didrikson Zaharias. He tells NPR's Rachel Martin that Babe "excelled at every sport she tried to play."
Little Girl, Big Dreams
Babe Didrikson grew up in a poor family in Beaumont, Texas, where she was often seen running around the neighborhood barefoot, causing mischief when she wasn't playing sports with the local boys and girls.
"Around the age of 12 or 13 she became aware of the Olympics and she declared she was going to become the greatest athlete of all time. She didn't say woman athlete, she just said greatest athlete."
Even though Babe wasn't concerned with the gender and class issues of the time, she soon learned that women copy Van Cleef & Arpels gold diamond pendant were not supposed to play sports, and she would have to get a job with a business to play professionally for their team.
So Babe left high school to work for a company called Employers Casualty Insurance and play for their basketball team, the Golden Cyclones.
Most companies that had these types of women's athletic teams would send over a dozen girls to national competitions, but McCombs knew that sending Babe alone replica Van Cleef & Arpels Alhambra necklace would draw unprecedented publicity and he truly believed Babe could win the national championship on her own.
He was right.
"Babe Didrikson won five events [broad jump, baseball throw, shot put, javelin, and 80 meter hurdles] within three hours and single handedly won the national track championship."
In the process, she qualified for three Olympic events: the 80 meter hurdles, high jump and javelin.
An Ego The Size of Texas
Babe Didrikson knew she was good, and she wasn't afraid to brag. Van Natta says her self confidence sometimes upset her teammates.
"She would show up and say, you know, who's going to come in second today, Babe is here! And that over confidence really, she was a pain in the neck I think intimidated many of her opponents throughout her career and really worked in her favor."
The more championships Babe won the more her confidence grew. But after Babe won two gold medals and one silver medal for track and field in the 1932 Los Angeles Olympics, the press turned on her and began to question her gender.
"It was all men writing nasty things about her (.) and it really did get under her skin. It bothered her a lot but she dug in and just kept at it."
Babe did eventually fall in love and get married to George Zaharias, who was a professional wrestler known popularly as "The Crying Greek from Cripple Creek."
More On Babe Didrikson Zaharias
Golfer Marilynn Smith On 'Babe' Didrikson Zaharias
A Golf Swing With A Twist
It wasn't until Babe was 21 that she started seriously playing golf the sport she is best remembered for today. Opens.
Babe liked to tell people she was a natural, but that wasn't entirely true.
Van Natta says Babe was a bit of a con artist; "She really knew how to turn on members of the press core with almost a fairy tale story."
"For instance, she would go out and shoot an 80 on the golf course [then] would tell the Van Cleef & Arpels Alhambra diamond bracelet replica reporters that she shot a 71 or a 72. And she would justify it by saying well they don't want to hear I shot an 80, they want to hear I shot a 71. And the press bought it."
Prologue: Matinee at the Palace
They began lining up for the early matinee at the Palace Theater not long after dawn. Blazing in block letters on the theater's marquee were the names Fifi D'Orsay, a B movie actress usually cast as a saucy French girl, and a musical group called Bob Murphy and the California Collegians. But no one had scrambled out of bed on a frosty Chicago winter morning for them. No, the people had come to witness the unlikeliest of vaudeville debuts, the invitation glowing high atop the theater's marquee: "babe" Didrikson in person world's greatest woman athlete. High above the Palace roof, a single gigantic word babe shimmered in golden lights, an electric carnival barker shouting the name into the sky.
It was January 27, 1933, and the people had come to find out the answer to a peculiar question: Is there anything Babe Didrikson cannot do? Practically every sports fan in America could recite the highlights of Babe's all sport resume: how she could run fast and far and jump high and long. They knew she could throw a nasty curveball and smash a baseball into the next county. They knew she was an all American basketball player, outfoxing defenders with quickness and guile, head fakes, and stutter steps. She could swim with speed and endurance, scamper across a gridiron wearing pads and a helmet, and outhit and outwit the sharpest billiards hustlers. They knew Babe had stormed her way into the worldwide sports pantheon at the 1932 Olympic Games in Los Angeles, winning two gold medals and a silver medal while etching her name in the record books.
In 2000, Sports Illustrated named its 100 top athletes of the 20th century. There are names you no doubt are familiar with Babe Ruth, Muhammad Ali, and of course Michael Jordan. She is the only woman in the top 10.
In the 1920s and 30s, Babe Didrikson proved a girl could be a phenomenal all around athlete. Women's Open championships before she died of cancer when she was only 45. This weekend, Babe Didrikson would be 100 years old. has written a new book about the life of Babe Didrikson called Wonder Girl: The Magnificent Sporting Life of Babe Didrikson Zaharias. He tells NPR's Rachel Martin that Babe "excelled at every sport she tried to play."
Little Girl, Big Dreams
Babe Didrikson grew up in a poor family in Beaumont, Texas, where she was often seen running around the neighborhood barefoot, causing mischief when she wasn't playing sports with the local boys and girls.
"Around the age of 12 or 13 she became aware of the Olympics and she declared she was going to become the greatest athlete of all time. She didn't say woman athlete, she just said greatest athlete."
Even though Babe wasn't concerned with the gender and class issues of the time, she soon learned that women copy Van Cleef & Arpels gold diamond pendant were not supposed to play sports, and she would have to get a job with a business to play professionally for their team.
So Babe left high school to work for a company called Employers Casualty Insurance and play for their basketball team, the Golden Cyclones.
Most companies that had these types of women's athletic teams would send over a dozen girls to national competitions, but McCombs knew that sending Babe alone replica Van Cleef & Arpels Alhambra necklace would draw unprecedented publicity and he truly believed Babe could win the national championship on her own.
He was right.
"Babe Didrikson won five events [broad jump, baseball throw, shot put, javelin, and 80 meter hurdles] within three hours and single handedly won the national track championship."
In the process, she qualified for three Olympic events: the 80 meter hurdles, high jump and javelin.
An Ego The Size of Texas
Babe Didrikson knew she was good, and she wasn't afraid to brag. Van Natta says her self confidence sometimes upset her teammates.
"She would show up and say, you know, who's going to come in second today, Babe is here! And that over confidence really, she was a pain in the neck I think intimidated many of her opponents throughout her career and really worked in her favor."
The more championships Babe won the more her confidence grew. But after Babe won two gold medals and one silver medal for track and field in the 1932 Los Angeles Olympics, the press turned on her and began to question her gender.
"It was all men writing nasty things about her (.) and it really did get under her skin. It bothered her a lot but she dug in and just kept at it."
Babe did eventually fall in love and get married to George Zaharias, who was a professional wrestler known popularly as "The Crying Greek from Cripple Creek."
More On Babe Didrikson Zaharias
Golfer Marilynn Smith On 'Babe' Didrikson Zaharias
A Golf Swing With A Twist
It wasn't until Babe was 21 that she started seriously playing golf the sport she is best remembered for today. Opens.
Babe liked to tell people she was a natural, but that wasn't entirely true.
Van Natta says Babe was a bit of a con artist; "She really knew how to turn on members of the press core with almost a fairy tale story."
"For instance, she would go out and shoot an 80 on the golf course [then] would tell the Van Cleef & Arpels Alhambra diamond bracelet replica reporters that she shot a 71 or a 72. And she would justify it by saying well they don't want to hear I shot an 80, they want to hear I shot a 71. And the press bought it."
Prologue: Matinee at the Palace
They began lining up for the early matinee at the Palace Theater not long after dawn. Blazing in block letters on the theater's marquee were the names Fifi D'Orsay, a B movie actress usually cast as a saucy French girl, and a musical group called Bob Murphy and the California Collegians. But no one had scrambled out of bed on a frosty Chicago winter morning for them. No, the people had come to witness the unlikeliest of vaudeville debuts, the invitation glowing high atop the theater's marquee: "babe" Didrikson in person world's greatest woman athlete. High above the Palace roof, a single gigantic word babe shimmered in golden lights, an electric carnival barker shouting the name into the sky.
It was January 27, 1933, and the people had come to find out the answer to a peculiar question: Is there anything Babe Didrikson cannot do? Practically every sports fan in America could recite the highlights of Babe's all sport resume: how she could run fast and far and jump high and long. They knew she could throw a nasty curveball and smash a baseball into the next county. They knew she was an all American basketball player, outfoxing defenders with quickness and guile, head fakes, and stutter steps. She could swim with speed and endurance, scamper across a gridiron wearing pads and a helmet, and outhit and outwit the sharpest billiards hustlers. They knew Babe had stormed her way into the worldwide sports pantheon at the 1932 Olympic Games in Los Angeles, winning two gold medals and a silver medal while etching her name in the record books.
Professor Robyn O'Hehir
Director, Department of , Immunology and Respiratory Medicine, Alfred Hospital
Professor and Head of Department of , Clinical Immunology and Respiratory Medicine, Central Clinical School, Monash University
Department of , Immunology and Respiratory Medicine
89
Professor Robyn O is internationally acclaimed as a key researcher in allergy and respiratory immunology. Over 25 years, she invented and established the feasibility of cloning allergen specific T cells to define T cell epitopes. She has an active patent portfolio in translational research. This research has translated into practical immunotherapy for house dust mite and grass pollen aeroallergens, and soon for peanut allergy, all progressing in trials or to the clinic. As a respiratory physician, she has pioneered use of the natural anti inflammatory follistatin in cystic fibrosis. She was the first adult physician to hold a full Professorship in allergy in Australia, is a Life Governor of Asthma Victoria, and has more than 230 publications with over 10,000 career citations. In 2015 she was honoured by election as a Fellow of the Australian Academy of Health and Medical Sciences and a Fellow of the Thoracic Society of Australia and New Zealand.
The contribution of Professor O to the allergy and respiratory field ranges from T cell epitope mapping of allergens, through translational research on novel immunogens designed to invoke protective immunity, to clinical research on the pathophysiology and management of asthma. The importance of her research is reflected by her success in competitive grant funding including continuous NHMRC funding (21 NH or ARC grants over her career at Monash/Alfred since 1997) Medical Cartier love ring copy Research Commercialisation Fund, Cooperative Research Centre for Asthma and , Ilhan Food Foundation, CASS Foundation and Alfred Research Trusts. In 2007 she was honoured by the NHMRC as one of ten Minds in Australian Research Professor O also contributes to the community through membership of World Organisation committees, the European Academy of and Clinical Immunology committee on International Consensus of Allergen Immunotherapy and the Governing Board of Cabrini Health. Professor O currently serves as Editor of the international journal Clinical and Experimental . She is regularly invited to give plenary and symposium keynote talks at national and international meetings. Professor O is Director of the Department of , Immunology and Respiratory Medicine at The Alfred Hospital studying and treating the full range of cartier earringsreplica allergic and respiratory conditions. imitation cartier love jewelry She is noted for offering the highest quality of leadership to a broadly based Department, with strong areas of basic research, clinical research, public health commitment and specialist clinical practice. She is actively engaged in national and international clinical trials, to ensure that her combined research and clinical duties focus on translation of research findings into improved Hospital and community clinical practice.
Current Research Focus
Professor O research targets allergy and inflammation, addressing fundamental issues (such as the molecular characterisation of allergens, and regulators of the inflammatory response to allergens) in the context of translation to the clinic, emphasising prevention of harmful clinical outcomes such as anaphylaxis and inflammation mediated fibrosis. She has a particular clinical and research interest in grass pollen, peanut and seafood allergy with a view to developing safe and effective diagnostics and immunotherapy for these allergic diseases. Additionally she has an active translational research program seeking to progress research and clinical trials into the role cartier love yellow golg ring replica of follistatin as a therapeutic for inflammatory lung disorders including cystic fibrosis and idiopathic pulmonary fibrosis.trend knockoff cartier rose gold bangle Galvanized steel You deserve it Let us know about concerning its in detail
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Director, Department of , Immunology and Respiratory Medicine, Alfred Hospital
Professor and Head of Department of , Clinical Immunology and Respiratory Medicine, Central Clinical School, Monash University
Department of , Immunology and Respiratory Medicine
89
Professor Robyn O is internationally acclaimed as a key researcher in allergy and respiratory immunology. Over 25 years, she invented and established the feasibility of cloning allergen specific T cells to define T cell epitopes. She has an active patent portfolio in translational research. This research has translated into practical immunotherapy for house dust mite and grass pollen aeroallergens, and soon for peanut allergy, all progressing in trials or to the clinic. As a respiratory physician, she has pioneered use of the natural anti inflammatory follistatin in cystic fibrosis. She was the first adult physician to hold a full Professorship in allergy in Australia, is a Life Governor of Asthma Victoria, and has more than 230 publications with over 10,000 career citations. In 2015 she was honoured by election as a Fellow of the Australian Academy of Health and Medical Sciences and a Fellow of the Thoracic Society of Australia and New Zealand.
The contribution of Professor O to the allergy and respiratory field ranges from T cell epitope mapping of allergens, through translational research on novel immunogens designed to invoke protective immunity, to clinical research on the pathophysiology and management of asthma. The importance of her research is reflected by her success in competitive grant funding including continuous NHMRC funding (21 NH or ARC grants over her career at Monash/Alfred since 1997) Medical Cartier love ring copy Research Commercialisation Fund, Cooperative Research Centre for Asthma and , Ilhan Food Foundation, CASS Foundation and Alfred Research Trusts. In 2007 she was honoured by the NHMRC as one of ten Minds in Australian Research Professor O also contributes to the community through membership of World Organisation committees, the European Academy of and Clinical Immunology committee on International Consensus of Allergen Immunotherapy and the Governing Board of Cabrini Health. Professor O currently serves as Editor of the international journal Clinical and Experimental . She is regularly invited to give plenary and symposium keynote talks at national and international meetings. Professor O is Director of the Department of , Immunology and Respiratory Medicine at The Alfred Hospital studying and treating the full range of cartier earringsreplica allergic and respiratory conditions. imitation cartier love jewelry She is noted for offering the highest quality of leadership to a broadly based Department, with strong areas of basic research, clinical research, public health commitment and specialist clinical practice. She is actively engaged in national and international clinical trials, to ensure that her combined research and clinical duties focus on translation of research findings into improved Hospital and community clinical practice.
Current Research Focus
Professor O research targets allergy and inflammation, addressing fundamental issues (such as the molecular characterisation of allergens, and regulators of the inflammatory response to allergens) in the context of translation to the clinic, emphasising prevention of harmful clinical outcomes such as anaphylaxis and inflammation mediated fibrosis. She has a particular clinical and research interest in grass pollen, peanut and seafood allergy with a view to developing safe and effective diagnostics and immunotherapy for these allergic diseases. Additionally she has an active translational research program seeking to progress research and clinical trials into the role cartier love yellow golg ring replica of follistatin as a therapeutic for inflammatory lung disorders including cystic fibrosis and idiopathic pulmonary fibrosis.
Magnificent Jewels
Estimate: 15,000 22,000In terms of its unique design, this jewel could have been made today, but the craftsmanship would challenge most contemporary goldsmiths. It may not be to everyone's taste but you have to admire the bravery in creating a work of art for "stock" (without having a specific order or person in mind), something that very few jewellers can pull off successfully.
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Lot 471: A rock crystal and diamond "Feuillage" brooch, by Suzanne Belperron, circa 1950
Estimate: 22,000 30,500Suzanne Belperron's sculptural jewels convey a real sense of movement which is no easy feat. Her attention to detail, commitment and understanding of the material she is working with produces jewels that are timeless and very sought after. It will be interesting to see which gets the higher price, lot 490 or lot 471.
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Estimate: 184,000 305,000I have just come back from visiting the new Cartier Style and History exhibition at the Grand Palais in Paris (which I urge all jewellery lovers to go and see) which contains a number of Tutti Frutti jewels similar to this piece. However, it's very cartier love golg ring fake rare to see one set with oval shaped jade cabochons, like this unusual bracelet.
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Estimate: 19,000 30,500These sculptural jewels first caught my eye because of their originality. Designed by Suzanne Belperron a visionary of her time who led jewels away from being calculated for their intrinsic value to being replica cartier love yellow golg ring viewed as works of art this set is bold and sophisticated and bound to attract a lot of attention at auction.classic copy cartier white ring nonrust steel You deserve it Let us come know about regarding its detailed
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Estimate: 15,000 22,000In terms of its unique design, this jewel could have been made today, but the craftsmanship would challenge most contemporary goldsmiths. It may not be to everyone's taste but you have to admire the bravery in creating a work of art for "stock" (without having a specific order or person in mind), something that very few jewellers can pull off successfully.
THE MOVER
Lot 471: A rock crystal and diamond "Feuillage" brooch, by Suzanne Belperron, circa 1950
Estimate: 22,000 30,500Suzanne Belperron's sculptural jewels convey a real sense of movement which is no easy feat. Her attention to detail, commitment and understanding of the material she is working with produces jewels that are timeless and very sought after. It will be interesting to see which gets the higher price, lot 490 or lot 471.
THE RARE FIND
Lot 492: An cartier love yellow golg ring fake art deco diamond and multi gem "Tutti Frutti" bracelet by Cartier
Estimate: 184,000 305,000I have just come back from visiting the new Cartier Style and History exhibition at the Grand Palais in Paris (which I urge all jewellery lovers to go and see) which contains a number of Tutti Frutti jewels similar to this piece. However, it's very cartier love golg ring fake rare to see one set with oval shaped jade cabochons, like this unusual bracelet.
JOANNA'S STAR LOT
Lot 468: A pair of citrine and 18 carat gold "Melon Slice" cuffs fake cartier love golg ring and brooch, circa 1935, brooch has maker's marks for Ren Boivin.
Estimate: 19,000 30,500These sculptural jewels first caught my eye because of their originality. Designed by Suzanne Belperron a visionary of her time who led jewels away from being calculated for their intrinsic value to being replica cartier love yellow golg ring viewed as works of art this set is bold and sophisticated and bound to attract a lot of attention at auction.
Van Gogh's Sunflowers
Sometimes a work of art is so dazzlingly famous that it can blind people to its original context and meaning. That surely is the case with Vincent van Gogh Sunflowers.
Take the version in London National Gallery that the Dutch artist painted in Arles in the South of France in August 1888. Fifteen sunflowers erupt out of a simple earthenware pot against a blazing yellow background. Some of the flowers are fresh and perky, ringed with halos of flickering, flame like petals. Others are going to seed and have begun to droop.
In part a meditation on the vagaries of time, the picture gives a dynamic, ferociously colourful twist to the long tradition of Dutch flower painting stretching back to the 17th Century. Since it entered the National Gallery collection in 1924, it has also proved phenomenally popular. Last year, more postcards of this painting were sold in the gallery shop the exact figure was 26,110 than of any other picture in the entire collection.
View image of Van Gogh most famous sunflower still life hangs at London National Gallery.
But many of the more than 5m people who visit the National Gallery every year will be unaware that the painting belongs to a series of four extraordinary sunflower replica hermes handbags outlet still lifes that Van Gogh created in less than a week during the summer of 1888, when a cold northerly wind prevented him from working outdoors.
The first of these, now in a private collection and sometimes described as Van Gogh Sunflowers, shows three yellow orange blooms in a green glazed pot against a turquoise background. It has not been exhibited since 1948, when it was lent to the Cleveland Museum of Art for a month.
A second picture, again with three flowers in a pot as well as three more on the table in the foreground, in front of a a rich royal blue wall, was destroyed during the American bombardment of the Japanese town of Ashiya in 1945. A third painting, similar to the one in the National Gallery, but with 14 sunflowers and a turquoise background, is in the Neue Pinakothek gallery in Munich.
Moreover, not long after he had executed these four Sunflowers, Van Gogh created three further replicas or variations one of which is being loaned by the Van Gogh Museum in Amsterdam to the National Gallery, where the two pictures will hang side by side from 25 January until 27 April.
A bouquet of art
public is hardly aware that Van Gogh created a series of paintings of sunflowers, says Leo Jansen, a curator at the Van Gogh Museum and editor of the artist letters. nine out of 10 people I tell, it news. lot of people know one of the Sunflowers, and don even realise there was a series, agrees Martin Bailey, whose book The Sunflowers Are Mine: The Story of Van Gogh Masterpiece was published last year.
View image of The first Arles Sunflowers painting is privately owned. It hasn been shown since 1948.
Van Gogh painted sunflowers for the first time in the summer of 1886. Two years later, his interest re emerged after he settled at Arles, just north of Marseille in Provence. Having invited the Post Impressionist French artist Paul Gauguin, whom he admired, to join Hermes Kelly bag replica his Studio of the South, he began painting sunflowers to brighten up the whitewashed interiors of the yellow house he was renting at 2 Place Lamartine, not far from the town railway station and brothels.
When Gauguin, having accepted Van Gogh invitation, began dragging his heels, the Dutchman earmarked the last two of the four original Sunflowers for the modest bedroom where his guest would sleep following his arrival that autumn. Gogh saw the production of the Sunflowers for Gauguin bedroom as a way of enticing his friend to come from Brittany, says Bailey.
The pronounced blue outlines in the painting in the National Gallery can even be understood as a kind of homage to Gauguin, whose work had already incorporated a similar device reminiscent of the narrow bands separating flat colours in cloisonn enamel or stained glass. decorating his house in Arles with a series of sunflower paintings, he wanted to prove to Gauguin that he stood his ground as an artist, explains Jansen. Years later, in the South Pacific, Gauguin himself painted some sunflower pictures in apparent homage to his erstwhile housemate.
As the series took off, Van Gogh Sunflowers transcended his relationship with Gauguin. think he painted them for the sheer joy of it, says Jansen. bright yellow of the flowers that he could combine into brilliant contrasts, the forms and lines of petals and stems: they offered a great challenge for a painter. Gogh was at the height of his powers in the summer of 1888, explains Bailey. painted the Sunflowers quickly and with great energy and confidence. Van Gogh wrote to his brother Theo in late August: painting with the gusto of a Marseillais eating bouillabaisse [Proven fish stew], which won surprise you when it a question of painting large Sunflowers. work
Van Gogh recognised at once that he had created something important and relished the fact that his sunflowers were so distinctive that they functioned almost like an artist signature. As he told fake herme bag Theo in January 1889, while other artists were known for painting particular flowers such as peonies and hollyhocks, sunflower is mine Gogh realised early on that sunflowers were a uniquely resonant motif which he could make his own, explains Christopher Riopelle, curator of post 1800 paintings at the National Gallery.
This, in part, accounts for the popularity of Van Gogh Sunflowers today: they are a kind of visual shorthand for the artist, whose dramatic and difficult life, culminating in his death from a self inflicted bullet wound in 1890, continues to fascinate the public.
Other well known works of art also exist in series, such as Monet paintings of poplar trees and haystacks or the various versions of Munch The Scream. But in the case of Van Gogh Sunflowers, the fact that he painted several versions is not the main reason for their celebrity. not sure that the series has made the Sunflowers popular, says Bailey. the original four pictures, two are one was destroyed in the war, and the other has always been hidden away in private hermes replica collections.
Rather, Van Gogh Sunflowers thrived during the 20th Century, when reproductions of them were spread around the world, thanks to their immediacy, clarity, and force. of trying to render exactly what I have before my eyes, Van Gogh told his brother shortly before beginning the series, use colour more arbitrarily in order to express myself forcefully. This emotional, subjective use of colour would prove enormously influential on modern art, and continues to speak directly to people today. like to paint in such a way that who has eyes could understand it, Van Gogh once said.
For Jansen, this, coupled with the compelling story of the artist life, as well as the value of the pictures (in 1987, Van Gogh unsigned Sunflowers copy became the most expensive painting ever sold at auction), proved irresistible: popularity of the Sunflowers is a combination of, on the one hand, their beauty, emotional impact and a touch of the human condition, and on the other hand the public fascination with fame, money and myth. There something there for everyone. you would like to comment on this story or anything else you have seen on BBC Culture, head over to our Facebook page or message us on Twitter.
Sometimes a work of art is so dazzlingly famous that it can blind people to its original context and meaning. That surely is the case with Vincent van Gogh Sunflowers.
Take the version in London National Gallery that the Dutch artist painted in Arles in the South of France in August 1888. Fifteen sunflowers erupt out of a simple earthenware pot against a blazing yellow background. Some of the flowers are fresh and perky, ringed with halos of flickering, flame like petals. Others are going to seed and have begun to droop.
In part a meditation on the vagaries of time, the picture gives a dynamic, ferociously colourful twist to the long tradition of Dutch flower painting stretching back to the 17th Century. Since it entered the National Gallery collection in 1924, it has also proved phenomenally popular. Last year, more postcards of this painting were sold in the gallery shop the exact figure was 26,110 than of any other picture in the entire collection.
View image of Van Gogh most famous sunflower still life hangs at London National Gallery.
But many of the more than 5m people who visit the National Gallery every year will be unaware that the painting belongs to a series of four extraordinary sunflower replica hermes handbags outlet still lifes that Van Gogh created in less than a week during the summer of 1888, when a cold northerly wind prevented him from working outdoors.
The first of these, now in a private collection and sometimes described as Van Gogh Sunflowers, shows three yellow orange blooms in a green glazed pot against a turquoise background. It has not been exhibited since 1948, when it was lent to the Cleveland Museum of Art for a month.
A second picture, again with three flowers in a pot as well as three more on the table in the foreground, in front of a a rich royal blue wall, was destroyed during the American bombardment of the Japanese town of Ashiya in 1945. A third painting, similar to the one in the National Gallery, but with 14 sunflowers and a turquoise background, is in the Neue Pinakothek gallery in Munich.
Moreover, not long after he had executed these four Sunflowers, Van Gogh created three further replicas or variations one of which is being loaned by the Van Gogh Museum in Amsterdam to the National Gallery, where the two pictures will hang side by side from 25 January until 27 April.
A bouquet of art
public is hardly aware that Van Gogh created a series of paintings of sunflowers, says Leo Jansen, a curator at the Van Gogh Museum and editor of the artist letters. nine out of 10 people I tell, it news. lot of people know one of the Sunflowers, and don even realise there was a series, agrees Martin Bailey, whose book The Sunflowers Are Mine: The Story of Van Gogh Masterpiece was published last year.
View image of The first Arles Sunflowers painting is privately owned. It hasn been shown since 1948.
Van Gogh painted sunflowers for the first time in the summer of 1886. Two years later, his interest re emerged after he settled at Arles, just north of Marseille in Provence. Having invited the Post Impressionist French artist Paul Gauguin, whom he admired, to join Hermes Kelly bag replica his Studio of the South, he began painting sunflowers to brighten up the whitewashed interiors of the yellow house he was renting at 2 Place Lamartine, not far from the town railway station and brothels.
When Gauguin, having accepted Van Gogh invitation, began dragging his heels, the Dutchman earmarked the last two of the four original Sunflowers for the modest bedroom where his guest would sleep following his arrival that autumn. Gogh saw the production of the Sunflowers for Gauguin bedroom as a way of enticing his friend to come from Brittany, says Bailey.
The pronounced blue outlines in the painting in the National Gallery can even be understood as a kind of homage to Gauguin, whose work had already incorporated a similar device reminiscent of the narrow bands separating flat colours in cloisonn enamel or stained glass. decorating his house in Arles with a series of sunflower paintings, he wanted to prove to Gauguin that he stood his ground as an artist, explains Jansen. Years later, in the South Pacific, Gauguin himself painted some sunflower pictures in apparent homage to his erstwhile housemate.
As the series took off, Van Gogh Sunflowers transcended his relationship with Gauguin. think he painted them for the sheer joy of it, says Jansen. bright yellow of the flowers that he could combine into brilliant contrasts, the forms and lines of petals and stems: they offered a great challenge for a painter. Gogh was at the height of his powers in the summer of 1888, explains Bailey. painted the Sunflowers quickly and with great energy and confidence. Van Gogh wrote to his brother Theo in late August: painting with the gusto of a Marseillais eating bouillabaisse [Proven fish stew], which won surprise you when it a question of painting large Sunflowers. work
Van Gogh recognised at once that he had created something important and relished the fact that his sunflowers were so distinctive that they functioned almost like an artist signature. As he told fake herme bag Theo in January 1889, while other artists were known for painting particular flowers such as peonies and hollyhocks, sunflower is mine Gogh realised early on that sunflowers were a uniquely resonant motif which he could make his own, explains Christopher Riopelle, curator of post 1800 paintings at the National Gallery.
This, in part, accounts for the popularity of Van Gogh Sunflowers today: they are a kind of visual shorthand for the artist, whose dramatic and difficult life, culminating in his death from a self inflicted bullet wound in 1890, continues to fascinate the public.
Other well known works of art also exist in series, such as Monet paintings of poplar trees and haystacks or the various versions of Munch The Scream. But in the case of Van Gogh Sunflowers, the fact that he painted several versions is not the main reason for their celebrity. not sure that the series has made the Sunflowers popular, says Bailey. the original four pictures, two are one was destroyed in the war, and the other has always been hidden away in private hermes replica collections.
Rather, Van Gogh Sunflowers thrived during the 20th Century, when reproductions of them were spread around the world, thanks to their immediacy, clarity, and force. of trying to render exactly what I have before my eyes, Van Gogh told his brother shortly before beginning the series, use colour more arbitrarily in order to express myself forcefully. This emotional, subjective use of colour would prove enormously influential on modern art, and continues to speak directly to people today. like to paint in such a way that who has eyes could understand it, Van Gogh once said.
For Jansen, this, coupled with the compelling story of the artist life, as well as the value of the pictures (in 1987, Van Gogh unsigned Sunflowers copy became the most expensive painting ever sold at auction), proved irresistible: popularity of the Sunflowers is a combination of, on the one hand, their beauty, emotional impact and a touch of the human condition, and on the other hand the public fascination with fame, money and myth. There something there for everyone. you would like to comment on this story or anything else you have seen on BBC Culture, head over to our Facebook page or message us on Twitter.
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