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Held at their festively decorated home in Queensridge North, the gathering flowed with the gentle aid of fine champagne and spirits, complemented by the clever commentary of guests Marilyn and Mel Larson, Ric and Trish Truesdell, Harlan and Kay Braaten, Ben and Janet Spano, Terry and Rhonda Shonkwiler and Dr. David Crossley and his wife, Cartier love yellow gold ring copy Carol.Stepping out to the patio to enjoy a fine cigar was Andy Wheeler, while his wife and fellow animal supporter, Marlene, stayed toasty warm inside and spoke of their work with the Lied Animal Shelter/Animal Foundation.Me Rey, favorite caterer for Las Vegas Mayor Oscar Goodman and many other Las Vegas notables, catered the dinner, which began in the late evening and continued to the wee hours. Seen with friends were Patricia and Richard Wright, Deann and Harold Stralser, Barbara Stout, Carol Love, Barry Glussman and Rene and Bill Marion.Present were Marla and Tom's mothers, Adrienne Glussman and Lois Letizia, respectively, who helped greet Eva Thomas, Bob and Shella Levy, Cindy Wing and Lisa Poll, along with Dr. Ed Hoffman with Melanie Bash and Rep. Shelley Berkley and husband Dr. The casual dinner dance party was planned as a get away from it all evening for busy friends, including Shawn Youmans of Southern Wine Spirits of Nevada, with his wife, Fhretscya Youmans, along with Shirley and Haim Gal, Meredith and Chad Brandon and Eli and Mickey Shamone.Cynthia, in preparing for the party, created a meal without end, allowing attending guests to garner high energy for dancing galore as a DJ spun the latest hits. Ample champagne mixed with merriment for a very robust salute to the New Year at midnight and far beyond.In the midst of the action was Ofir Areli, cousin of Roni and manager for the Josef chain of spas and salons. With Ofir was his new bride, Anna, joined by Tovi and Lior Stern, Cameron and Evette Lia, Liz Mexey, Andrew Brown and Jessica Ruiz. Fashion Mart. Cynthia, an accomplished artist who plans her first Las Vegas exhibition this year, spent time with many of her guests who viewed the newest paintings, clearly influenced by her October tour of Italy.Celebrated with toasts and best wishes for success was the Josefs' nomination for the Global Salon Entrepreneur Award, a prestigious designation selected with the help of research conducted by UCLA, to be announced in London in May.Greeted with smiles as well was Roni's announcement of his venture into retail fashion with a soon to open boutique in the shops at Green Valley Ranch Station Casino.Monet for moneyThe unveiling of the Claude Monet exhibition "The Road to Giverny" at Bellagio's Gallery of Fine Art has been planned as a most glittering benefit for the National Center for Missing and Exploited Children.Former Gov. Bob Miller and Bobby Baldwin, chief executive of Mirage Resorts Inc., are serving as honorary chairmen for the Jan. 29 event at Bellagio, with committee members David Kirvin, Laura Herlovich, Robert Forbuss, Stephen Cloobeck, Sheriff Bill Young, Joyce Sherman and Amanda Dunbar.Also lending their time to this worthy occasion are Mr. and Mrs. John Arnos, Roger Thomas, Stephanie Ravensdale, Elaine Macy, Tony Bonnici, Judy Patterson, Frank Fahrenkopf Jr., Andrea Bundonis and Marc Glimcher.The private preview evening will present Monet's masterworks from the Museum of Fine Arts, Boston, on exhibit in Las Vegas for the first time and representing the finest collection of Monets outside of France.The National Center for Missing and Exploited Children cartier fake love Ring will use the funds from this event in its work to protect children from sexual exploitation and abduction and to locate and recover missing children. For details please contact the cartier love ring replica Bellagio Gallery of Art at 693 7871.Dion honoredOur community's newest superstar resident and gracious supporter, Celine Dion, will be honored Jan. 24 as Nevada Ballet Theatre's Woman of the Year for 2004.The awards ceremony is just part of the magic planned for the ever elegant Black and White Ball, a Southern Nevada tradition much loved by replica Cartier love yellow gold diamond ring community leaders and socialites.The splendid gala, to be presented in the glittering ballroom of Caesars Palace, is sponsored by Wells Fargo and Cartier. On the program will be a celebrity tribute to Dion, the world's top female recording artist, and appearances by Nevada Ballet Theatre's graceful dancers.Supporters attending will enjoy a four course gourmet dinner and dance orchestra. Those contributors choosing diamond level seating will be admitted to a private, pre event reception with Dion and other celebrities. Reservations are a must, so please call 243 2623.Give 'til it burnsReady to burn some calories and help a great cause? On Jan. 31 the annual Kendall Tenney Run/Walk For A Wish will be held downtown at the Fremont Street Experience.Pledges from supportive friends and colleagues are another way to help. This year, with the event falling on Super Bowl weekend, participants are encouraged to wear football jerseys and hats representing favorite teams.

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SAN FRANCISCO, Aug. 21, 2012 /PRNewswire/ Great Place to Work announced that Susan Lucas Conwell has assumed the role of Global Chief Executive Officer. Lucas Conwell will oversee the Great Place to Work team that supports operations across 45 countries, including the US subsidiary for which she assumed the role of CEO in September 2011."Susan has been vital to strategically positioning Great Place to Work for rapid growth," said Robert Levering, Co Founder of Great Place to Work Institute. "Her track record and rich experience makes her the right leader to support the continued growth of the Great Place to Work network worldwide."

Jose Tolovi, Jr., who held the position of Global Chief Executive Officer for two years, was named Chairman of the Board. Tolovi, with more than 30 years of international experience advising companies on effectively fostering great workplaces, will head the Board's investment taskforce.

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In the United States, Great Place to Work produces the annual FORTUNE 100 Best Companies to Work For list and the Great Place to Work Best Small and Medium Workplaces list.

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Rarity of Art Deco Work Keeps Prices Buoyant

When a Rubel Freres diamond bracelet with a distinctive multi gem wave effect first appeared at Christie's New York in 2001, it fetched $336,000. When the rare Art Deco band passed through Christie's again last October, it fake cartier love bracelet sale went for $506,500 near the lower end of its $500,000 to $700,000 estimate but still netting a nice profit for its owner despite the trauma, between times, of the worst economic crisis in decades.Art Deco jewels, characterized by their clean cut and overtly angular design, have continued to perform well at auctions in recent years, "even at a time when the market is not at its best," said Francois Curiel, President of Christie's Switzerland and Chairman of Christie's Asia.That is mainly because there is very little of it left on the market. Many art deco pieces were broken up after World War II, as the style went out of fashion and owners re used the stones in new settings: "So, what's left today brings extremely high prices," Mr Curiel said.At Christie's Geneva auction on May 12, a multi colored 'Tutti Frutti' bracelet of the Art Deco period sold for just over 1 million Swiss francs, or about $880,000, well above its 160,000 franc to 210,000 franc estimate. Other rare Art Deco pieces also performed well. A "Camelia" brooch, designed in about 1926 by Jeanne Boivin, the sister of the renowned French couturier Paul Poiret, sold for 159,000 francs against an estimate of 32,000 francs to 42,000 francs while a 1933 pair of "Coquillage Ail" ear clips, shaped like winged shells, also by Ms. Boivin, sold for 68,750 francs against an estimate of 14,000 to 18,000 francs.While some jewelry may be worth just the intrinsic value imitation love bracelets cartier of its stones, Art Deco commands much more, reflecting the value set by collectors on its design, said Lisa Hubbard, a senior vice president in Sotheby's international jewelry division.The Art Deco movement, which first appeared in the mid 1920s, permeated all aspects of popular culture, from fashion to architecture. In jewelry it sided defiantly with modernism in its clear, geometric lines, sharp angles, stark contrasts of light and dark, or hard all white fields of platinum and diamonds."What Cartier, and all the other major houses of the time did, was break with the past. As women's hair was cut short and the fashion of the day was much less constructed, jewelry design also changed," Ms. Hubbard said. "You started seeing precious stones being mixed with hard stones, like quartz, jade, onyx. There was an added tactile aspect, with polished surfaces versus mat surfaces."While Art Deco is most typically associated cartier love bracelet white gold replica with the geometric style, it also came under other influences, especially in the 1920s. "This was a time of great explorations around the world. You see influences from Egypt, China, Africa," Ms. Hubbard said. Art Deco designers, she said, sought to capture and recreate the exoticism of far away places, for a European and American audience.The discovery of King Tutankhamun's tomb in 1922 ensured that ancient Egypt would be a major influence. India, and the opulence of its Maharajas, was another. "Cartier's Tutti Frutti style of jewels was a reworking of Mughal jewelry for a Western audience," Ms. Hubbard said. These flamboyant pieces became a signature of the house in the 1920s. heiress and socialite Daisy Fellowes in 1936, was almost certainly based on one the jeweler made in 1935 for the Maharajah of Patna."They did a very limited number of such pieces, so when they come up, they command high prices," Ms. Hubbard said.The auction house hopes to nurture similar interest amongst Middle Eastern buyers after including Art Deco pieces in its Dubai offering for the first time in April."Christie's was the first international auction house to establish jewelry auctions in Hong Kong in 1993 and those early auctions included a small amount of Art Deco jewelry. We now have avid collectors of important Art Deco jewelry all over South replica bangle cartier East Asia," said David Warren, international director of jewelry for Christie's Dubai. "The same growing interest in 1920s jewelry is likely to develop in the Middle East over time."For the Dubai sale, Christie's chose pieces with Middle Eastern references, including a 1920s Cartier bracelet and brooch set decorated with a pierced Moorish geometric motif. They sold for $86,500, well above the $30,000 to $40,000 estimate.

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Yankees' Volatile Owner Is Not the Ogre He Seems to Be

FORT LAUDERDALE, Fla. George Steinbrenner is not an ogre. He is a softie, a sentimentalist and replica Cartier love bracelet Platinum a romanticist. After his Yankees failed to win the pennant last season, he went almost immediately to Cartier jewelers and asked them to design something nice for five of his players "who are my heroes." He mentioned Dave Righetti, Don Mattingly and Dave Winfield, but said, "Maybe it's better not to be specific about the other two."

For Steinbrenner's favorites, Cartier artists produced a sterling silver arrangement with raised areas depicting the Yankees' cap and uniform and a ball and bat. In his modesty, Steinbrenner added, "Better say it was the gift of the Yankees' front office." So in the interest of accuracy, it is to be reported that, "One day last fall, the Yankees' administration trooped down to Cartier and . . . "

The Steinbrenner mood was sunny on a recent morning in the Yankees' camp. When he called, I wouldn't turn Rick down. We brought back Bucky Dent and Mike Ferraro (the coach he fired for making a poor decision on the base lines). And Goose Gossage wants back with us. And Graig Nettles. We'll see."

On the subject of unemployed Ron Guidry, for whom he refused to go the extra $50,000 at the signing deadline: "I know Ron's finding it tough out there. I can't wait to sign him when he cartier love bracelet comes banging on the door on the new deadline May 1. He won't be punished. If he's paid less, it's only because he'll pitch less."

And why is Hopalong Cassady, the onetime Ohio State football star, who has no baseball background, now a coach with the Yankees? "In 1957, he was one of my heroes at Ohio State, my alma mater, one of our five Heisman winners. Bet you can't name the others." Steinbrenner did: Vic Janowicz, Les Horvath and Archie Griffin (twice).

Also, "I'm impressed with that pitcher from Pittsburgh (Cecilio Guante). No argument when we told him to shave off that goatee he's been wearing for six years. He knew our rules. No whiskers, no muttonchops, no back hair below the collar line. That's a Yankee rule because I don't like beards on ballplayers. You can learn discipline from the most successful football coaches Lombardi, Paul Brown and Shula and look at their records."

Steinbrenner's comments were wide ranging on this morning. He admits to being a professional wrestling nut. "Hulk Hogan is my man . . . " He said that in his racing stable he didn't have any Kentucky Derby candidates this year, but "too many trainers are rushing along their colts this year in these early stakes races. I'll bet the Derby winner is still in somebody's barn." He said, imitation Cartier love bracelet white gold "Do me a favor and vote for (Phil) Rizzuto in the Hall of Fame balloting. The way he's ignored is shameful."

Steinbrenner left little doubt that Righetti, with his new major league record of 46 saves, is his special favorite on the Yankees. "Rig did everything to keep us in the race. Should have been the league's co MVP along with Mattingly . . . maybe I shouldn't be saying all these nice things about him. He goes to salary arbitration next year."

Pointing far down the right field line, Steinbrenner said, "They're working there with the cameras." That is this year's new idea in the Yankees camp, Steinbrenner's command that candid cameras be focused on each pitcher to uncover faults at work, to provide hints at replica cartier love bracelet why the team's staff had that dismal 4.11 earned run average last year. To that end, the Yankees have eight pitching coaches here, a major league record.

"Look at our man working with Charlie Hudson," Steinbrenner said. "They've already found five things he's been doing wrong. This idea has to help us. If it doesn't, I'll be blamed, of course. . . . Now look at Lou Piniella hanging around down there with the pitching coaches like he's a savant. He knows about as much about pitching as I do. Now, if it were hitting, it'd be a different story. That's what Lou knows."

Steinbrenner admitted he eventually might regret not signing right hander Jack Morris when he had the opportunity. "But we had to get our payroll down from the $18 million to the $16 million we aimed at." It was when speaking of salaries that Steinbrenner for the first time got a little testy.

"The market is changing," he said, "and I don't care how much Eddie Murray signed for four years ago. Salaries are down 15% and are going lower. The players have a nerve to charge conspiracy. How about their own conflict of interest? The agent for Jack Morris is also chief adviser to the players' union."

Steinbrenner no longer has a loving attitude toward Mattingly after that player won $1.975 million for next season in arbitration. "The monkey is now on his back," Steinbrenner told The New York Times. "He's no longer my Jack Armstrong type. Now, he goes into the category of modern players looking for bucks. Money seems everything to him. He has to deliver the pennant to us or he'll hear boos around the league."

Whereupon Steinbrenner turned off his crustiness and bragged about his manager, Piniella. "He won those four straight from the Red Sox at the finish," he said, "and wouldn't let his team quit." Piniella often was on thin ice last season, with the Yankees rarely in the race and Steinbrenner making threatening comments on the status of a manager nearing the end of a one year contract. But when the season ended, he gave Piniella a two year contract with a raise.

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How are the definitions of Weil divisors with subsets and subscheme equivalent

They are equivalent because of the following. Given any closed subset $Z\subseteq X$ of a scheme there is NOT a unique scheme structure on $Z$. But, there is a unique minimal scheme structure the one coming from the reduced structure on $Z$. Explicitly, find an ideal sheaf $\mathcal{I}$ fake Cartier love bracelet gold and diamond of $X$ which cuts out $Z$ and take the scheme structure on $Z$ given by $\mathcal{O}_Z/\sqrt{\mathcal{I}}$. This is called the reduced structure on $Z$

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Correspondence Between Cartier Divisor and Weil Divisor (Hartshorne Proposition 6.11, Chapter 2)How to make sense of the inverse image of a Weil divisor?Why does restriction of Weil divisors preserve principal ness?Why do we have two definitions of Cartier divisor?Effective Weil divisors on a Surface and local equationsSupport of an replica Cartier love bracelet Platinum effective Cartier vs Weil divisorEquivalence of two definitions of proper morphism for separated varietiesDefinition of replica cartier love bracelet18k gold weil divisors.

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Instead of being set in Reno and San Francisco like the 1992 film the musical was set in Philadelphia in the 1970s.

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The musicalwasn't a dance heavy production and was a chance for people with little dance experience to get involved in musical theatre.

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Desperate times call for desperate measures. Some down on their luck are turning to a new way to get thousands of dollars in quick cash: online pawning.

There imitation Cartier love bracelet are plenty of brick and mortar pawnshops across North Texas, some of which charge as much as 20 percent interest for loans.

Customers have sent in everything from a yellow diamond wedding ring to a high end watches worth thousands such as diamond pave Ebels, Breitling Windriders and Cartier Roadsters.

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The company only deals in high end goods and luxury brands, including Louis Vuitton bags and name watches and jewels that can be resold.

Mark Lancaster, of Dallas, mailed in a stainless and gold Rolex worth about $3,800 cartier love braclet replica for a $1,000 loan. He said he had never pawned anything before but needed the money to pay bills.

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Photographer's 'Memories' Illuminates a Sound

Many jazz fans experienced their first images of the art from the photographs of Herman Leonard. Shot in the jazz clubs of the '40s, '50s and '60s, they captured the emergence of contemporary jazz in atmospheric black and white. Charlie Parker, Thelonious Monk, Dizzy Gillespie, Miles Davis and Billie Holiday were only a few of the iconic figures preserved via the hungry lens of Leonard's peripatetic camera.

More than 30 of those classic photographs have been gathered into an unusual blend of music and pictures: "Jazz Memories" (Universal Music), a book and two CD package. Spun off from a larger picture book collection of the same title, the images are matched to musical selections, many of them similarly classic, by each of the players. The result is a stunning audiovisual overview of a period the late '40s to the late '50s that is arguably one of the most creatively fruitful in the history of jazz.

Interestingly, many of the photographs nearly slipped away before they were seen by the public. When Leonard left the United States in the late '50s to work in Europe, primarily in fashion and advertising, the negatives from his jazz period were set aside, not to be rediscovered until the '80s. Since then, they've been seen in more than 100 exhibitions, his archives have been placed in the Smithsonian Institution, and a portfolio of his prints served as a gift from President Clinton to the king of Thailand, like Clinton a musician and a jazz fan.

Looking through the pictures in "Jazz Memories," one can only marvel at the good fortune that allowed their preservation. One after another they flow quick takes, captured in an instant but filled with revelatory perspectives. A placid looking, pensive Louis Armstrong, seated magisterially backstage, his horn on a nearby chair; Monk, intently working on a manuscript page propped across the strings of a piano; Dexter Gordon, in an often reprinted image, tenor saxophone across one knee, hat brim turned up, cigarette copy yellow gold love bracelet smoke curling into the light; whimsical shots of Gillespie and Cannonball Adderley; a view of Duke Ellington and Billy Strayhorn that instantly delineates their intimate, complex relationship.

"The things that interested me were not so much a picture of someone playing a horn," says Leonard, 78, who has lived in New Orleans for the past decade. "I wanted to capture the private moments. I wanted to show the other side of these people, the side that the public didn't always see."

Which is precisely what he has done, especially in the glimpses of Armstrong and Parker, as well as similarly captivating photos of Art Tatum and Errol Garner. But Leonard is equally successful with his action shots. Like the great French photographer Henri Cartier Bresson, he believes in the vital importance of capturing "the moment," that precise point at which visual elements coalesce into their point of greatest impact.

"Ninety nine percent of everything I shot was off the cuff," he says. "Whatever happened in front of the camera was what I took. I almost never told a musician what to do. I didn't want to alter or inject my feelings about things into the final result. I wanted to capture what was really there, untainted by anything I would do. My whole principle was to capture the mood and the atmosphere of that moment. Because for me, it was a visual memory of what I was hearing. That was the whole name of the game Cartier bracelet copy for me."

There's a lot in that description that could apply to the process of making jazz, as well. And it's not surprising that other photographers Bill Claxton, for one have described the similarities between the two arts and their resulting compatibility. Leonard adds a further correspondence, one that is not unlike the selection process that takes place once a musician concludes a recording.

"A lot of copy van cleef & arpels clover necklace people don't realize even photographers themselves that you make choices," he says. "Each of the photographs in the book represents one out of four or five or more that I shot in that replica cartier white gold love bracelet sequence. I chose those pictures to show. Not the others. So you judge a photographer not just by what he shoots, but by what he chooses to print out of what he shoots. That is the reflection of his taste, that is the reflection of his talent."

And also the reflection of an instinctive eye, one that homed in on its subject despite the relatively daunting problems of photographing jazz artists in dark and smoky night clubs. Working with only a pair of strobe lights ("I couldn't afford anymore," he says), Leonard came up with visual magic.

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