Best Chinese Movies of the 21st Century (So Far), Ranked Commercial factors have influenced cinema since China's liberal democracy in the late-1970s and its access to global markets. The Oriental Movie Metropolis and Hengdian World Studios are the world's largest movie and drama production complexes and film studios, respectively. China has the third-largest film industry in terms of the number of feature films produced yearly in 2010. The Chinese film industry is expanding, and local productions are beginning to have the same influence on the box office as huge Hollywood blockbusters.To get more news about new chinese movies, you can visit shine news official website. By box office revenue, the nation rose to the second-largest market in the world in 2012. China's total box office receipts for 2016 were 45.71 billion RMB ($6.58 billion USD). And in 2020, China surpassed the United States to take the top spot in the global movie market. According to Comscore (SCOR), the nation, which has consistently been the second-largest movie market, made $3.1 billion at the box office in 2020, which is about $1 billion more than what the United States made the previous year. So, what attributes do Chinese movies have? The GHJ states that “compared to the global audience, the Chinese audience does not necessarily favor action and visual effect films.” The business consultancy organization said that “when the majority of the audience is already connected to the theme and the story, it is not a surprise that they give higher ratings.” That being said most people want an entertaining film that gives them something new and unique. There are many great Chinese films, but here is our ranked list of the top ones from the 21st Century (so far). Most people agree that In the Mood for Love is a timeless piece of art. It tells the narrative of a man and a woman (Tony Leung and Maggie Cheung), whose spouses are engaged in an affair, and who gradually get very close to one another. The narrative appears to be simplistic, but filmmaker Wong Kar-Wai transforms it into a singular work of art. The screenplay, background soundtrack, and cinematography all work together flawlessly to mesmerize you with the film. Kung Fu Hustle will provide fans of martial arts films with a fresh experience. It has references to a variety of films, animated cartoons, wuxia books, and other sources, which makes it entertaining in addition to including several retired actors well-known for 1970s Hong Kong action cinema. Stephen Chow, who also plays the main character, directs the movie masterfully. Danny Chan, Yuen Wah, and Yuen Qiu round out the major cast. The type of movie that forces you to continually reflect and review is Kaili Blues. It depicts the tale of a doctor (Yongzhong Chen) searching the countryside for his nephew and coming into contact with characters from both his past and future. You will be stunned by filmmaker Bi Gan's impressive debut after seeing this film. Night and Fog, a Hong Kong drama by filmmaker Ann Hui, is based on a 2004 homicide that took place in Tin Shui Wai. The film tells the tale of a guy who murders his wife and kids via flashbacks. One of the societal issues in Hong Kong that the film highlights has to do with the city's recent influx of immigrants. Director Lou Ye's film Spring Fever tells the tale of three young individuals (Qin Hao, Chen Sicheng, and Wu Wei) who struggle with their romantic desires. In contrast to Ye's earlier films, this one is both warm and reflective. In addition, the film received the Best Screenplay prize at the 2009 Cannes Film Festival, making it a must-see. Wong Kar-Wai is the director of the martial arts drama film The Grandmaster. The film tells the story of Ip Man, a renowned Wing Chun grandmaster, who is lifted in the movie. The film also has exquisite cinematography by Wong Kar-Wei, and it was nominated for Best Costume Design and Best Cinematography at the 86th Academy Awards. The drama Still Life made its world premiere at the 2006 Venice Film Festival, where it took home the Golden Lion for Best Film. It tells the tale of two people who meet in a tiny community while looking for their brides. Like many of Jia Zhangke's films, this one is stately but moves at a moderate, steady pace. Additionally, the film is so beautifully shot that it will move you.