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VanDerveer's halftime hoops talk doesn't fall on deaf ears
Chalk another victory up to . . . cough, cough . . . Stanford women's basketball coach Tara VanDerveer's inspirational halftime speech.
"I said, 'you don't want to hear what I have to
say after the game if you keep playing like this,'" VanDerveer said. "I was very disappointed at halftime. For the most part I am even keeled, but I was mad."
Her team listened. Jayne Appel scored seven of her 16 points in the first four minutes of the second half as the seventh ranked Cardinal pulled out a 76 54 win from stubborn Washington in Seattle on Sunday.
Stanford (10 1, 18 4) struggled to shake Washington. The Huskies had a chance to tie the game at 31 late in the first half and still trailed by a mere seven points at halftime.
Appel, limited to 11 minutes in the first half due to foul trouble, converted a three point play moments after the Huskies drew within 38 33 to spark a momentum shifting 12 0 run for Stanford.
Appel made seven of nine shots, while Pedersen added 13 points and grabbed 15 rebounds, one shy of her career high. Equally important was Stanford's defense on Whitcomb in the second half. After scoring all 10 of her first half points in the final 6:45 to keep Washington close, Whitcomb was limited to just six points in the second half and hit only one of five shots.
Stanford led by 38 31 at halftime, the complete opposite from the first meeting Cartier Love bracelets replica when the Cardinal led by 47 at the half. Stanford had 11 turnovers in the first half, but was able to stay ahead thanks to shooting nearly 56 percent.
VanDerveer rallied her team at the intermission. showdown with No. 3 California at Maples Pavilion on its collective mind.
Pac 10 Conference standings: California 11 0 (20 2), Stanford 10 1 (19 4), Arizona State 9 replica cartier love jewelry 2 (17 6), USC 6 4 (12 9), UCLA 5 5 (14 7), Oregon St. 4 7 (13 8), Oregon 4 7 (8 14), Washington St. 2 9 (8 14), Arizona 2 9 (9 13), Washington 1 10 (5 16)
Menlo Atherton grad Kelly Eaton scored three goals in leading second ranked Stanford past third ranked UCLA, 10 5, in the third place match of the Stanford Invitational on Sunday.
Olympian Jessica Steffens added two goals for the Cardinal (4 1).
Freshman Cassie Churchside scored three goals in Stanford's 15 14 win over Arizona State earlier in the day. Menlo School grad Kim Krueger, Melissa Seidemann and Koree Blyleven each had two goals. in a pair of nonconference matches on Saturday.
Nicole Ourada won all four events and the all around title that comes with it as Stanford beat visiting UC Davis in a nonconference meet on Sunday.
The Aggies were a last minute replacement for UCLA, which had to pull out of the meet because of a team illness.
Ourada recorded a score of 39.625 to win the all around title ahead of teammates Carly Janiga.
Missy Penna pitched a five inning shutout and Stanford completed its participation in the Kajikawa Classic with a 12 0 victory over Wagner College on Sunday.
Penna won three of the four fake bracelet cartier love games she pitched for the ninth ranked Cardinal (4 1). She allowed two runs over 23 innings in the tournament, striking out 38. She has an ERA of 0.61 on the year.
Shannon Koplitz hit a home run and drove in two runs for Stanford. Alissa fake cartier love bracelt Haber added two doubles and drove in two runs. Melissa Koutz, Maddy Coon and Ashley Hansen each drove in a pair of runs.
The Cardinal plays UC Santa Barbara on Thursday in the first day of the Campbell/Cartier Classic in San Diego.
Stanford completed a successful weekend with its third consecutive victory over Incarnate Word, beating the Seahawks, 22 20, in Elements and Figures on Sunday.
"This was one of our strongest first home meets," Stanford coach Heather Olson said. "I am very pleased for this early in the season. We had a great crowd and the girls really rose to the occasion."fashion fake cartier diamonds earring price Did you have it Let's more familiar regarding its the situation
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Chalk another victory up to . . . cough, cough . . . Stanford women's basketball coach Tara VanDerveer's inspirational halftime speech.
"I said, 'you don't want to hear what I have to
say after the game if you keep playing like this,'" VanDerveer said. "I was very disappointed at halftime. For the most part I am even keeled, but I was mad."
Her team listened. Jayne Appel scored seven of her 16 points in the first four minutes of the second half as the seventh ranked Cardinal pulled out a 76 54 win from stubborn Washington in Seattle on Sunday.
Stanford (10 1, 18 4) struggled to shake Washington. The Huskies had a chance to tie the game at 31 late in the first half and still trailed by a mere seven points at halftime.
Appel, limited to 11 minutes in the first half due to foul trouble, converted a three point play moments after the Huskies drew within 38 33 to spark a momentum shifting 12 0 run for Stanford.
Appel made seven of nine shots, while Pedersen added 13 points and grabbed 15 rebounds, one shy of her career high. Equally important was Stanford's defense on Whitcomb in the second half. After scoring all 10 of her first half points in the final 6:45 to keep Washington close, Whitcomb was limited to just six points in the second half and hit only one of five shots.
Stanford led by 38 31 at halftime, the complete opposite from the first meeting Cartier Love bracelets replica when the Cardinal led by 47 at the half. Stanford had 11 turnovers in the first half, but was able to stay ahead thanks to shooting nearly 56 percent.
VanDerveer rallied her team at the intermission. showdown with No. 3 California at Maples Pavilion on its collective mind.
Pac 10 Conference standings: California 11 0 (20 2), Stanford 10 1 (19 4), Arizona State 9 replica cartier love jewelry 2 (17 6), USC 6 4 (12 9), UCLA 5 5 (14 7), Oregon St. 4 7 (13 8), Oregon 4 7 (8 14), Washington St. 2 9 (8 14), Arizona 2 9 (9 13), Washington 1 10 (5 16)
Menlo Atherton grad Kelly Eaton scored three goals in leading second ranked Stanford past third ranked UCLA, 10 5, in the third place match of the Stanford Invitational on Sunday.
Olympian Jessica Steffens added two goals for the Cardinal (4 1).
Freshman Cassie Churchside scored three goals in Stanford's 15 14 win over Arizona State earlier in the day. Menlo School grad Kim Krueger, Melissa Seidemann and Koree Blyleven each had two goals. in a pair of nonconference matches on Saturday.
Nicole Ourada won all four events and the all around title that comes with it as Stanford beat visiting UC Davis in a nonconference meet on Sunday.
The Aggies were a last minute replacement for UCLA, which had to pull out of the meet because of a team illness.
Ourada recorded a score of 39.625 to win the all around title ahead of teammates Carly Janiga.
Missy Penna pitched a five inning shutout and Stanford completed its participation in the Kajikawa Classic with a 12 0 victory over Wagner College on Sunday.
Penna won three of the four fake bracelet cartier love games she pitched for the ninth ranked Cardinal (4 1). She allowed two runs over 23 innings in the tournament, striking out 38. She has an ERA of 0.61 on the year.
Shannon Koplitz hit a home run and drove in two runs for Stanford. Alissa fake cartier love bracelt Haber added two doubles and drove in two runs. Melissa Koutz, Maddy Coon and Ashley Hansen each drove in a pair of runs.
The Cardinal plays UC Santa Barbara on Thursday in the first day of the Campbell/Cartier Classic in San Diego.
Stanford completed a successful weekend with its third consecutive victory over Incarnate Word, beating the Seahawks, 22 20, in Elements and Figures on Sunday.
"This was one of our strongest first home meets," Stanford coach Heather Olson said. "I am very pleased for this early in the season. We had a great crowd and the girls really rose to the occasion."
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Owners slash prices to move luxury yachts at boat show
Rows of perfectly polished yachts lined Victoria Inner Harbour at the annual Floating Boat Show this weekend, but for many this year, the economy has put the dream of owning a luxury watercraft a lot further out of reach.
Yacht brokers were turning on extra charm Saturday as they tried to offload their clients yachts, which has proven more difficult than ever with the market for pleasure boats in freefall. Some have slashed prices, pressured by owners desperate to sell but stonewalled by a lack of buyers.
are Canadian people who seriously need to sell this boat.
Durksen, who specializes in selling boats worth half million dollars or more said prospective buyers are down 80 per cent. of them have the money but are in a wait and see mode. Yacht Brokers Association and ends Sunday
Victoria attracts more high end, serious clientele, because of the number of wealthy retirees, said Cesare Verrelli, a broker for Freedom replica hermes handbags Marine, who was showing a $2 million yacht adorned with cherry wood panelling, cream coloured leather upholstery and a glass spiral staircase.
The two owners are looking for a third copy hermes bags partner to split the cost, a route some are taking to make owing a yacht more practical and affordable.
Verrelli concedes the downturn in the market has reduced the amount of interest, but those who do have money are looking to take advantage of the deals.
Greg Andrew, who sells for Van Isle Marina, how much is a hermes handbag said sales for lower end boats, priced between $38,000 to $250,000, are steady.
Several brokers said traffic at the boat show was down compared to previous years.
Boat show patrons locals, as well as some from Alberta, the Lower Mainland and Washington state saw boats ranging from glossy kayaks to $3 million yachts.
This year, 135 boats are in the water, down by 10 or 20 from previous years, said show manager Kathy Harvey.
is the slowest ever, said Al Owen, founder of Sidney based Wendon Yachts, which manufactures high end power boats that retail for $800,000 to $3 million.
Business has tapered off in the past two years, he said, aboard his own 79 foot long replica hermes bags outlet Wendon Yachts catamaran. Owen said people tell him how beautiful the boats are, nobody has put their hands in their pockets and come out with a cheque.
Rows of perfectly polished yachts lined Victoria Inner Harbour at the annual Floating Boat Show this weekend, but for many this year, the economy has put the dream of owning a luxury watercraft a lot further out of reach.
Yacht brokers were turning on extra charm Saturday as they tried to offload their clients yachts, which has proven more difficult than ever with the market for pleasure boats in freefall. Some have slashed prices, pressured by owners desperate to sell but stonewalled by a lack of buyers.
are Canadian people who seriously need to sell this boat.
Durksen, who specializes in selling boats worth half million dollars or more said prospective buyers are down 80 per cent. of them have the money but are in a wait and see mode. Yacht Brokers Association and ends Sunday
Victoria attracts more high end, serious clientele, because of the number of wealthy retirees, said Cesare Verrelli, a broker for Freedom replica hermes handbags Marine, who was showing a $2 million yacht adorned with cherry wood panelling, cream coloured leather upholstery and a glass spiral staircase.
The two owners are looking for a third copy hermes bags partner to split the cost, a route some are taking to make owing a yacht more practical and affordable.
Verrelli concedes the downturn in the market has reduced the amount of interest, but those who do have money are looking to take advantage of the deals.
Greg Andrew, who sells for Van Isle Marina, how much is a hermes handbag said sales for lower end boats, priced between $38,000 to $250,000, are steady.
Several brokers said traffic at the boat show was down compared to previous years.
Boat show patrons locals, as well as some from Alberta, the Lower Mainland and Washington state saw boats ranging from glossy kayaks to $3 million yachts.
This year, 135 boats are in the water, down by 10 or 20 from previous years, said show manager Kathy Harvey.
is the slowest ever, said Al Owen, founder of Sidney based Wendon Yachts, which manufactures high end power boats that retail for $800,000 to $3 million.
Business has tapered off in the past two years, he said, aboard his own 79 foot long replica hermes bags outlet Wendon Yachts catamaran. Owen said people tell him how beautiful the boats are, nobody has put their hands in their pockets and come out with a cheque.
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Paceman an injury doubt for Glamorgan opener
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"There is a little bit of doubt," Van der Gugten told BBC Radio Wales.
The paceman, who was born in New South Wales, claimed 82 wickets in all formats in his debut season and was named Glamorgan's 2016 player of the year.
The 25 year old initially returned to Australia for treatment after replica hermes bags outlet his injury and arrived in Wales in March in preparation for the county season.
"I am touch and go for the first game but I should be ready for early in the season from the second game and the next rounds onwards," he added.
"It's not overly painful but it's just a little uncomfortable.
"It's my left shoulder so it should not affect me too much but it's just a little irritating."
Seamer Ruaidhri Smith has been ruled out for six weeks with an abdominal tear, while Will Bragg (back) and Graham Wagg (groin) are set to miss the final warm up friendly against Nottinghamshire starting on how much is a hermes handbag 2 April in Cardiff.
South Africa fast bowler copy hermes bags Marchant de Lange could still be signed in time for the opening competitive game at Northants.
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Events Euro 2016 Rio 2016
Around the UK England Scotland Wales Northern Ireland
Programmes Match of the Day 5 Live Sport Sports Personality Sport on the BBC All Programmes
Cricket Counties Glamorgan Latest Scorecard Results Fixtures Averages Squad Live Scores All Teams
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"There is a little bit of doubt," Van der Gugten told BBC Radio Wales.
The paceman, who was born in New South Wales, claimed 82 wickets in all formats in his debut season and was named Glamorgan's 2016 player of the year.
The 25 year old initially returned to Australia for treatment after replica hermes bags outlet his injury and arrived in Wales in March in preparation for the county season.
"I am touch and go for the first game but I should be ready for early in the season from the second game and the next rounds onwards," he added.
"It's not overly painful but it's just a little uncomfortable.
"It's my left shoulder so it should not affect me too much but it's just a little irritating."
Seamer Ruaidhri Smith has been ruled out for six weeks with an abdominal tear, while Will Bragg (back) and Graham Wagg (groin) are set to miss the final warm up friendly against Nottinghamshire starting on how much is a hermes handbag 2 April in Cardiff.
South Africa fast bowler copy hermes bags Marchant de Lange could still be signed in time for the opening competitive game at Northants.
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Multiple City Council Members Already Laying Groundwork for Council Speaker Race
While Melissa Mark Viverito's term as city council speaker runs through January of 2018, the race to succeed her is already quietly underway, with many of her colleagues already jockeying for position. NY1's Courtney Gross has more.
Just two and a half years ago, half a dozen candidates slugged it out to fake Van Cleef & Arpels Perlee bracelet cheap become the next speaker of the city council.
"Anybody who tells you that they aren't interested in speaker in this very aggressive, passionate council is being disingenuous," Brooklyn City Councilor Robert Cornegy said outside City Hall.
At least eight council members have emerged as possible speaker candidates: Jimmy Van Bramer and Julissa Ferreras Copeland, both Queens city councilors; Manhattan replica van cleef alhambra necklace gold Councilors Ydanis Rodriguez, Mark Levine, and Corey Johnson; Vanessa Gibson of The Bronx; and Brooklyn Councilors Cornegy and Jumaane Williams.
But none of them has declared that he or she is officially seeking the spot.
For now, they say they're just flirting with the idea.
"I'm certainly very interested in becoming the speaker," Van Bramer said.
"If the opportunity arises, I will be ready to be the new speaker," said Rodriguez.
"It is way too early to talk about this," said Levine.
"I have a reelection to worry about," Williams said.
Behind the scenes, they are taking their colleagues out to lunch or courting county party leaders, discreetly laying the groundwork for a race that will occur in fall 2017.
For now, Ferreras Copeland is seen as a potential front runner as a pro de Blasio candidate, someone who would have a close relationship with the other side of City Hall. Ferreras Copeland did not speak to us for this story.
Meanwhile, we are told Johnson started campaigning earliest and most aggressively, perhaps irritating some fellow members in the process.
Johnson also declined to discuss the race with NY1.
The public does not have a say in this race, as it is entirely up to the 51 members of the city council.
Some wonder if this campaign has kicked up early because there could be vacancy in the position. Perhaps Mark Viverito will get an appointment in a imitation Van Cleef & Arpels bracelet three colors potential Hillary Clinton administration.
While Melissa Mark Viverito's term as city council speaker runs through January of 2018, the race to succeed her is already quietly underway, with many of her colleagues already jockeying for position. NY1's Courtney Gross has more.
Just two and a half years ago, half a dozen candidates slugged it out to fake Van Cleef & Arpels Perlee bracelet cheap become the next speaker of the city council.
"Anybody who tells you that they aren't interested in speaker in this very aggressive, passionate council is being disingenuous," Brooklyn City Councilor Robert Cornegy said outside City Hall.
At least eight council members have emerged as possible speaker candidates: Jimmy Van Bramer and Julissa Ferreras Copeland, both Queens city councilors; Manhattan replica van cleef alhambra necklace gold Councilors Ydanis Rodriguez, Mark Levine, and Corey Johnson; Vanessa Gibson of The Bronx; and Brooklyn Councilors Cornegy and Jumaane Williams.
But none of them has declared that he or she is officially seeking the spot.
For now, they say they're just flirting with the idea.
"I'm certainly very interested in becoming the speaker," Van Bramer said.
"If the opportunity arises, I will be ready to be the new speaker," said Rodriguez.
"It is way too early to talk about this," said Levine.
"I have a reelection to worry about," Williams said.
Behind the scenes, they are taking their colleagues out to lunch or courting county party leaders, discreetly laying the groundwork for a race that will occur in fall 2017.
For now, Ferreras Copeland is seen as a potential front runner as a pro de Blasio candidate, someone who would have a close relationship with the other side of City Hall. Ferreras Copeland did not speak to us for this story.
Meanwhile, we are told Johnson started campaigning earliest and most aggressively, perhaps irritating some fellow members in the process.
Johnson also declined to discuss the race with NY1.
The public does not have a say in this race, as it is entirely up to the 51 members of the city council.
Some wonder if this campaign has kicked up early because there could be vacancy in the position. Perhaps Mark Viverito will get an appointment in a imitation Van Cleef & Arpels bracelet three colors potential Hillary Clinton administration.
Meat 'Pacas
A couple of the larger alpaca breeders, one in New South Wales and the other in South Australia, say for the fake vintage alhambra necklace industry to become fully commercial, alpaca meat needs to appear on restaurant menus.
There's something comical about this regular round up. Della the Chihuahua cross thinks she's a farm dog. And the large animals she herds are prepared to believe her.
This is Ambersun Alpacas, based at Mount Compass in South Australia, a multi award winning business that began with a chance introduction to these South American camelids 20 years ago.
ADRIENNE CLARKE, ALPACA BREEDERS: I saw them at the Royal Adelaide Show. They were there in the children's nursery as a display animal. And I thought they were a beautiful animal. They appealed to me because they're a beautiful animal and so then I went and discussed it with Chris.
CHRIS WILLIAMS, ALPACA BREEDERS: Big eyes, long eyelashes. It was like, "I have to have one, I have to have one."
PRUE ADAMS: Chris Williams and Adrienne Clarke outlaid $150,000 for six of the long lashed beauties. With more than 1,000 in their herd now, their fine fibre genetics are spread around Australia and Europe.
CHRIS WILLIAMS: I said, "Adrienne, if we're going to do this, let's do it properly." And here replica van cleef alhambra necklace gold we are today, one of the largest alpaca studs in the world outside South America.
PRUE ADAMS: When it comes to breeding, alpacas still do it the old fashioned way. Adrienne is the master recipe maker, selecting females for the stud males based on colour and fleece quality.
ADRIENNE CLARKE: She's not been mated replica Van Cleef & Arpels bracelet gold and diamond before, so she should sit willingly.
CHRIS WILLIAMS: Our routine here is that we'll present a female roughly two to three weeks after she's given birth or when they reach maturity from 12 months to about 15 months of age. Present them to the male. If they sit happily, we allow them to mate. If they reject, we'll put them back into the group and they'll come through again in a couple of weeks.
PRUE ADAMS: Commercial artificial insemination has so far proven elusive in the alpaca world, mostly because of the complex way in which they conceive.
The females are induced ovulators. They'll produce an egg roughly a day after mating. And the males are dribble ejaculators, releasing small amounts of semen at a time.
CHRIS WILLIAMS: The boys, they all vary a little bit. Some mate as quick as five minutes, some go for half an hour. And when we have them all going, it's sort of a bit of a competition "I can go longer than you can" type of attitude. But, anyway, boys will be boys.
PRUE ADAMS: This might all fall into the "too much information" category, but it goes a long way to explaining how Ambersun's genetics have been spread throughout the land and beyond.
In 1998, Chris Williams hit on an idea to provide mobile matings. So every month, he loaded up his van with a handful of his best males, or machos, and hit the road.
How do the boys put up with these trips every month?
ADRIENNE CLARKE: They love it. (Laughs)
CHRIS WILLIAMS: They would just about line up.
ADRIENNE CLARKE: And if we left the back doors of the van open, the males would just jump in freely. I mean, even if they weren't going on a trip, you could just see it, they would climb in the van and they would get their position where they would be next to the water bowl or next to the food bowl and they would just sit there waiting for Chris to take them away.
So, certainly it wasn't abuse of the animals. They enjoyed the trips away. It was like a boys' trip every month.
CHRIS WILLIAMS: I was like the chaperone or the bus driver on a football trip each every month.
ADRIENNE CLARKE: I think he's more like a pimp for alpacas. (Laughs)
PRUE ADAMS: But all good things must come to an end. When the GFC hit, the drought bit and fuel prices shot up, the boys were put out to pasture. By that stage, they had provided 2,500 matings with a better than 50 per cent offspring success rate. And former livestock officer, Chris, decided to branch out into Europe.
Since 2008, he's spent the Continental summer conducting alpaca management workshops and shearing a good chunk of the European herd.
CHRIS WILLIAMS: This year I'm not sure about 1,500 alpacas from Slovenia in the south to as far north as Norway.
PRUE ADAMS: Back home, Ambersun's shearing shed is a hive of squealing activity over our summer months.
A couple of the larger alpaca breeders, one in New South Wales and the other in South Australia, say for the fake vintage alhambra necklace industry to become fully commercial, alpaca meat needs to appear on restaurant menus.
There's something comical about this regular round up. Della the Chihuahua cross thinks she's a farm dog. And the large animals she herds are prepared to believe her.
This is Ambersun Alpacas, based at Mount Compass in South Australia, a multi award winning business that began with a chance introduction to these South American camelids 20 years ago.
ADRIENNE CLARKE, ALPACA BREEDERS: I saw them at the Royal Adelaide Show. They were there in the children's nursery as a display animal. And I thought they were a beautiful animal. They appealed to me because they're a beautiful animal and so then I went and discussed it with Chris.
CHRIS WILLIAMS, ALPACA BREEDERS: Big eyes, long eyelashes. It was like, "I have to have one, I have to have one."
PRUE ADAMS: Chris Williams and Adrienne Clarke outlaid $150,000 for six of the long lashed beauties. With more than 1,000 in their herd now, their fine fibre genetics are spread around Australia and Europe.
CHRIS WILLIAMS: I said, "Adrienne, if we're going to do this, let's do it properly." And here replica van cleef alhambra necklace gold we are today, one of the largest alpaca studs in the world outside South America.
PRUE ADAMS: When it comes to breeding, alpacas still do it the old fashioned way. Adrienne is the master recipe maker, selecting females for the stud males based on colour and fleece quality.
ADRIENNE CLARKE: She's not been mated replica Van Cleef & Arpels bracelet gold and diamond before, so she should sit willingly.
CHRIS WILLIAMS: Our routine here is that we'll present a female roughly two to three weeks after she's given birth or when they reach maturity from 12 months to about 15 months of age. Present them to the male. If they sit happily, we allow them to mate. If they reject, we'll put them back into the group and they'll come through again in a couple of weeks.
PRUE ADAMS: Commercial artificial insemination has so far proven elusive in the alpaca world, mostly because of the complex way in which they conceive.
The females are induced ovulators. They'll produce an egg roughly a day after mating. And the males are dribble ejaculators, releasing small amounts of semen at a time.
CHRIS WILLIAMS: The boys, they all vary a little bit. Some mate as quick as five minutes, some go for half an hour. And when we have them all going, it's sort of a bit of a competition "I can go longer than you can" type of attitude. But, anyway, boys will be boys.
PRUE ADAMS: This might all fall into the "too much information" category, but it goes a long way to explaining how Ambersun's genetics have been spread throughout the land and beyond.
In 1998, Chris Williams hit on an idea to provide mobile matings. So every month, he loaded up his van with a handful of his best males, or machos, and hit the road.
How do the boys put up with these trips every month?
ADRIENNE CLARKE: They love it. (Laughs)
CHRIS WILLIAMS: They would just about line up.
ADRIENNE CLARKE: And if we left the back doors of the van open, the males would just jump in freely. I mean, even if they weren't going on a trip, you could just see it, they would climb in the van and they would get their position where they would be next to the water bowl or next to the food bowl and they would just sit there waiting for Chris to take them away.
So, certainly it wasn't abuse of the animals. They enjoyed the trips away. It was like a boys' trip every month.
CHRIS WILLIAMS: I was like the chaperone or the bus driver on a football trip each every month.
ADRIENNE CLARKE: I think he's more like a pimp for alpacas. (Laughs)
PRUE ADAMS: But all good things must come to an end. When the GFC hit, the drought bit and fuel prices shot up, the boys were put out to pasture. By that stage, they had provided 2,500 matings with a better than 50 per cent offspring success rate. And former livestock officer, Chris, decided to branch out into Europe.
Since 2008, he's spent the Continental summer conducting alpaca management workshops and shearing a good chunk of the European herd.
CHRIS WILLIAMS: This year I'm not sure about 1,500 alpacas from Slovenia in the south to as far north as Norway.
PRUE ADAMS: Back home, Ambersun's shearing shed is a hive of squealing activity over our summer months.
Kate presents shamrocks to troops
The Duchess of Cambridge has presented shamrocks to replica cartier love bracelt soldiers from the Irish Guards as the regiment marked St Patrick's Day in traditional fashion.
Kate handed out the sprigs as William, Colonel of the Irish Guards, watched the ceremony at the replica cartier white gold love bracelet regiment's base Mons Barracks in Aldershot, Hampshire.
Hundreds of proud wives, girlfriends, and parents were seated on the parade square to enjoy the presentation of the shamrocks, a century old tradition inaugurated in 1901 by Queen Alexandra, the wife of the Edward VII.
In the past the role was famously carried out by the Queen Mother, but also performed by the Princess Royal and many others over the years, in many different countries.
The Cambridges arrived at the military base by chauffeur driven car and were greeted by the commanding officer 1st Battalion Irish Guards, cartier diamond love bracelet copy Lieutenant Colonel Ed Boanas.
In keeping with the day, the Duchess wore a stylish emerald green coat by Hobbs and matching hat by Gina Foster, and wore a gold Cartier Irish Guards brooch, a Royal Family heirloom also worn by the Cartier love fake bracelet Queen Mother.
Prince William arrives at the St Patrick's Day Parade in Aldershot (Rex Features)
The Duke looked smart in a Household Division frock coat and carried a ceremonial sword.
At the start of the ceremony, William was one of the first to receive a shamrock from his wife and, following tradition, tucked it under the regimental star on the front of his cap.
In front of the royal couple were around 300 soldiers, the majority from the Irish Guards, but they were joined on parade by a company of reserve soldiers from the London Regiment with whom they are paired under the new Army 2020 restructuring process.
The event is the one day when the entire regimental family comes together and there were veterans on the parade ground proudly displaying their medals on their suits along with a small contingent of cadets.
Kate, who wore a large sprig of shamrock on her left shoulder, presented baskets of the plant to officers and warrant officers who handed them out to the soldiers.classic fake cartier yellow necklace price You should have Let us understand concerning its the situation
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The Duchess of Cambridge has presented shamrocks to replica cartier love bracelt soldiers from the Irish Guards as the regiment marked St Patrick's Day in traditional fashion.
Kate handed out the sprigs as William, Colonel of the Irish Guards, watched the ceremony at the replica cartier white gold love bracelet regiment's base Mons Barracks in Aldershot, Hampshire.
Hundreds of proud wives, girlfriends, and parents were seated on the parade square to enjoy the presentation of the shamrocks, a century old tradition inaugurated in 1901 by Queen Alexandra, the wife of the Edward VII.
In the past the role was famously carried out by the Queen Mother, but also performed by the Princess Royal and many others over the years, in many different countries.
The Cambridges arrived at the military base by chauffeur driven car and were greeted by the commanding officer 1st Battalion Irish Guards, cartier diamond love bracelet copy Lieutenant Colonel Ed Boanas.
In keeping with the day, the Duchess wore a stylish emerald green coat by Hobbs and matching hat by Gina Foster, and wore a gold Cartier Irish Guards brooch, a Royal Family heirloom also worn by the Cartier love fake bracelet Queen Mother.
Prince William arrives at the St Patrick's Day Parade in Aldershot (Rex Features)
The Duke looked smart in a Household Division frock coat and carried a ceremonial sword.
At the start of the ceremony, William was one of the first to receive a shamrock from his wife and, following tradition, tucked it under the regimental star on the front of his cap.
In front of the royal couple were around 300 soldiers, the majority from the Irish Guards, but they were joined on parade by a company of reserve soldiers from the London Regiment with whom they are paired under the new Army 2020 restructuring process.
The event is the one day when the entire regimental family comes together and there were veterans on the parade ground proudly displaying their medals on their suits along with a small contingent of cadets.
Kate, who wore a large sprig of shamrock on her left shoulder, presented baskets of the plant to officers and warrant officers who handed them out to the soldiers.
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Q with Ticats head athletic therapist Carly Vandergrient
As head athletic therapist, she is the first responder and chief caretaker of the players' health needs, responsible for everything from pre season medicals, to day to day treatments both preventive and injury related to bracing and taping for practice and games. In the latest in a series of conversations with Ticats beat reporter Drew Edwards, Vandergrient talks about what a day in the life looks like, the challenges of her job, her unique position in professional sports. until practice starts at 11. or so then we do the charting and paperwork. Then there's prep for the next day.
On game day I go the stadium five hours before kickoff to get set up because some guys like to get there early to get ready. Some guys have pretty elaborate tape jobs and certain players like to have their taping done by certain people: Peter Dyakowski won't let anyone else tape him but me, for whatever reason. I think he knows I have to be there every single day so it's always the same.
DE: How did you get into this?
CV: I was active as a kid, played four different sports in high school and came to Mac for kinesiology and to play varsity volleyball. I had shoulder surgery my first year and got involved as sports medicine intern during my rehab. I worked with the various sports teams at Mac while I was doing my degree and then got a job in the rehab clinic after graduation. I thought there was more to learn so took an athletic therapy degree at Sheridan and got a scholarship that involved working with the Ticats. That opportunity led to where I am now.
DE: You were young when you got the head job.
CV: I was 26 and it was a little overwhelming. But Chris Puskas, who was leaving the job to take over at Mac and the team doctor David Levy who is like family to me were so supportive. My first year, I was probably getting three or four hours of sleep a night just trying to keep up with the things I needed to know. But I felt if I turned it down, especially as a young age and as a woman in pro sports, the opportunity may never present Hermes belt replica france itself again. Either you figure it out, fail trying or don't take it and have regrets down the road. And I'm not a shoulda coulda woulda kind of person.
DE: What's the toughest part of the job?
CV: It's fake hermes mens belt a bit of an art form trying to deliver bad news to people each and every day I'm not the bearer of good news much of the time. At the same time, it's rewarding to help those people get back to health, to see an injury from the second Hermes belts replica paris it happens until a player returns to play. But it's not easy telling coaches that a player is out or telling a player that they miss a chunk of time.
DE: When you're dealing with a player that's just been hurt, that has to be a difficult moment.
CV: As people, we commit so much of our lives to helping these guys. I'm an empathetic person and I genuinely care for the players' well being, whether that's keeping them healthy or getting them back to health. You couldn't do this job if you didn't feel that way so when you see a player that works so hard, knowing how much they sacrifice when that gets taken away by injury, you have to sympathize with them. Hopefully that makes it a little easier on them in some way.
DE: As far as I can tell, you are the only head athletic therapist in professional sports who is a woman. Does that mean anything to you?
CV: I've always worked with other women while with the Ticats so it never seemed particularly unique, and more and more players have experience with athletic therapists who are woman: nobody's ever been shocked that I have this job. It's not something I think about and it certainly doesn't change the way I do my job.
DE: Has there every been a moment of uncomfortableness for either a player or yourself?
CV: I've never had a player be rude or disrespectful. If you treat a player with professionalism and respect right from the get go, they have no choice but to treat you with respect. A good therapist is a good therapist and that's all players care about.
Notes: Ticats receiver Bakari Grant missed practice for a third straight day on Wednesday and is unlikely to play Friday versus Edmonton. Running back Anthony Woodson, defensive back Donald Washington and defensive end Arnaud Gascon Nadon are also out. Safety Craig Butler is expected to miss a third straight game with a fake hermes belt price lower body injury.
As head athletic therapist, she is the first responder and chief caretaker of the players' health needs, responsible for everything from pre season medicals, to day to day treatments both preventive and injury related to bracing and taping for practice and games. In the latest in a series of conversations with Ticats beat reporter Drew Edwards, Vandergrient talks about what a day in the life looks like, the challenges of her job, her unique position in professional sports. until practice starts at 11. or so then we do the charting and paperwork. Then there's prep for the next day.
On game day I go the stadium five hours before kickoff to get set up because some guys like to get there early to get ready. Some guys have pretty elaborate tape jobs and certain players like to have their taping done by certain people: Peter Dyakowski won't let anyone else tape him but me, for whatever reason. I think he knows I have to be there every single day so it's always the same.
DE: How did you get into this?
CV: I was active as a kid, played four different sports in high school and came to Mac for kinesiology and to play varsity volleyball. I had shoulder surgery my first year and got involved as sports medicine intern during my rehab. I worked with the various sports teams at Mac while I was doing my degree and then got a job in the rehab clinic after graduation. I thought there was more to learn so took an athletic therapy degree at Sheridan and got a scholarship that involved working with the Ticats. That opportunity led to where I am now.
DE: You were young when you got the head job.
CV: I was 26 and it was a little overwhelming. But Chris Puskas, who was leaving the job to take over at Mac and the team doctor David Levy who is like family to me were so supportive. My first year, I was probably getting three or four hours of sleep a night just trying to keep up with the things I needed to know. But I felt if I turned it down, especially as a young age and as a woman in pro sports, the opportunity may never present Hermes belt replica france itself again. Either you figure it out, fail trying or don't take it and have regrets down the road. And I'm not a shoulda coulda woulda kind of person.
DE: What's the toughest part of the job?
CV: It's fake hermes mens belt a bit of an art form trying to deliver bad news to people each and every day I'm not the bearer of good news much of the time. At the same time, it's rewarding to help those people get back to health, to see an injury from the second Hermes belts replica paris it happens until a player returns to play. But it's not easy telling coaches that a player is out or telling a player that they miss a chunk of time.
DE: When you're dealing with a player that's just been hurt, that has to be a difficult moment.
CV: As people, we commit so much of our lives to helping these guys. I'm an empathetic person and I genuinely care for the players' well being, whether that's keeping them healthy or getting them back to health. You couldn't do this job if you didn't feel that way so when you see a player that works so hard, knowing how much they sacrifice when that gets taken away by injury, you have to sympathize with them. Hopefully that makes it a little easier on them in some way.
DE: As far as I can tell, you are the only head athletic therapist in professional sports who is a woman. Does that mean anything to you?
CV: I've always worked with other women while with the Ticats so it never seemed particularly unique, and more and more players have experience with athletic therapists who are woman: nobody's ever been shocked that I have this job. It's not something I think about and it certainly doesn't change the way I do my job.
DE: Has there every been a moment of uncomfortableness for either a player or yourself?
CV: I've never had a player be rude or disrespectful. If you treat a player with professionalism and respect right from the get go, they have no choice but to treat you with respect. A good therapist is a good therapist and that's all players care about.
Notes: Ticats receiver Bakari Grant missed practice for a third straight day on Wednesday and is unlikely to play Friday versus Edmonton. Running back Anthony Woodson, defensive back Donald Washington and defensive end Arnaud Gascon Nadon are also out. Safety Craig Butler is expected to miss a third straight game with a fake hermes belt price lower body injury.
Really Got Me
The Kinks solidified their status as rock roll legends on the other side of the Atlantic Ocean through a series of excellent albums released between 1966 and 1970: Kink Kontroversy, to Face, Else, Green Preservation Society, or the Decline and Fall of the British Empire and vs. Powerman and the Money Go Round.
In the United States, however, where the Kinks were banned from touring for unspecified reason, those albums were largely ignored. The group remained best known for its first hit, which would seem far more unjust if the hit hadn been so unforgettable. To this day, in most people minds, Really Got Me remains the Kinks signature song.
When the Kinks released Really Got Me in their native England on August 4, 1964, it was a classic make or break moment. After two failed singles ( Tall Sally only reached No. 42, although it was supported by an appearance on the hit making TV show Steady Go, and Still Want Me fared even worse) the white R group from the North London suburb of Muswell Hill was about to be dropped from its recording contract with Pye if its members didn prove their commercial potential with a hit.
As a group of unknowns, the Kinks had been given no say in the selection of songs or producer at their first proper recording session in January 1964. Really Got Me was already in their repertoire, and the group had even recorded a demo version of it. Their advisors found it bluesy and pop enough to be a hit. Instead, the band had recorded Tall Sally, Do Something, Still Want Me and Took My Baby Home.
At that point, the Kinks consisted of Ray Davies, his brother Dave Davies and bass player Pete Quaife. They didn have a name or a drummer (session man Bobby Graham was enlisted to hit the skins), and they had to pay their own recording costs. Producer Shel Talmy, who was also at the helm for the Who early recordings, fancied himself another Phil Spector (according to Dave Davies), and gave the Kinks recordings a clean sound far removed from that of their live shows. Ray Davies was determined that would change when the group entered the studio in the early summer of 1964 for what might well have been their final attempt at making a hit record. This time, they had convinced Pye to let them record Really Got Me.
Ray Davies had composed Really Got imitation hermes mens belt Me in the front room of his parents house in Fortis Green, with help from his brother. According to Dave Davies, Ray first played him the riff on a piano. Dave tried it on the guitar, then Ray shifted the tone a couple of times, and within a day or two, Ray had written the lyrics. He wanted the song to be the kind of showstopper that would make audiences dance and go wild, and set out to make it repetitive, an African tribal chant.
Initially, the song began with the words you really got me now, but that was changed in the studio on the advice of Hal Carter, an impresario who had previously been hired to hone the group image. Although Carter had been recently dismissed from his position with the Kinks, he did them one last favor by suggesting that Ray Davies add a new first word to the song to make it more personal and direct. Davies settled on replacing with and recording commenced.
Once again, Shel Talmy production style clashed with the band desire to make a recording that sounded like a live performance. Neither Dave nor Ray Davies thought much of the first attempt at recording Really Got Me, and even Dave girlfriend at the time hermes brown belt imitation commented that it didn make her want to drop her knickers exactly what any good rock roll record should do. Ray started to panic. As he saw it, after two flops, Really Got Me was the band last chance, and the recording had to be just right. Besides, he might not have another hit song in him, so he couldn waste this one.
Ray quickly set about convincing the band managers that a rerecording was necessary, a request that was initially dismissed. After a good deal of groveling, however, manager Larry Page thought he had found a solution. Kassner Music, the Kinks publishing company, had not yet signed over its mechanical reproduction rights to the Pye label. That meant that the group could refuse to grant mechanical rights until the song was rerecorded, and if Pye went ahead with its planned release date, it could face legal action. The label was furious about the threat, but it worked. The Kinks were granted permission to rerecord the song.
The band managers had to loan them the money for the second recording session, about 200 pounds (perhaps $1,500 in today money), as Dave Davies recalls in his autobiography, The recording was done at London IBC Studios in July 1964, once again with Talmy producing and Bobby Graham on drums. (By this point the Kinks had found a permanent drummer in Mick Avory, but Talmy insisted on Graham and relegated Avory to tambourine.) Arthur Greenslade joined the lineup on piano. Conditions were nerve racking. There were to be no overdubs, as that would result in lowered sound quality, and the group had just three hours to get the recording right.
When the first take was over, Ray Davies still wasn satisfied. Talmy reluctantly let him have a second try, but it was obvious that the producer, engineer and drummer were growing impatient. Davies felt as though he was being treated like a spoiled child being indulged by the adults. Greenslade repetitive piano riff took on a similarly nasty tone.
When it was time for the guitar solo, Ray yelled encouragement imitation hermes belt sale at Dave spoiled his concentration momentarily. He looked over at me with a dazed expression, as if he had done something wrong. Instead of blowing the solo, though, face broke into that arrogant sideways smile that I had learned to love and hate over the years. The little runt hadn even heard me shout.
The blistering guitar sound on Really Got Me remains the most intriguing element of the song. The unique sound was achieved with an inexpensive eight or 10 watt amp called an Elpico, which Dave Davies bought at a radio shop for about six pounds. In the guitarist recalls his first, nearly fatal experiment with the amp: After hooking his guitar into the Elpico, he plugged the Elpico into a 60 watt Linear amp, plugged that into a radiogram, then plugged that into a Vox AC 30. As soon as he turned on the main power, a surge of electricity sent Davies flying across the room. Luckily for rock roll fans, he tried again.
The next time, he again plugged his guitar into the Elpico, and then plugged the Elpico output leads into the AC 30 inputs. The last step used to achieve just the right fuzzed out sound is up for debate. Dave Davies claims he cut the speaker cone of the Elpico with a razor blade so the fabric contributed to the overall sound as it vibrated. As Ray Davies recalls it, his brother didn just slit the amp, but stuck knitting needles into it, dubbing the contraption fart box. According to Ray Davies in at an early gig, he, Dave and Pete Quaife all plugged into the amp, which was not loud enough for three guitars. The manager of the club pulled them offstage amid boos from the crowd, the green amp, attached by the umbilical cord of our guitars, continued to perform.
Once the second take of Really Got Me was over, Ray Davies knew that he had a winner. Now it was time to record his vocals. Ray thought about how poor his voice had sounded on the first recording and was determined to sing clearly. He imagined himself writing the song in his parents front room, where the large Davies family had enjoyed so many singalongs around the piano. Then he saw himself onstage singing to a girl in the front row. He began to sing to her, you really got me now Everything was working out at last. On the way home from the recording session, everyone bubbled with the excitement of knowing they had recorded a hit. Ray Davies just how marvelous the experience had been and how lucky I was just to have got this far, to have one of my wishes come true I had just been born. recording was astounding. It was only 1964 and Dave Davies had laid down a truly original guitar sound. There was no such thing as punk yet and wouldn be for more than another decade but there it is in that magnificent riff! The drums and piano border on proto punk, a prediction of the foreboding vampire drone that would sound so new when the Velvet Underground revisited it two years later. Avory, likely pissed off that he was reduced to tambourine thumper status (as Ringo Starr was on Me Do bangs his instrument hard and loud. The voices in the background moan and drone and build suspense until Ray Davies chimes in with the raspy sneer of his all menace and his voice on the verge of cracking a real shock after the restrained monotone near sweetness that he achieves in the verses.
In his autobiography, Dave Davies recalls the first time he heard the song on the radio: was momentarily stunned with excitement and awe. It was as if it was somebody else performing it and I was simply listening in admiration. All of a sudden I knew we had made it. As it turned out, Davies prediction was right. Within the first week of its release, Really Got Me entered the British Top 30, surpassing the chart positions of both the Kinks previous singles.
Before the month was over, Ray Davies received a telegram at home announcing that the song had gone to No. 1. He spent the rest of the day driving around London to interviews and photo shoots. That night, the Kinks played a concert at Streatham Ice Rink in London, where they performed their new hit twice. After the show, the Davies father hugged and kissed his son, telling him how proud he was. Ray Davies recalls, the world should have stopped turning then and there.
The Kinks were once again invited to perform on Steady Go, and appeared on the cover of NME and other important British magazines. They even enlisted the services of a publicist. By autumn, the Davies brothers were bona fide superstars, recognized wherever they went. The group even landed two prestigious gigs opening for the Beatles. At the first, in Bournemouth, Ray Davies had a somewhat nasty run in with the notoriously acerbic John Lennon shortly before the Kinks set.
lads, if you get stuck and run out of songs to play, Lennon said, lend you some of ours. When the Kinks took the stage, they were met with the expected shouts for the Fab Four, but the group rose to the challenge. Ray Davies shouted to his band mates to play their No. 1 hit instead of their usual set opener, Love If You Want It. So bowled over was the crowd that the running order for the second date was changed so the Beatles would not have to go on immediately after the mighty Kinks.
In a rush to capitalize on the Kinks sudden success, Pye hurried the group back into the studio to record their debut album. When recording began, session musicians started hanging around to find out what they could fake hermes black belt about the latest group hot new sound. Naturally enough, the focus of their attention was the trashy little Elpico amp. Unfortunately, though, even the presence of the unique amp couldn save the album, from mediocrity. It was recorded hastily between tour dates, and Ray Davies only contributed five original songs and not very strong ones at that in addition to Really Got Me. All in all, was a collection of stale R covers and derivative Beat originals, and a disappointing way to start what would turn out to be a lengthy and often brilliant career.
At that point, the Kinks could have blissfully faded into one hit wonder status. Of course, they didn In October 1964, they released another hit, Day and All of the Night (essentially a rewrite of Really Got Me and after another mediocre full length effort, the following year they began releasing the string of classic albums that made their name. But what if they had never succeeded again? Really Got Me would most likely still make the rounds of oldies radio, just as so many other 45 RPM treasures of the vinyl age do, and Van Halen probably would have recorded their memorable cover of it just the same.
A great rock roll song is often remembered because it does something magical: It captures a moment when all the elements are just right. From the angry single snare beat to the wails of the box, the Kinks achieved and immortalized that moment on their first hit.
The Kinks solidified their status as rock roll legends on the other side of the Atlantic Ocean through a series of excellent albums released between 1966 and 1970: Kink Kontroversy, to Face, Else, Green Preservation Society, or the Decline and Fall of the British Empire and vs. Powerman and the Money Go Round.
In the United States, however, where the Kinks were banned from touring for unspecified reason, those albums were largely ignored. The group remained best known for its first hit, which would seem far more unjust if the hit hadn been so unforgettable. To this day, in most people minds, Really Got Me remains the Kinks signature song.
When the Kinks released Really Got Me in their native England on August 4, 1964, it was a classic make or break moment. After two failed singles ( Tall Sally only reached No. 42, although it was supported by an appearance on the hit making TV show Steady Go, and Still Want Me fared even worse) the white R group from the North London suburb of Muswell Hill was about to be dropped from its recording contract with Pye if its members didn prove their commercial potential with a hit.
As a group of unknowns, the Kinks had been given no say in the selection of songs or producer at their first proper recording session in January 1964. Really Got Me was already in their repertoire, and the group had even recorded a demo version of it. Their advisors found it bluesy and pop enough to be a hit. Instead, the band had recorded Tall Sally, Do Something, Still Want Me and Took My Baby Home.
At that point, the Kinks consisted of Ray Davies, his brother Dave Davies and bass player Pete Quaife. They didn have a name or a drummer (session man Bobby Graham was enlisted to hit the skins), and they had to pay their own recording costs. Producer Shel Talmy, who was also at the helm for the Who early recordings, fancied himself another Phil Spector (according to Dave Davies), and gave the Kinks recordings a clean sound far removed from that of their live shows. Ray Davies was determined that would change when the group entered the studio in the early summer of 1964 for what might well have been their final attempt at making a hit record. This time, they had convinced Pye to let them record Really Got Me.
Ray Davies had composed Really Got imitation hermes mens belt Me in the front room of his parents house in Fortis Green, with help from his brother. According to Dave Davies, Ray first played him the riff on a piano. Dave tried it on the guitar, then Ray shifted the tone a couple of times, and within a day or two, Ray had written the lyrics. He wanted the song to be the kind of showstopper that would make audiences dance and go wild, and set out to make it repetitive, an African tribal chant.
Initially, the song began with the words you really got me now, but that was changed in the studio on the advice of Hal Carter, an impresario who had previously been hired to hone the group image. Although Carter had been recently dismissed from his position with the Kinks, he did them one last favor by suggesting that Ray Davies add a new first word to the song to make it more personal and direct. Davies settled on replacing with and recording commenced.
Once again, Shel Talmy production style clashed with the band desire to make a recording that sounded like a live performance. Neither Dave nor Ray Davies thought much of the first attempt at recording Really Got Me, and even Dave girlfriend at the time hermes brown belt imitation commented that it didn make her want to drop her knickers exactly what any good rock roll record should do. Ray started to panic. As he saw it, after two flops, Really Got Me was the band last chance, and the recording had to be just right. Besides, he might not have another hit song in him, so he couldn waste this one.
Ray quickly set about convincing the band managers that a rerecording was necessary, a request that was initially dismissed. After a good deal of groveling, however, manager Larry Page thought he had found a solution. Kassner Music, the Kinks publishing company, had not yet signed over its mechanical reproduction rights to the Pye label. That meant that the group could refuse to grant mechanical rights until the song was rerecorded, and if Pye went ahead with its planned release date, it could face legal action. The label was furious about the threat, but it worked. The Kinks were granted permission to rerecord the song.
The band managers had to loan them the money for the second recording session, about 200 pounds (perhaps $1,500 in today money), as Dave Davies recalls in his autobiography, The recording was done at London IBC Studios in July 1964, once again with Talmy producing and Bobby Graham on drums. (By this point the Kinks had found a permanent drummer in Mick Avory, but Talmy insisted on Graham and relegated Avory to tambourine.) Arthur Greenslade joined the lineup on piano. Conditions were nerve racking. There were to be no overdubs, as that would result in lowered sound quality, and the group had just three hours to get the recording right.
When the first take was over, Ray Davies still wasn satisfied. Talmy reluctantly let him have a second try, but it was obvious that the producer, engineer and drummer were growing impatient. Davies felt as though he was being treated like a spoiled child being indulged by the adults. Greenslade repetitive piano riff took on a similarly nasty tone.
When it was time for the guitar solo, Ray yelled encouragement imitation hermes belt sale at Dave spoiled his concentration momentarily. He looked over at me with a dazed expression, as if he had done something wrong. Instead of blowing the solo, though, face broke into that arrogant sideways smile that I had learned to love and hate over the years. The little runt hadn even heard me shout.
The blistering guitar sound on Really Got Me remains the most intriguing element of the song. The unique sound was achieved with an inexpensive eight or 10 watt amp called an Elpico, which Dave Davies bought at a radio shop for about six pounds. In the guitarist recalls his first, nearly fatal experiment with the amp: After hooking his guitar into the Elpico, he plugged the Elpico into a 60 watt Linear amp, plugged that into a radiogram, then plugged that into a Vox AC 30. As soon as he turned on the main power, a surge of electricity sent Davies flying across the room. Luckily for rock roll fans, he tried again.
The next time, he again plugged his guitar into the Elpico, and then plugged the Elpico output leads into the AC 30 inputs. The last step used to achieve just the right fuzzed out sound is up for debate. Dave Davies claims he cut the speaker cone of the Elpico with a razor blade so the fabric contributed to the overall sound as it vibrated. As Ray Davies recalls it, his brother didn just slit the amp, but stuck knitting needles into it, dubbing the contraption fart box. According to Ray Davies in at an early gig, he, Dave and Pete Quaife all plugged into the amp, which was not loud enough for three guitars. The manager of the club pulled them offstage amid boos from the crowd, the green amp, attached by the umbilical cord of our guitars, continued to perform.
Once the second take of Really Got Me was over, Ray Davies knew that he had a winner. Now it was time to record his vocals. Ray thought about how poor his voice had sounded on the first recording and was determined to sing clearly. He imagined himself writing the song in his parents front room, where the large Davies family had enjoyed so many singalongs around the piano. Then he saw himself onstage singing to a girl in the front row. He began to sing to her, you really got me now Everything was working out at last. On the way home from the recording session, everyone bubbled with the excitement of knowing they had recorded a hit. Ray Davies just how marvelous the experience had been and how lucky I was just to have got this far, to have one of my wishes come true I had just been born. recording was astounding. It was only 1964 and Dave Davies had laid down a truly original guitar sound. There was no such thing as punk yet and wouldn be for more than another decade but there it is in that magnificent riff! The drums and piano border on proto punk, a prediction of the foreboding vampire drone that would sound so new when the Velvet Underground revisited it two years later. Avory, likely pissed off that he was reduced to tambourine thumper status (as Ringo Starr was on Me Do bangs his instrument hard and loud. The voices in the background moan and drone and build suspense until Ray Davies chimes in with the raspy sneer of his all menace and his voice on the verge of cracking a real shock after the restrained monotone near sweetness that he achieves in the verses.
In his autobiography, Dave Davies recalls the first time he heard the song on the radio: was momentarily stunned with excitement and awe. It was as if it was somebody else performing it and I was simply listening in admiration. All of a sudden I knew we had made it. As it turned out, Davies prediction was right. Within the first week of its release, Really Got Me entered the British Top 30, surpassing the chart positions of both the Kinks previous singles.
Before the month was over, Ray Davies received a telegram at home announcing that the song had gone to No. 1. He spent the rest of the day driving around London to interviews and photo shoots. That night, the Kinks played a concert at Streatham Ice Rink in London, where they performed their new hit twice. After the show, the Davies father hugged and kissed his son, telling him how proud he was. Ray Davies recalls, the world should have stopped turning then and there.
The Kinks were once again invited to perform on Steady Go, and appeared on the cover of NME and other important British magazines. They even enlisted the services of a publicist. By autumn, the Davies brothers were bona fide superstars, recognized wherever they went. The group even landed two prestigious gigs opening for the Beatles. At the first, in Bournemouth, Ray Davies had a somewhat nasty run in with the notoriously acerbic John Lennon shortly before the Kinks set.
lads, if you get stuck and run out of songs to play, Lennon said, lend you some of ours. When the Kinks took the stage, they were met with the expected shouts for the Fab Four, but the group rose to the challenge. Ray Davies shouted to his band mates to play their No. 1 hit instead of their usual set opener, Love If You Want It. So bowled over was the crowd that the running order for the second date was changed so the Beatles would not have to go on immediately after the mighty Kinks.
In a rush to capitalize on the Kinks sudden success, Pye hurried the group back into the studio to record their debut album. When recording began, session musicians started hanging around to find out what they could fake hermes black belt about the latest group hot new sound. Naturally enough, the focus of their attention was the trashy little Elpico amp. Unfortunately, though, even the presence of the unique amp couldn save the album, from mediocrity. It was recorded hastily between tour dates, and Ray Davies only contributed five original songs and not very strong ones at that in addition to Really Got Me. All in all, was a collection of stale R covers and derivative Beat originals, and a disappointing way to start what would turn out to be a lengthy and often brilliant career.
At that point, the Kinks could have blissfully faded into one hit wonder status. Of course, they didn In October 1964, they released another hit, Day and All of the Night (essentially a rewrite of Really Got Me and after another mediocre full length effort, the following year they began releasing the string of classic albums that made their name. But what if they had never succeeded again? Really Got Me would most likely still make the rounds of oldies radio, just as so many other 45 RPM treasures of the vinyl age do, and Van Halen probably would have recorded their memorable cover of it just the same.
A great rock roll song is often remembered because it does something magical: It captures a moment when all the elements are just right. From the angry single snare beat to the wails of the box, the Kinks achieved and immortalized that moment on their first hit.