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Weten hoe te herkennen de tekenen van Bronchitis

Elk jaar, kan u last heeft van een ziekte die u zieke en gehandicapte maken kunt. Ziekten die u paden met kruis kunnen immobiliseren u en kunnen u tegenhouden van gaan werken om geld te verdienen, of niet zal toestaan u om te gaan naar school en inhalen met de nieuwste lessen. Je moet overwegen dat om weer aan het werk of naar school zo spoedig mogelijk te krijgen, heb je om te genezen van de ziekte om te worden een how much is a kelly bag productief lid van de samenleving opnieuw.

Dit is de reden waarom je moet vandaag zich bewust zijn van de gemeenschappelijke ziekten en hun symptomen op de hoogte zodat hermes kelly price cheap u de nodige maatregelen nemen kunt om te voorkomen dat het erger. Als u merkt dat de tekenen en symptomen, u kan overleggen met uw arts onmiddellijk en geeft u met de medicijnen en advies die u nodig hebt om zo snel mogelijk krijgen genezen.

Eerst en vooral, een van de meest voorkomende ziekten van mens vandaag heet bronchitis. Je moet overwegen zijn er twee soorten van bronchitis waar een acute bronchitis is, en de andere is chronische bronchitis. In acute bronchitis, behandeling is meestal snel en vergt een speciale medicijnen niet voor het. Dit is omdat acute bronchitis wordt meestal veroorzaakt door virusinfectie die weg kan gaan in een kwestie van 12 tot 14 dagen.

Het is echter nog steeds raadzaam dat u uw arts eens de tekenen en symptomen van bronchitis raadplegen moet. Dit is omdat bronchitis kan ook worden veroorzaakt door bacterile en schimmelinfecties infectie die medicijnen, zoals antibiotica en antischimmel geneesmiddelen nodig hebt. Je moet overwegen dat er geen manier is om te weten als de bronchitis wordt veroorzaakt door virussen, bacterin of schimmels, tenzij er goede laboratoriumonderzoek wordt gedaan.

Dus, voordat uw bronchitis erger wordt en meer kelly bag hermes cheap aan je longen schade doen, je hebt om te weten wat de tekenen how much is hermes kelly en symptomen geassocieerd met bronchitis is om op te sporen het vroeg. Bronchitis is eerst en vooral, hoofdzakelijk de zwelling van de bronchin. Vanwege de zwelling, cant de bronchiale mucosa get rid of slijm meer. Dit zal ertoe leiden dat u te hoesten, en hebben moeite met ademhalen.

Hier zijn de andere tekenen en symptomen van bronchitis en wat u kunt doen om te verlichten het:

Het is zeer belangrijk dat u aandacht aan de tekenen en symptomen die gepaard gaan met bronchitis in om voor u om te weten wanneer besteden moet voor een bezoek aan de arts onmiddellijk. U moet ook weten dat er zijn ook andere tekenen en symptomen die gepaard gaan met de chronische vorm van bronchitis. Chronische bronchitis kan alle de symptomen die gepaard gaan met acute bronchitis, maar in een meer ernstige vorm bevatten. Er zijn gevallen waar chronische bronchitis patinten zal lijden hoesten buitensporige slijm met bloed als gevolg van de bedwelming beschadigen van de bronchiale buis.

Chronische bronchitis nodig een lange termijn behandeling volledig genezen. Dit is omdat chronische bronchitis betekent dat er al een permanente schade aan uw luchtwegen die heel langzaam kan genezen. Het vergt genhaleerde medicatie, zoals bronchodilatoren openstellen van de luchtwegen en laat je adem goed, het zal ook vereisen u om jezelf te houden uit de buurt van stoffige plaatsen.

Het is aanbevolen dat u uw kamer moet humidify door het installeren van een luchtbevochtiger kamer of gewoon hebben natte handdoeken en dekens geplaatst over de kamer.

Zorg ervoor dat u zich goed bewust van de tekenen en symptomen van acute en chronische bronchitis. Dit is omdat als ofwel acute of chronische bronchitis wordt veroorzaakt door bacterin of schimmels en onbehandeld is, kan dit leiden tot ernstige complicatie, waaronder longontsteking.

Altijd onthouden dat vroegtijdige opsporing van bronchitis betekent vroegtijdige diagnose en vroegtijdige juiste behandeling en beheer die zal voorkomen dat u lijdt aan ernstige complicaties.

Verwante artikelen in Lung Mesothelioom Asbest

Mensen die genteresseerd zijn in het bovenstaande artikel zijn ook genteresseerd in de aanverwante artikelen hieronder:

Meer over asbest longkanker en wat veroorzaakt longkanker

Studies tonen aan dat er een toename van long kanker gevallen onder werknemers die zijn blootgesteld aan asbest is. In lieu daartoe, asbest longkanker uitgegroeid tot een van de meest gevreesde soorten longkanker. De oorzaken van longkanker variren. Afgezien van blootstelling aan asbest, roken en luchtverontreiniging kan leiden tot het ontstaan van de ziekte. Daarom, het vermijden van deze mogelijk kankerverwekkende agentia is essentieel voor gezonde longen.

Alles over tekenen van Bronchitis

Er zijn vandaag de dag hele hijs zootje van verschillende aandoeningen van de luchtwegen. Je moet overwegen dat wordt benvloed met n van de aandoeningen van de luchtwegen, het een negatieve invloed in uw dagelijkse activiteiten hebben kan. U zal niet zitten kundig sommige taken uit te voeren, hebt u moeite met ademhalen en je zal ook je lichaam van de voldoende hoeveelheid zuurstof moet ontnemen.
Sep 22 '17 · 0 comments
Want To Be Called Vice Presidential Candidate

I've had a number of readers ask me if this post is "satire" or "unfortunate reality." I'm afraid it's both. The piece is intended as satire. The fact that so many people have taken it seriously reflects the utter nonsense of the 2016 presidential election, and in particular, the GOP candidates. When the story of this campaign is finally recorded, the most accurate depictions of it will come not from reporters but hermes kelly bag price replica from satirists and editorial cartoonists. Thank you all for your comments.

Mike Pence, GOP presidential candidate Donald Trump's running mate, told the news media at hermes kelly price copy a press conference Thursday that he no longer wants to be called a vice presidential candidate.

The Indiana governor, an evangelical Christian, explained that he opposes the word "vice" on religious grounds. Pence said that the Bible has strict prohibitions against vice. He said the word "vice" means, among other things, "immoral" or "wicked behavior."

"That's not who I am, and that's not who I want people to think I am," he said. "I can't in good faith willingly condone a word I find deplorable without violating my Christian principles."

Pence's statement came a few days after he refused to use the word "deplorable" to characterize David Duke, former Imperial Wizard of the Ku Klux Klan, who has endorsed the Trump Pence ticket.

Pence's comment about Duke came in response to a question after Hillary Clinton, the Democratic candidate for president, referred to Trump supporters, including Duke, as a " basket of deplorables."

Pence was asked during his press conference if he condemned the word "vice" on Christian principles, why then didn't he condemn the Ku Klux Klan, a white supremacist organization, that openly participates in immoral and wicked behavior?

"I would," he answered. "But if we start criticizing deplorables, we run the risk of losing half our voters."

Pence, who regularly touts his Christian faith, often describes himself as "a Christian, a conservative, and a Republican, in that order."

Pence's critics, however, say he uses the Bible to justify his intolerance for gays but ignores scripture when it comes to feeding the hungry, comforting the persecuted, and helping the needy.

A reporter reminded the Indiana governor that he cut tens of thousands of Hoosiers off food stamps hermes kelly price Knockoff in 2014, saying it would be "ennobling" for poor people.

"The Bible says that the Lord helps those who help themselves," Pence responded.

"But governor," the reporter responded, "that phrase is not in the Bible."

"Never mind," Pence responded, "it's in the Republican Bible."

Another reporter asked Pence about his executive order late last year that ordered an end to the resettlement in Indiana of Syrian refugees most of whom are women and children who were fleeing their war torn country.

The Archdiocese of Indianapolis, among other religious organizations, defied the governor and accepted the refugees. A federal judge overruled Pence's order by saying it "clearly discriminates" against Syrian refugees. Pence challenged the judge's order.

The reporter then referred to Biblical scripture in a follow up question: "Didn't Jesus say, 'Whatever you did for one of the least of these hermes kelly price fake brothers and sisters of mine, you did for me'?"

Pence was then asked if he considered it hypocritical to claim he was a Christian but refuse to allow desperate refugees to seek sanctuary in his state.
Sep 22 '17 · 0 comments
WengerOut van for Man City game

Arsenal fans continue to put pressure on Arsene Wenger as they fund van to drive message calling for his sacking before Manchester City game

Arsenal fans arrange van to drive at Emirates Stadium before Sunday's gameThe Gunners face Manchester City in a crucial make or break top four clashA group of fans are determined to force Wenger out of the club after 21 yearsArsenal have lost five of the last six Premier League games and dropped to sixthMessage on van is an Ivan Gazidis quote insisting Wenger is answerable to fansBy

Arsenal fans protesting against Arsene Wenger handed leaflets to fellow supporters ahead of Sunday's clash with Manchester City, with a large van carrying anti Wenger quotes also parking up outside the Emirates Stadium.

Wenger has increasingly split the Gunners fan base in fake hermes bags for sale recent weeks, with six defeats in nine games having left the north London club out of the Champions League and sixth in the Premier League ahead of City's visit.

The Frenchman's contract expires in the summer and he is yet to announce whether he will sign a new deal or leave the club he has managed for over 20 years.

A minority of fans are continuing to protest Wenger's continued reign at the north London club

Seven point plan being distributed. Still fairly quiet down here at the moment.

Almost 4,000 has been raised through a crowdfunding campaign, with some of the funds used to decorate a van with quotes from Wenger and Arsenal chief executive Ivan Gazidis.

The Gazidis quote plastered to the side of the van read: 'Arsene is accountable to the fans they ultimately make judgement. If you are seeing the relationship between the fans and the manager break down over time, that is unsustainable.'

Two fans involved in the march hold a banner calling for 'Wexit' at their club this summer

A link to an online petition was included in the seven points, along with calls to donate to the crowdfunding, and encouragement to send tweets to the official Arsenal account as well as that of their main sponsors.

Earlier in the week, a prominent Arsenal supporters' club called for Wenger to leave as the majority of their members believe he is no longer the right man for the job.

The 1,000 members of the Arsenal Supporters' Trust (AST) were sent a survey which included the question: 'Do you support Arsene Wenger signing a new contract and remaining as Arsenal manager?' Only 15 per cent said 'yes', with 78 per cent of respondents saying 'no'.

Borussia Dortmund's Marco Reus is a longstanding forward target of Arsenal's

The handling of Wenger's contract situation drew even more negative replies, with 86 per cent responding 'no' when asked: 'Do you think the way that the Arsenal board have dealt with Arsene Wenger's contract is in the best interests of Arsenal Football Club?'

Sportsmail understands that as many as nine players could leave in the summer including Mesut Ozil, Alexis Sanchez and Alex Oxlade Chamberlain while several big name replica hermes enamel bracelet signings are sought.

Borussia Dortmund's Marco Reus is seeing as a potential replacement to Sanchez while Monaco's teenage sensation Kylian Mbappe is also on the radar.

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Sep 21 '17 · 0 comments
Was Hitler's favourite film

There is a scene in Race Stephen Hopkins's film about black athlete Jesse Owens and his four gold medal victories at Hitler's 1936 Berlin Olympics in which German filmmaker Leni cheap enamel on gold jewelry Riefenstahl and Joseph Goebbels have a furious confrontation.

Discovering that the Nazi propaganda minister has interfered with her documentary about the Games and told her cinematographer not to film the 200 metres, which he fears Owens will win, Riefenstahl storms into the stadium and pulls the covers off her cameras.

The director mounted her cameras in innovative positions, using balloons and rafts as well as trenches to capture the very best shots. Her camera moves were highly inventive, her editing added drama and tension not normally associated with documentaries of the time, and Riefenstahl's use of sound and music was groundbreaking.

Time magazine included Olympia in a list of the 100 greatest films of all time, praising its "narrative ingenuity" and claiming that its innovations directly influenced all future televised sports coverage.

Critic and biographer David Thomson, meanwhile, has described Riefenstahl as "arguably the most talented woman ever to make a film".

But while her talents as a filmmaker may be clear to many, her intentions and her character are far more opaque. Though she claimed the International Olympic Committee (IOC) commissioned Olympia, the film was made by a company funded by the German government (a fact conceded in Race). "The founding of the company is necessary because the Reich does not wish to be seen openly as the maker of the film," reads a 1936 letter from the Ministry for Popular Enlightenment and Propaganda.

And while Race suggests Riefenstahl filmed some of Owens's gold medal wins and a smattering of other German defeats, such as the thrashing by India in the hockey final in defiance of Goebbels, the truth is Goebbels intended that the Olympics cheap hermes handbags present a positive and non discriminatory Nazi regime. There was even a cessation of anti Semitic propaganda in the run up to the Games.

"The whole aim of the Propaganda Ministry was to avoid anything that might cast a cloud over the image of the 'new Germany'," says German film expert Rainer Rother. Triumph of the Will, a film about the 1934 Nazi rally in Nuremberg, which portrayed Hitler as a Wagnerian demigod, proudly trumpeted the ruthless exclusion of Jews, gypsies, Leftists and homosexuals, but "the Olympic Games, along with the cinematic Olympia, concealed the policy of exclusion," he says.

When Olympia was broadcast in 1938 it aligned cheap white enamel bracelet with Goebbels's propagandist strategies and many overseas viewed it with that in mind. Riefenstahl's promotional tour of America in the same year started well, despite protests from the Anti Nazi League, but it stalled with news of the Kristallnacht pogroms and her subsequent assertion that she could not believe these reports to be true.

She also faced criticism for Olympia's obsession with the glistening, near perfect human form, which was seen as harmonious with Hitler's adoption of Friedrich Nietzsche's concept of the Ubermensch.

This might be a stretch Riefenstahl had flourished as a dancer before injury curtailed her career and undoubtedly appreciated athletic beauty; her choice of buff lovers attests to the fact.

It is, however, harder to overlook suggestions that someone of her intelligence, and with such close ties to prominent Nazis (she was a regular guest at Goebbels's home and enjoyed picnics with the Fuhrer) would have been entirely ignorant of their doctrine.

"I can't figure her out," Van Houten tells me. "The more I watch or read, the more ambiguous she gets, because she was a Nazi, of course."

In truth, Riefenstahl was never prosecuted as such. Once the Nazi regime fell, both the French and the Americans detained her, though she was released in 1948. She lived until she was 101 and proved fiercely litigious, winning more than 50 libel suits against those who claimed that she was aware of Nazi policy. "My life became a tissue of rumours and accusations," she wrote in her memoirs. "They were all revealed to be false."

It was also true that she had many confrontations with Goebbels, and the propaganda chief bemoaned her "wild" demeanour and found their dealings exasperating.

Race director Stephen Hopkins describes Riefenstahl as a "bohemian, caf society artist with lots of Jewish friends". While discussing her role in his film, he says, "I wanted a view from that side, from someone who wasn't necessarily a political animal and who was seeing things in a different way. For us, she is an incredibly useful character and an incredibly ambiguous character."

For many, the ambiguity replica hermes bracelets has long since diminished. She was Hitler's favourite filmmaker for a reason. Her positive portrayal in Race only adds to the contention.
Sep 21 '17 · 0 comments
When the line between documentary and

This story has been updated. Documentary at this year's Sundance Film Festival, Crystal Moselle's debut feature "The Wolfpack" is "the incredible true story of six teenage brothers raised in isolation in New York, with movies as their only outlet to the world," according to the press notes that could also serve as a reality TV pitch. The film focuses on the Angulo brothers eldest Bhagavan, the twins Govinda and Narayana, Mukunda (called the "alpha" of the pack), and younger siblings Krsna and Jagadisa (who now go by Glenn and Eddie, respectively, according to this interview they gave to Vogue) whom Moselle first encountered not far from their Lower East Side apartment as they raced past her, catching the fashion filmmaker's eye with their long hair and striking looks. She chased them down, struck up a conversation, mentioned she was a filmmaker, and voil! a friendship was born.

As time went on Moselle discovered the boys' unusual upbringing. They were raised by a Peruvian dad and a hippie mom from the Midwest, who fell in love at Machu Picchu and traveled the world before landing at a Hare Krishna Center in West Virginia where daughter Visnu (who has special needs and is rarely seen in the film) and the first three boys were born. They traversed the country in a van in the early searching for opportunities for the father who is philosophically opposed to work to become a rock star. (And by the way, much of this I learned from the press notes, not the film.) Arriving in NYC in the mid the siblings were all home schooled and infrequently allowed to leave their Delancey Street apartment once they moved to the Lower East Side.

With little access to the outside world, music and cinema became the kids' refuge. The boys re created favorite flicks like Dark Knight and Fiction, crafting props and costumes from everything from cereal boxes to yoga mats. It was only after Mukunda broke out of the apartment in January 2010 wearing a Michael Meyers mask for protection that their un cloistered lives began. Enter Moselle and her camera.

Recently, I was able to chat with the movie mad brothers, who over the phone come across as incredibly articulate, and impressively socially adjusted for kids who've only been experiencing the world outside of their apartment for five years. Ask them about their January trip to Sundance, and Bhagavan calls it a "turning point" that presented a lot of opportunities. Aspiring DP Govinda mentions meeting Christopher Nolan's brother and Greta Gerwig, and of passing out business cards.

When asked about the parents' initial response to Crystal's presence in the apartment, they allow that though she was the very first guest permitted inside, Mom and Dad nevertheless were welcoming. They say their parents were happy that the boys had made friends, especially with a filmmaker. Mukunda adds that their folks weren't suspicious at all since they shared a common love of movies and also that Crystal was a filmmaker who "came toward us with curiosity."

If you broach the subject of whether there were positive aspects to their shared sheltered existence, Mukunda notes that it "gave us a lot of time to think," and more time to be creative. Bhagavan adds that music was also a part of their lives, specifically bands that their father enjoyed like AC/DC, Led Zeppelin and Deep Purple. They'd even formed a band themselves not to mention created comic shows that were "like SNL." Though they'd seen Fiction on TV, it wasn't until they emerged into the world that they discovered Dogs. In other words, they sound like fairly run of the mill, artistically inclined adolescents.

Which if you take away the "we were imprisoned in an apartment" angle is what they are.

Without it, a group of boys who re create blockbusters at home isn't all that special three 11 year olds in Mississippi started shooting their homemade of the Lost Ark all the way back in 1982. And eccentrics are a dime a dozen in New York, so home schooled kids with hippie parents and Sanskrit names wouldn't automatically make for compelling documentary material either. What makes the boys interesting exceptional, worthy of the documentary treatment is their cinematic Cinderella tale, one in which they overcome extreme adversity with the help of the silver screen. (Or as the press notes put it, they are "a true example of the power of movies to transform and save lives.") Their hard knock story is catnip especially to both filmmakers and film critics. Truth is often stranger than fiction, of course. I've no idea whether the hermes kelly caleche replica boys were firmly locked away (for a shocking 365 days during one year) throughout their formative years, or whether those claims were exaggerated, but I'll admit little pieces of the stories being told about their story do nag at me.

For example, according to a Daily Mail article from all the way back in February, "Ms. Moselle described first seeing the brothers, on First Avenue, when they were all walking in a wearing sunglasses. Their look had been inspired by a favorite film, Dogs A NY Daily News piece from this past Sundaynotes that "In 2010, on their first night out as a group, they caught the eye of Crystal Moselle, a former School of Visual Arts student and aspiring filmmaker."

Yet one of the brothers, in response to my query as to why their parents would encourage them to re create violent films like Dogs, clearly stated during our phone conversation that they'd not discovered Dogs until after they'd started leaving their apartment. (Though they all quickly stressed that they'd seen Fiction on TV.) How is it that the brothers met Moselle dressed as characters from a movie they had yet to see? I've no idea. The timeline confusion does not necessarily render Dogs any kind of smoking gun, of course in that same Daily News article Moselle is quoted as saying, "They were all dressed in black, with long hair. I instinctually ran after them to talk," with no mention of the Tarantino film.

Perhaps the brothers had seen clips or stills from the flick. Or maybe Moselle had actually met the siblings on their second or third excursion outside and they'd discovered Dogs on their first. Maybe the Daily News had gotten the dates wrong. I'm not picking on the Daily News;this New York Times piece notes, "It was Mukunda, the third youngest and a natural leader, who, in April 2010, at 15, first defied his father's orders and slipped outside." Furnished press notes say that Mukunda escaped in January 2010.

Time could very well take on a different meaning when one is locked away for years on end, for all I know.

(After this article was published, I spoke with Joe Neumaier of the Daily News, and he clarified thatthe brothers did meet Moselle on their first night out as a group, but they were not in their Dogs attire when they met her. Those clothes came later.)

And in a recent interview with KPPC the Frame, Moselle describes the scene with more detail: told us how she first spotted the brothers skateboarding in New York on a rare trip outside of their apartment. Skateboarding a fairly outdoor activity for kids who rarely leave their apartment, and this detail, evocative as it is, doesn make it into all stories written about their first meeting. It a small detail, but the breathless media kelly hermes bag imitation hype that these boys had spent years in isolation often glosses over other parts of their story. According to this week Daily News article: to what's been depicted in press materials, the brothers have not their entire lives locked away from society. Some of the elder boys spent part of their early childhood in California and West Virginia. Once in New York, they were taken on summer outings to Central Park, the American Museum of Natural History and the World Trade Center by their grace kelly purse cheap mother, Susanne, who homeschooled them in the four bedroom LES apartment they moved into in 1996. let's just put speculation aside for now and look at the bigger picture which is why this particular story got to the screen. When it comes right down to it, Moselle found in these boys a once in a lifetime subject, and the boys, with their filmmaking aspirations, needed someone who could make them into stars. I don't think it's incidental that they were seemingly taught at an early age to value not just creativity but fame. (Moselle told KPCC that be honest, I think that their father saw some sort of opportunity for his kids. Because, at the end of the day, he always had these delusions of grandeur, that they would be pop stars or something like that. A little bit of Jackson 5 essence to it. Currently, Govinda, the only brother living outside the home, works in freelance film production and resides in the Bed Stuy section of Brooklyn. It's safe to say this might not be the case were it not for Moselle's divine intervention.

Indeed, Moselle and the family formed a partnership, as do all documentarians and their subjects. However, in this case it was the subjects, and not the director, in firm control, slowly dishing out access like bargaining chips (which explains the doc's odd lack of emotional intimacy). One of the most revealing scenes, in which the siblings' mother reconnects with her own long estranged mother over the phone, is shot not by Moselle, but by one of the boys and kelly hermes bag copy later given to the director as a "present." This family is in firm control of their own narrative.

One could say that the director was being (willingly) used, giving up her right to dig deep Moselle has claimed she wasn't trying to be a journalist or a psychiatrist, just a filmmaker watching events unfold in return for a sensational story. One could even call it a form of mutual exploitation. And in this sense, Wolfpack has more in common with the Kardashians than they do with traditional documentary subjects. I don't classify their story as a "hoax," as aNew York Poststory reported some wondered at Sundance that would be too simplistic an assessment in this modern age of cinematic hybrids but I also don't equate reality TV with cinemavrit. Truth be told, Wolfpack as real as Up With the Kardashians. Sure, I buy that the Kardashians are a real family, but I don't pretend to think they are allowing me into their real lives. I don't know the Kardashians. I have no idea who the Angulos are. And perhaps, quite possibly, neither do they.

And in this sense we're all complicit in crafting Wolfpack narrative. Nuance and complication don't make headlines, after all. We're all editors, shaping the story, cleaning up the messy details of real life, avoiding contact with what got left on the cutting room floor. And in the end, creating our own urban myths.
Sep 21 '17 · 0 comments
Why we should all be very afraid

It is said that in 16th century Prague, a giant made of clay stalked the slums from moonrise till sunbreak. He kept a vigil, this earthen colossus, and guarded the Jews of the ghettos in an era of pogroms. By nightfall in Prague, when the townsfolk kept inside, heeding their curfew, marauders slinked along the streets to heave bricks through windows and scrawl obscenities on lintels.In 1580, a rabbi arose who promised a manmade messiah. Judah Loew, a mystic called the Maharal, whispered spells and commands into a clod of mud and sculpted a monster to crush the vandals and brutes. A clockwork man, a witless machine, the sentinel followed the rabbi's orders to the letter: "Clear the precinct after dusk." The creation meted out justice with alarming aplomb, splitting skulls and snapping femurs. Blood dappled the cobblestone lanes, and soon the oppressors avoided the ghettos altogether. Enjoying a safe season, the Jews roamed their neighborhood freely after dark. Yet the golem had not forgotten his instructions empty the streets and turned on his people for lack of other targets. For seven nights in a row, until the rabbi reversed his magic, the giant ran amok. The golem had become a goliath, plucking heads and limbs from the torsos of innocents.Fairytales are for campfire powwows and bedside reveries. Their bugbears seldom intrude on the political realm. Yet the golem isn't mere nursery chatter. The likeness of this beast, the archetypal war machine, is alive and well in the here and now. While the Czech maintain that he lies sleeping in the attic of a Prague synagogue, they are mistaken. The golem, if you can stomach the comparison, resides in the United States. He resides there and in Russia and South Korea. Today he is built not from clay and spells but toothed gears and pneumatic pistons. He has machine guns for arms and infrared cameras for eyes. Soon his kin may watch the streets of a hundred thousand Pragues, their sidearms smoking incessantly over mountains of brass shells.The United Nations has its own name for our latter day golems: "lethal autonomous robotics." In a four day conference convened on May 13 in Geneva, it described them as the imminent future of conflict, advising an international ban. "Lethal autonomous robotics (LARS) are weapon systems that, once activated, can select and engage targets without further human intervention," the council said in a report released before the session. The UN called for "national moratoria" on the "testing, production, assembly, transfer, acquisition, deployment and use" of sentient robots in the havoc of strife.The ban cannot come soon enough. In the American military, Predator drones rain Hellfire missiles on so called combatants after stalking them from afar in the sky. These avian androids do not yet cast the final judgment that honor goes to a lackey with a joystick, 8,000 miles away but it may be only a matter of years before hermes kelly caleche faux they murder with free rein. Our restraint in this case is a question of limited nerve, not limited technology.Russia has given rifles to true automatons, which can slaughter at their own discretion. This is the pet project of Sergei Shoygu, Russia's minister of defense. Sentry robots saddled with heavy artillery now patrol ballistic missile bases, searching for people in the wrong place at the wrong time.Samsung, meanwhile, has lined the Korean DMZ with SGR A1s, unmanned robots that can shoot to shreds any North Korean spy, or doe eyed refugee, in a fraction of a second.Some hail these bloodless fighters as the start of a more humane history of war. Slaves to a program, robots cannot commit crimes of passion. Despite the odd short circuit, metal legionnaires are immune to the madness often aroused in battle. The optimists say that androids would refrain from torching villages and using children for clay pigeons. These fighters would not perform wanton rape and slash the bellies of the expecting, unless it were part of the program.Yet the program would have inherent vices, and these are the pivot points of the scare.On pages and projection screens, dystopian fabulists envision a world where android slaves revolt, re gifting their manacles to their human masters. Sheer fantasy, that future. Such thoughts plague only bug eyed conspiracists in dark basements and comic book fiends in extended adolescence. Even so, no myth wants entirely for truth. The truth here is more mundane but equally unacceptable."'Autonomous' needs to be distinguished from 'automatic' or 'automated,'" the UN report observes. "Automatic systems, such as household appliances, operate within a structured and predictable environment," while "autonomous systems can function in an open environment, under unstructured and hermes grace kelly bag Knockoff dynamic circumstances." The embattled android would make its own decisions in the fickle, murky, feverish arena of war. Given the shifting ethical complexities of every second in the killing fields, the judgment and deeds of a robot would be utterly unpredictable and inveterately inadequate.By the UN's reckoning, combat calls for "human judgment, common sense, appreciation of the larger picture, understanding of the intentions behind people's actions, and understanding of values and anticipation of the direction in which events are unfolding." A poverty of context would afflict these iron shooters, inuring them to matters of insight and mercy. Imagine a coward girding himself in a human shield, and tell me whether the war machine would pause or let the napalm drench them both like rain. The walking Gatling gun would be equally ill equipped to make the most standard distinctions required by international law. When pitted against all the learning disabilities known to modern neurology, the binary brain often fails in sub simian ways, and the electric gunman would find it hard to sort active combatants from civilians, let alone soldiers about to surrender.Along with the inevitable crimes against humanity would come an excuse for strategists intending to perpetrate them. "A responsibility vacuum would emerge," the UN forewarns. The horrors of war recuse themselves in bureaucracy. In her monograph, Violence, the philosopher Hannah Arendt notes that "in a fully developed bureaucracy, there is nobody left with whom one can argue, to whom one could present grievances, on whom the pressures of power could be exerted." A war waged by an army of androids, outfitted with weapons but not will, would offer the ultimate gift of bureaucracy: total unaccountability. An automaton cannot answer for its actions. After torching a hut of huddled women and children, no robot would hear its Miranda rights and monologize in front of a jury. All violence would become anonymous in this faceless infantry, and the powers would write off all evils as errors. For military leaders, rampant murder would devolve to mere negligence.Even as nafs tout a lessening in the loss of life, even as they say that shattered machines would be better than soldiers brought home in boxes, death on the opposite side would swell to unprecedented proportions. A robot army would reduce the human risk of invasion, trimming the threshold to war. "Modern technology allows increasing distance to be put between weapons users and the lethal force they project," the UN report avers. With our smart bombs and Predator drones, we can and do already waste villages by pressing red buttons from the comfort of recliners in Fort Drum and Langley. A commander should sink his nose into the stink of war, into its pong of burning flesh, smoking gunpowder and evacuated bowels. Kept from the nausea of butchery, an aggressor can kill without even meaning it. Victims become mere tallies in spreadsheets, signs of some vague progress. The UN notes that robots "would add a new dimension to this distancing, in that targeting decisions could be taken by the robots themselves. In addition to being physically removed from the kinetic action, humans would also become more detached from decisions to kill and their execution." Besides numbing us to what it means for others to suffer in war, our bandoliered androids would help us forget what it means for us to suffer in war. The cost of conflict would be purely economic, a chance of busted springs and fried wires. Skirmishes abroad would become noncommittal, capricious and arbitrary, opening the gate to perpetual carnage.The wayward automaton is a time honored fear, going back as far as ancient Greece. Daedalus was famed for the hubris of fitting his son, Icarus, with waxen wings that melted hermes kelly bags replica in the sun, but he was equally well known for tinkering with "living statues," or androids. In Plato's tells Callistratus that "you have not observed with attention the images of Daedalus. If they are not fastened up, they play truant and run away." Yet even Daedalus shied from rigging his toys with the tools of homicide. Millennia later, that danger is real and present, and in May 2014, a host of Nobel Peace laureates released a letter demanding a ban. "Billions of dollars are already being spent to research new systems for the air, land, and sea that one day would make drones seem as quaint as the Motel T Ford does today," the notice reads, signed by Archbishop Desmond Tutu, former President F. W. de Klerk of South Africa, former President Lech Walesa of Poland, and many others. (Notably absent was the recipient of the 2009 Nobel Peace Prize, President Barack Obama.) "It is unconscionable that human beings are expanding research and development of lethal machines that would be able to kill people without human intervention," the signatories say.These robots are our golems utterly unpredictable, entirely unaccountable, alarmingly enabling. The horizon of war reeks of their casualties, with every blue face, every lank arm, the output of an arbitrary machine. It is said that in sixteenth century Prague the rabbi Judah Loew felled his golem once and for all by scribbling met, the Hebrew word for vintage kelly bag Knockoff dead, on its head. Let us retire our golems before they inscribe the same word on ours.
Sep 21 '17 · 0 comments
What the prisoner transported with Freddie Gray reportedly heard

There may be new insight into the arrest of Freddie Gray, as police get a handle on the protests that have shocked Baltimore.

Police plan to release details of their investigation into the circumstances of the 25 year old's arrest to the local prosecutor Friday. Both agencies are conducting separate investigations, and it's not clear when the results will be made copy white enamel jewelry public.

A Washington Post story quotes a prisoner transported in the same van as saying he could hear Gray "banging against the walls" and believed that he "was intentionally trying to injure himself." The other prisoner Knockoff hermes bags prices couldn't see Gray, however, as the back of the van was divided by a partition.

The paper cites an unreleased Baltimore police document in their Thursday report, and commissioner Anthony Batts addressed the allegation to CBS station WJZ last week.

"The second prisoner who Knockoff hermes bags outlet was picked up says that he didn't see any harm done to Freddie at all. What he has said is that he heard Freddie thrashing about," Batts said.

Baltimore City Police and Maryland National Guard have coordinated a formidable police presence in West Baltimore, reports CBS News correspondent Jeff Pegues. There were 18 arrests Wednesday and no officers were hurt. The mandatory curfew meant streets were clear overnight.

The state Knockoff hermes garden bag of emergency in Baltimore brought Congressman Elijah Cummings back to his district and his constituents. He urged them to focus on what he believes is the issue.

"The relationship between the African American community and the police, I believe, is the civil rights issue of this generation right here," Cummings said.

Police in riot gear massed Wednesday on one of the blocks that saw violent rioting and looting on Monday.

More than 2,000 National Guard members are patrolling Baltimore's 80 square miles.

"It's a little heartbreaking because that's my community, but I know I have a duty to do, so I plan on doing my duty," Pfc. Dana Williams said.

Thousands of demonstrators moved from Baltimore's Penn Station to City Hall Wednesday, trying to unite "Charm City," and demanding answers about what happened to Gray.

"We still don't know why Freddie Gray was arrested," Morgan State University's Dr. Ray Winbush said.

On April 12, 25 year old Gray was seemingly unable to walk on his own to the police van. He was found unconscious inside that van when it got to the police station.
Sep 21 '17 · 0 comments
what channel can I watch it on and what time does it start

TV: BT Sport Europe from 7pmBecause of the transfer speculation Knockoff hermes leather handbags linking the goalkeeper with Real Madrid, United manager Louis van Gaal is currently not considering playing De Gea until after the transfer window shuts on 1 September, if he is still at the club then.

The 24 year old has not been included in any of the club's two Premier League matches this season, with Van Gaal citing a lack of citing a lack of focus.

Asked about De Gea's mental state, Van Gaal said: "It is not a good question. I don't answer the question. I have already said two weeks ago."

Aston Villa vs Manchester United player ratings

Phil Jones remains out after a blood clot was detected in his calf, which Van Gaal describes as "not an injury, more an illness and it's getting better." He is expected to be back in action next Knockoff hermes clutch bag month.

Marouane Fellaini, Knockoff hermes bag styles who is serving a domestic suspension after he was sent off against Hull on the final day of last season, is free to play.

Speaking about the match, Van Gaal says that the pressure is on: "There is a lot Knockoff hermes bags outlet of pressure because our aim and goal is to reach the Champions League.

"This is what Arsene Wenger talked about last year.

"It is difficult. Because of the draw, it is now much more difficult."

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Sep 21 '17 · 0 comments
Why Is Art So Expensive

This question originally fake hermes leather handbags appeared on Quora, the best answer to any question. Ask a question, get a great answer. Learn from experts and access insider how much is a hermes handbag knowledge. You can follow Quora on Twitter, Facebook, and Google Plus.

I recently went to a gallery and saw pieces of broken glass selling for $1,000 per shard. Why?

Money is a medium of exchange. We exchange it for something we either need or want. We have to give it up in amounts based on "values" that are set by a multitude of factors. Although there are those who assert that art may have "intrinsic value," I'm not certain there is anything in this world today that is priced at its "intrinsic value." What would that be? Construction materials plus some preset labor cost plus an agreed upon "fair" profit margin? I don't believe even our food is priced like that these days. If Chile can raise the price on cherries in the winter, you'd better believe they will.

Everything I can think of is priced based on supply and demand. And that is also true of art. With art that was created by dead guys (not so many dead gals), scarcity is a real factor. There aren't too many Vermeers running around, so this dramatically affects pricing. He won't be making any more.

When it comes to living replica hermes handbags artists, other factors become involved. Presumably, the demand is not limited, although some artists only create (or say they only create, or their dealers say they only create) a limited number of works. However, any specific artwork is unique. And artists and dealers do other things in an effort to create value the perception that the art has present, or future potential, value. They facilitate getting the artist's work written up copy hermes bags by magazines, put into museums, or placed into well known collections. This gives the artist's work third party blessings kind of like having your significant other approved by the family before he proposes, or the vintage car signed off by five mechanics before you write the check. It doesn't really mean the significant other won't leave you or the car won't break down two blocks later, but you feel reassured.

And art is like other items. Paintings are priced and valued in relationship to each other, within an extremely large and niched marketplace. It's like food or cars. Oranges aren't affected by the pricing of steaks, nor are Fords affected by the pricing of Mercedes, except in very large scale. Same thing with art. Those questionable thousand dollar glass shards that prompted your question are priced relative to other similarly silly kinds of contemporary "artworks" (and the marketplace between dealers and collectors of those kinds of works), but are completely unaffected by the pricing of a Van Gogh masterpiece or a contemporary landscape. Each are bought, sold, and priced within individual marketplaces.
Sep 21 '17 · 0 comments
vote Yes for your kids' future

Taking the bus to work in the early morning I see them, in the long necklace of headlights backed up before the tunnel. It is the rare car among them that carries more than one person.

To watch them is to be struck by how over built and inefficient cars are for the job. These are mostly office workers going from Point A to Point B, and every one of them requires copy hermes bags several tons of steel and glass to do so.

Cars create the hell that is commuting, but and this is their self perpetuating irony what better way to escape that hell than to wrap oneself in a quiet cocoon of steel and glass while listening to the radio and sipping your morning coffee. What self indulgence. What unthinking ease. Outside it's hell, but brother, inside it's heaven.

Call a commuter on that self indulgence and you'll hear all the excuses: I need my car during the day, public transit is too slow or nonexistent, I need to get home to pick up the kids from school.

For some, that may be true. For the majority, it's just blather. It's the blithe self justification for the fact that, at heart, they just don't care to get out of their car.

None of this has entered the conversation in the debate over the coming transit plebiscite. According to the No side, the fault lies, not with human nature, but with the operation of our public transit system. To hear them, Metro Vancouver's transit is on par with Baghdad's, and so badly run that instituting a small tax to fund future projects would be throwing money down the drain.

This is, again, blather. Those rare times, for example, when the Expo line has malfunctioned have been blown way out of proportion, as if it were proof the whole system has to be abandoned and remade. It doesn't. A transit line malfunction is not a disaster. It's a glitch.

But human nature? That's way harder to fix. Motion studies show that, on average, people won't walk to a bus stop if it's more than 400 metres away. That's a five minute walk. Any longer than that and the numbers drop precipitously.

That, in our modern world, is the limit of our tolerance. That's assuming people are willing to take the bus in the first place.

Catering to such expectations is very hard to do.

Yet so far, the debate over the transit plebiscite has been all about money and the cost to taxpayers.

What you do not hear about is the cost of the havoc that cars wreak. Aside from the enormous government subsidies motorists enjoy, aside from the space they take, their societal cost is primarily environmental. It is that enormous and imminently catastrophic cost the No side ignores. But a 0.5 per cent rise in the sales tax? Horror.

Projections have a million more people coming to Metro in the next 25 years. In the absence of the proposed transit plan, projections also call for 600,000 additional cars.

With the transit plan fully realized, Metro's engineers estimate that in that time frame, the increased transit system will be able to effect an annual reduction of about 550,000 tonnes in greenhouse gases, or enough to keep it to present levels. Even with the transit plan, we'll just be treading water.

All those car commuters strung along the highway? They might cocoon themselves from their daily hell but not the unnerving thought that, incrementally, with every mile, they're hurtling themselves and their loved ones toward some greater disaster. I bet they wonder, as I do, if their car addiction isn't jeopardizing the future of their children and grandchildren.

A family affair: St Viateur Bagel celebrates 60 yearsBagels are the great equalizer. Everybody eats them, everybody loves them and everybody is invited to the bagel factory's block party on Sunday.

Vaughn Palmer: Vote verdict in Comox will clear political pictureTuesday fake Hermes bag maintenance saw the NDP lead trimmed to 12, then the Liberals pulled ahead by three and, as counting replica hermes handbags ended.

Daphne Bramham: Preserving Chinatown should be a local and national priorityGreat cities have texture. They have buildings, places and communities that reflect their unique character.

Daphne Bramham: Granville Island reboot lacks a daring vision for the futureGranville Island was one bold, big idea. Never before had industrial land been reclaimed as public space.

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Sep 21 '17 · 0 comments
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