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(CNNMoney) El presidente multimillonario de uno de los grupos de lujo ms grandes del mundo est perdiendo muchas horas de sueo debido a la creciente desigualdad y la destruccin de la clase media.

Johann Rupert, el presidente de Richemont, propietario de Cartier, dio una serie de advertencias distpicas durante un discurso en una conferencia del Financial Times en Mnaco.

l prev que los robots a cientos de millones de personas sin trabajo lo cual ampliara la brecha entre los ricos y los pobres y dara lugar al descontento social,rolex daytona stainless steel replica.

es lo que me mantiene despierto por la noche. cmo va a lidiar la sociedad con el desempleo estructural y la envidia, con el odio y la guerra social? Porque las personas con dinero no desearn demostrarlo dijo.

Los clientes sper ricos podran ser el blanco a medida que el desempleo aumenta, dijo. Eso hara que vender artculos de lujo sea ms difcil.

podemos tener al 0,1% del 0,1% de los individuos ricos beneficindose de todo el botn. Y, amigos, ellos son nuestros clientes. Pero es injusto y no es sostenible le dijo a una audiencia que pareci quedar sorprendida por sus comentarios. que no se qu nuevo pacto social tendremos, pero ms vale que encontremos uno sudafricano ha estado trabajando en la industria de la venta de artculos de lujo al por menor desde 1976. Bloomberg calcula que l y su familia tienen un valor de ms o menos 7.000 millones de dlares,imitation rolex daytona gold, y son parte de los 20 accionistas ms importantes en Richemont.

Con sede en Suiza,rolex daytona for sale imitation, el grupo es propietario de ms de una docena de marcas de lujo, entre ellas Montblanc, Chloe, Net a Porter y Van Cleef Arpels.

Rupert dijo que l haba estado pensando en estos problemas desde que ley sobre el ascenso de las mquinas en el lugar de trabajo.

Y parece que se est tomando sus propias predicciones negativas muy en serio.

un enorme cambio en la sociedad. Acostmbrense a la idea y preprense dijo. suerte sobreviviremos, porque lo estamos planificando no respondi a las solicitudes de comentarios.

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Inside the new NorthPark jewelry store with a 'nothing but Rolex' shop

Richard Eiseman Jr. and his mother, Louise, are winding up the golden anniversary year of their family jewelry business with a rebirth in mind.

Earlier this month, the Eisemans unveiled their redesigned jewelry salon at the most coveted corner of NorthPark Center across from Neiman Marcus and anchoring the fine jewelry row of Tiffany Co., Cartier, David Yurman and Bulgari.

"It took us two years to get this salon and the Rolex space done,replica rolex lady day date," Richard says, giving a tour of the "new" Eiseman Jewels. "This has been a huge undertaking. A lot of businesses when they have a viable physical environment will just roll with it, and it becomes a little tired."

The challenge was to re energize the space to attract a younger generation without turning off the more mature clients who have made Eiseman one of the most respected independent jewelry stores in America,fake rolex daytona 1992.

"We achieved that on a grand scale," the 55 year old president says. "Our existing clients tell us they love it and feel comfortable here. It's so light and airy. Our traffic has increased dramatically because of the openness."

In addition to the central salon, the 5,000 square foot store also has a bridal boutique, a private viewing room and a shop within a shop that sells nothing but Rolexes.

Just as important as customer acceptance is Richard's belief that his father, Dick Eiseman, who died of Parkinson's disease in 1996, would be happy with the facelift.

"He'd be thrilled, because it doesn't look like a commercial jewelry store. It has a lot of charm."

In the fall of 1963, Louise and Dick opened Richard D. Eiseman's Jewels at Titche Goettinger in downtown Dallas. Their leased department had 10 4 foot merchandise showcases and sales of less than a half million dollars its first year. Every sale was handwritten into a ledger book.

The couple moved to the new Titche's at NorthPark Center when Dallas' ritzy shopping mecca opened two years later.

"We've been here since Ray and Patsy [Nasher] opened the doors," Louise says, pointing out that she's the last original lease signer because Neiman Marcus has changed ownership several times.

Eiseman's sales will be between $30 million and $40 million this year, says Richard, depending on how many rare white and colored diamonds are sold. One pair of blue diamond earrings could push that needle by $2.5 million.

"They belong in the Smithsonian," he says.

Most independents sell expensive rocks on consignment. Eiseman owns its gems,rolex oyster perpetual day date replica.

Success, though, started with a more modest pair of pav diamond earrings in 1963.

Attention to detailWhen the Eisemans went to New York to stock their first store, a well known wholesaler talked them into paying $3,500 for one pair of earrings, which was a huge chunk of their allotted inventory dollars.

"We were staying with Dick's mother in New York. We got back to her apartment, I was so nervous, I threw up," Louise recalls. "I said, 'How can we spend that much money on one piece of jewelry? We'll have to sell it for $5,000.' We did. And that was that."

Richard started working at the NorthPark store when he was 13. The first thing his dad made him do was get a manicure.

"Dad had the utmost level of taste. Here is a man who paid intense attention to detail. He passed that along to me," Richard says.

His dad also taught Richard that his last name was Eiseman, but that didn't afford him any special privileges.

"I grew up running the packages up to get gift wrapped, cleaning the bathroom and taking the trash out, and driving furniture in a Ryder rent a truck," he says.

Pitching inHe's referring to a trip he made in 1980.

At the time, the Eisemans had 15 stores inside other stores,replica rolex oyster date, stretching from Houston to Oklahoma City.

The Eisemans were hosting a charity event at a country club in Oklahoma City and Dick decided to show off the jewelry in a breakfront borrowed from Manheim Antiques in the Dallas Design District.

He roped Richard, who was still in college, and a Dallas store employee into loading the massive piece of furniture into a Ryder rental truck and driving it to Oklahoma.

"It's a 2 1/2 hour drive," Richard says. "But the truck had a governor on it, so it wouldn't go over 50.

"We pull up to the country club after five hours without air conditioning, and right in front of us, Dick and Louise Eiseman get out of a stretch white limo with cocktails in their hands."

Despite that moment of grandeur, Richard says his parents never asked him to do anything that they wouldn't do. And Richard and Louise teach every employee to treat anyone who steps into the shop with respect.

That didn't happen several decades ago when a teenager in shorts and a polo shirt came into the store in Titche's to pick out a watch for his 16th birthday and was snubbed by the person behind the counter.

Duchess of Windsor's jewels sold for almost

Among the lots were a flamingo brooch,replica rolex day date ii, a bracelet in the form of a panther and a cigarette case which was inscribed with the route of a long European holiday the Duchess took with the Duke of Windsor,rolex daytona collection imitation, the former King Edward VIII.

Many of the items were gifts to the Duchess from the Duke, who gave up the thone to marry the former Wallis Simpson in 1937.

The highlight of the auction was the onyx and diamond panther bracelet from 1952 which made 4,521,250. The piece had been expected to go for 1.5m and set a new record for the highest auction price for a work by Cartier.

The flamingo brooch, which is set with diamonds, rubies, sapphires and emeralds, made 1,721,rolex daytona men imitation,250 against an estimate of 1.5m.

The Duchess's favourite bracelet with nine small jewelled crosses representing significant moments in their relationship between 1934 and '44 sold for 601,250.

A heart shaped brooch topped by a crown with their initials in emeralds, sold for 205,250. It was commissioned by the Duke to mark the couple's 20th wedding anniversary in 1957,rolex daytona for ladies imitation, a date picked out in rubies at the base.

The flamingo, the panther, the bracelet and the brooch were among the Duchess's favourite pieces and dresses would be chosen to go with them when she travelled on the international society circuit between Paris, New York and Palm Beach.

Clients matter more

Hotel SearchEmmanuel Perrin, CEO of Cartier North America, was the first to say it: "Client care is the final frontier. . You can't go wrong investing in client experience. . What is good for the client is good for the retailer and is good for us."

A client centric view of retailing and brand marketing was the subtext of last week's Luxury Summit, organized by the former American Express Publishing titles (Travel + Leisure, Departures, Food Wine) that now live at Time Inc. Speakers at the Ritz Carlton Naples gave advice on "seducing the customer," "the psychology of buying and selling" and "the new retail arena."

But today's luxury buyer might not be so easily seduced, at least not by brands. Jim Taylor, vice chairman of the research firm YouGov, presented the findings of the Survey of Affluence and Wealth, conducted in partnership with Time Inc. And those findings were mixed at best for the audience of luxury CEOs and marketing executives from the fashion, automotive, jewelry, beverage, retailing and travel industries.

On one hand, the rich are getting richer, and they are going to be spending more than ever.

"We are in the middle of the greatest asset boom in the history of man," Taylor said. Total personal assets are at $241 trillion, up 60% from pre recession 2007,replica oyster collection rolex, he said. "That is a lot of money."

The money to consume is available, Taylor added, but people still manage money as if in the recession. It's not that they won't spend, but they have decoupled from the wider economy and its commercial messaging.

Concurrently,oyster perpetual rolex fake, he noted, they're confident in their own ability to manage financial decisions and purchases. "They're the strong actor in the economy," Taylor said.

The survey predicts a 6.7% increase in luxury spending, vs. a 2% to 2.5% rise in gross domestic product, which should be great news for the summit's attendees.

But what influences how luxe consumers spend has changed significantly. The affluent survivors of the recession have built up such a strong sense of their own abilities to navigate financial waters that they have become self reliant, feel "invulnerable" and are, as David Bowie put it so succinctly, immune to your consultation.

Ch ch ch changes: In prerecession 2007 08, brand love was pretty strong, with 47% expressing positive sentiment toward branded retailers, 80% toward fashion brands, 67% about luxury hotel brands and 58% to certain jewelers. But those numbers in 2013? Respectively: 28%, 61%,imitation rolex oysterquartz, 37% and 40%.

When asked if they are loyal to a single hotel brand, only 12% of affluent consumers said yes.

How many respondents felt that luxury brands "always" lived up to their promises? Just 3%.

The brand that matters most, Taylor said, is "Me."

Although brand loyalty has eroded, that doesn't mean brands won't do well in 2014. "Travel is going to rock,fake rolex perpetual oyster," Taylor said, noting that 70% of wealthy respondents said they were willing to pay more for "true luxury lodging" and 73% said they enjoyed being treated like a VIP.

At issue is how and when luxury brands will have a chance to influence choice. About 80% of wealthy Americans say they already know what they want and what they're willing to pay before interacting with a salesperson. And 70% of millennials shop with a smartphone in hand to do online comparisons and product reviews.

There is a great need to understand the strategic shopper who is a master of research.

"They're very confident and only look for deals," Taylor said. "We put them down, but they're very resourceful, very sophisticated."

In an environment like this, Taylor recommends that salespeople become docents of their products, knowing the fine details about what they're selling the history of the company, the expert work that goes into making something and sharpen their storytelling skills. Buyers come in armed with a lot of knowledge, but a salesperson nonetheless can impress them with information that builds trust and recognition of the salesperson's expertise.

And there are still 28% of affluent consumers whom Taylor classifies as "Taste Masters." They are highly involved with brands, love to do their shopping in stores rather than online and look for brands that speak to who they are and to what moves them aesthetically. The way to their hearts, he said, is merchandising.

Fortunately for many luxury brands, of the 12 countries that Taylor surveyed, the one still most intensely engaged with brands is China, an economy that is not only rising but will likely rise for many years to come.

As for the rest of the world, the real question is whether this a cyclical swing against branding or a deep change in behavior. I believe it's not cyclical. Even greater than the impact of the recession is the impact of mobile technology. The way forward is understanding the mobile platform and how consumers employ it for research. That intelligence is the means for strengthening brands and is, above all, the key for brands to develop a new definition of consumer centric.

The opulent allure of Cartier's bejeweled panther

(CNN)There's something about the panther that seems to exude luxury. Perhaps it's the way they move. The elusive feline somehow suggests confidence and desirability at once.

Since 1914, the French jewelery brand Cartier has transferred the panther's shape and assumed glamor onto intricate pieces, jewels, accessories and objets. A brooch, a pendant,rolex oyster bracelet imitation, a ring, a watch face over the last hundred years, the Cartier panther has become one of the most recognizable symbols in the history of fine jewelery.

"The panther is a permanent source of inspiration throughout all of our different categories of objects," says Pierre Rainero, Cartier's Image, Style and Heritage director. "It goes beyond the physical expression because, in fact, the panther has become very much associated with the personality of the maison as a whole."

Cartier's big cat connection has recently been traced in Cartier Panthre, a weighty tome from luxury publisher Assouline released in honor of the motif's centenary. But while he's happy to pay tribute to the past, Rainero, who oversees all contemporary design,imitation rolex perpetual oyster, is less interested in preserving the panther's legacy than he is in furthering it.

Panthers in progress. Setting onyx for a panther themed diamond necklace.

One of the earliest panther pieces an onyx vanity case embellished with a diamond and onyx panther between two cypress trees was created for Jeanne Toussaint, a designer friend of Coco Chanel who had captivated founder Louis Cartier with her wit, charm and determination.

Toussaint would go on to serve as Cartier's artistic director of jewelry from 1933 until 1970. Under her leadership, the panther's established connotations were transposed to symbolize women's post war freedom as they gradually acquired more rights, asserted themselves in the work force, and shook free of strict social dictates.

"The animal appears like an emblem of that freedom in a very elegant way, very much appropriate to be illustrated in jewelry," Rainero says. "That's why it was so successful, and why it was so strong: You have the woman's attitude, but then you also have the attitude of the animal."

Cartier Panthre, published by Assouline.

Like most fashions,fake oyster rolex, the panther is as much a reflection of the times as it is a reflection of the brand. In the last hundred years, Cartier has moved from primarily abstract Art Deco styling in the early 20th century, to ornate three dimensional panther pieces worn by the Duchess of Windsor Wallis Simpson in the 1940s (before that, figurative jewelry was tacitly reserved for actresses and prostitutes),rolex lady oyster replica, to the white gold platinum diamond palette meant to complement minimalist grunge of the 1990s.

These days, Rainero says it's much more difficult to pin down one overarching design aesthetic. Just as fashion designers no longer feel the need to conform to a popular silhouette, jewelry designers and consumers have largely stopped adhering to a single style.

The panther is a permanent source of inspiration throughout all of our different categories of objects.

Pierre Rainero, Cartier

There has been a focus on more minimalist pieces to reflect current jewelry trends, sure. But what's most exciting, he says, is the vast variety of pieces being suggested by designers for collections and custom commissioned pieces alike, ranging from the hyper realistic and figurative, to the more stylized and masculine.

"One century later, society has evolved considerably, and I think that freedom of behavior has extended to the objects women decide to wear. That's what we're cultivating for the future: the uniqueness of expression and treatment," Rainero says. "There's a panther for every woman."

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OTTAWA, le 7 avril 2017 /CNW/ Le gouverneur de la Banque du Canada, Stephen S. Poloz, et la secr parlementaire du ministre des Finances, Ginette Petitpas Taylor, ont d aujourd'hui un billet comm de 10 $ soulignant le 150e anniversaire de la Conf Ce billet sp mettant l'honneur notre histoire, notre territoire et notre culture, a pr lors d'une c tenue au si de la Banque Ottawa. Il sera mis en circulation le 1er juin prochain.

Ce billet vise captiver notre imaginaire et susciter un sentiment de fiert pour ce que nous avons accompli en tant que nation, a d le gouverneur Poloz. Il c la beaut naturelle et la majest de notre territoire ainsi que certains des parlementaires importants qui ont contribu b notre grand pays. La conception graphique complexe de ce billet est unique plusieurs Pour la premi fois, les portraits de quatre personnes diff sont r sur le recto d'un billet de banque canadien : sir John A. Macdonald, sir George Cartier, Agnes Macphail et James Gladstone, ou Akay na muka (son nom dans la langue des Pieds Noirs). Avec le Hall d'honneur du Parlement comme toile de fond,cartier bangle love, les portraits de ces quatre parlementaires nous rappellent que le Canada a fa par la vision,leve bracelet, le courage et les efforts de personnes de diff horizons.

Lorsqu'il sera mis en circulation, le billet comm marquera la premi fois que les portraits d'une femme canadienne et d'un Canadien d'origine autochtone ornent un billet de la Banque du Canada. En outre, ses graphiques comprennent des symboles issus de la culture inuite et m : une repr en couleur de l' Hibou au bouquet, de l'artiste inuite renomm mondiale Kenojuak Ashevak,cartier love bangle with diamonds, et un motif reproduisant l'aspect caract de la ceinture fl un important symbole des M La diversit de notre pays est notre plus grande force, a d Mme Petitpas Taylor. Les 150 ans du Canada nous rappellent ce qui fait de nous qui nous sommes, de notre histoire commune nos cultures et nos langues,bracelet love, en passant par la splendeur saisissante de notre territoire, reconnu instantan de par le monde. Au nom du gouvernement du Canada, je remercie le gouverneur Poloz et la Banque du Canada pour leur contribution cette c v nationale. Le billet Canada 150 met aussi en valeur la beaut naturelle du Canada ainsi que ses paysages uniques. En effet, cinq paysages diff illustrant les diverses r du pays ornent le verso du billet : les pics The Lions ou Twin Sisters (Ouest), un champ de bl (Prairies), le Bouclier canadien (Centre), le cap Bonavista (Est) et des aurores bor (Nord).

Le billet comm de 10 $ comporte aussi de nouveaux de s notamment une arche de couleur changeante repr l'arche de la chapelle du Souvenir du Parlement, ainsi que des feuilles d' en trois dimensions.

La Banque a men un vaste processus de consultation afin que le billet comm tienne compte de l'avis de la population canadienne. Les id et suggestions recueillies gr aux sondages d'opinion, aux consultations et aux groupes de discussion ont orient le choix du contenu du billet et ont soigneusement int la conception.

compter de juin 2017, la Banque 40 millions de billets comm qui seront distribu par l'entremise des institutions financi et seront disponibles dans l'ensemble du pays d'ici le 1er juillet.

Le billet Canada 150 circulera en parall avec la coupure de 10 $ en polym existante, mais ne la remplace pas. Le billet de 10 $ actuel et le nouveau billet comm de 10 $ ont la m valeur et peuvent tous deux servir r des transactions.

Comme nous l'avons annonc en d l'ic du mouvement pour les droits et libert Viola Desmond figurera sur un nouveau billet de 10 $. Il s'agira d'une autre premi historique, puisque Mme Desmond deviendra la premi Canadienne mise l'honneur sur un billet de circulation courante de la Banque du Canada, dont l' est pr vers la fin de 2018.

Visitez notre site Web pour en apprendre plus sur chacun des composant le billet comm de 10 $.

Visionnez les vid sur le billet comm et ses de s

T des photographies tir de la galerie d'images de la Banque du Canada sur Flickr.

D le processus de consultation publique men par la Banque pour donner fond au contenu visuel et la conception de ce billet comm

Les institutions financi distribueront le billet sp au comptoir dans leurs succursales partir du 1er juin 2017.

C'est la quatri fois que la Banque du Canada produit un billet comm Le premier a en 1935, l'occasion du 25e anniversaire du couronnement du roi George V; le deuxi en 1967, pour souligner le centenaire de la Conf et le troisi en 2015, pour rendre hommage Sa Majest la reine Elizabeth II, qui est devenue le monarque au plus long r de l' moderne au Canada.

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Photos by Bill Henson and Max Dupain on display in Sydney exhibition

After years of pestering dealers to get his hands on a particular Bill Henson photograph, art collector and gallery owner Peter Maddison received a tip off from a good friend.

'A mate who was working with Kodak called one day to tell me Bill Henson's got a problem: He's got a flood in his darkroom and he needs money to clean it up. Today might just be your day,' Maddison told the Daily Mail.

And it was. The Henson Triptych,cartier pinky replica ring, purchased by Maddison for $60,000 at the time,cartier love replica ring for men, is among 180 photographs now on exhibit and up for sale at Maddison's Badger Fox Gallery in Sydney's Surry Hills.

He and co owner Peter Wright have been collecting art for as long as they've been friends over thirty years.

Their latest exhibition, beginning this weekend, is an 'eclectic' show of reknown Australian and International photographers gathered in that time.

As well as controversial Australian photographer Bill Henson, Click! includes works by the likes of Max Dupain and David Moore. It features European photographers Andre Kertsz, Henri Cartier Bresson, Robert Doisneau as well as Americans Irving Penn and Garry Winogrand.

'It really has something for everyone, it's a cracker of a show!' says Maddison,gold cartier love replica ring, who wanted to put together a mixed collection like the kinds he and Wright would see in gallery windows as kids in London.

'We never wanted to do that thing where you have one artist or a stable of the same artists. In that way, I think Badger and Fox has brought something new to the Sydney scene.'

Click! begins this weekend at the Fox Badger Galleryin Surry Hills. The Gallery will display a roster of 40 photographs until December 22.

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