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Master photographer excelled at capturing
FILE World renowned photographer Henri Cartier Bresson is seen in this Jan. 21, 2000 file photo in Paris. Cartier Bresson, who traveled the world for more than a century capturing human drama with his camera, has died, French media reported Wednesday Aug. 4, 2004. He was 95. (AP Photo/Michel Lipchitz) less
FILE World renowned photographer Henri Cartier Bresson is seen in this Jan. 21, 2000 file photo in Paris. Cartier Bresson, who traveled the world for more than a century capturing human drama with his . more
Cartier Bresson became one of the most admired photographers of the 20th century partly by being in the right places at the right times. But he also had a gift for finding viewpoints from which even peripheral figures and incidents seem to conspire in evoking a sense of the historic. He called it seeking the "decisive moment."
"Shooting a picture," Cartier Bresson wrote, "is recognizing an event and at the same instant and within a fraction of a second rigorously organizing the forms you see to express and give meaning to the event. It is a matter of putting your brain, your eye and your heart in the same line of sight. It is a way of life."
He excelled at capturing odd instants of conjunction in which small details evoked large meanings and forces.
In 1962, he took a picture near the newly built Berlin Wall that shows two men passing each other in the street, a civilian on crutches and a sentry with a carbine slung over one shoulder. Nothing says that the amputee lost his leg in war it might have been a traffic accident.
But Cartier Bresson's picture sets up formal echoes between crutches and weapon, fixing a moment when they were literally parallel, making a wordless equation of violence and loss that stands out all the more starkly against the nearby wall.
In 1947, Cartier Bresson co founded the photo news agency Magnum with , and . It would attract many other distinguished photographers in the decades to follow.
Magnum's founders carved up what they saw as the journalistic turf, and Cartier Bresson took Asia. Whether by luck, shrewd calculation or both, he found himself on the scene of such pivotal events as 's expulsion of the Koumintang from Beijing and the assassination and later cremation of Gandhi.
Even as a witness to such historic turning points, Cartier Bresson's eye went naturally to human details that registered the outward ripple of effects from great causes.
"Photography allowed me to lead the life I had chosen," he told a correspondent for . "I was very curious about the world."
Later in life, Cartier Bresson frequently disparaged his own professional work, startling interviewers with statements such as "Everyone is a photographer. Photography is not important . drawing is important."
Many people can effortlessly call to mind Cartier Bresson's definitive camera portraits of , , the young or in conversation on a bridge in a Parisian fog. But few realize that the photographer devoted most of the past 35 years to drawing and painting.
Cartier Bresson cultivated the legend that he copy Cartier love bracelet had renounced photography in the mid 1970s a story his wife, Martine, contradicted along with the myth that he had never set out to be a photographer.
In fact Cartier Bresson had seen photojournalism as a way to avoid entering the family textile business in Chanteloupe, Seine et Marne, where he was born in 1908.
After a year studying painting with the minor luminary , he set out to travel the world.
Between his trips, he assisted in the making of 's classic films "A Day in the Country" and "The Rules of the Game" and worked on two documentaries devoted to the Spanish Civil War.
Cartier Bresson joined the French army fake rose gold cartier bangle in 1940 and was captured by the Germans and imprisoned in Cartier Love imitation Bracelet a labor camp until he escaped in 1943.
He returned to Paris, joined the Resistance and resumed taking pictures, among them some of his most sympathetic portraits of fellow artists, such as the great shot of Giacometti striding across his tiny studio, looking like one of his own sculptured walking men.
Late in life, with his place in the history of photography indelibly fixed, Cartier Bresson was consumed by his interest in drawing.
He told interviewers that he had always regarded the camera as a sketching tool but considered it woefully inconsistent with contemplation.
Cartier Bresson's drawings in ink or graphite, particularly landscapes, display a fierce replica cartier love bracelt attention to the pictorial task at hand. But as additions to the history of graphic art, to his chagrin, they will never rival his greatest photographs.perfect knockoff cartier pink gold ring price You deserve Let's know about concerning its detailed
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FILE World renowned photographer Henri Cartier Bresson is seen in this Jan. 21, 2000 file photo in Paris. Cartier Bresson, who traveled the world for more than a century capturing human drama with his camera, has died, French media reported Wednesday Aug. 4, 2004. He was 95. (AP Photo/Michel Lipchitz) less
FILE World renowned photographer Henri Cartier Bresson is seen in this Jan. 21, 2000 file photo in Paris. Cartier Bresson, who traveled the world for more than a century capturing human drama with his . more
Cartier Bresson became one of the most admired photographers of the 20th century partly by being in the right places at the right times. But he also had a gift for finding viewpoints from which even peripheral figures and incidents seem to conspire in evoking a sense of the historic. He called it seeking the "decisive moment."
"Shooting a picture," Cartier Bresson wrote, "is recognizing an event and at the same instant and within a fraction of a second rigorously organizing the forms you see to express and give meaning to the event. It is a matter of putting your brain, your eye and your heart in the same line of sight. It is a way of life."
He excelled at capturing odd instants of conjunction in which small details evoked large meanings and forces.
In 1962, he took a picture near the newly built Berlin Wall that shows two men passing each other in the street, a civilian on crutches and a sentry with a carbine slung over one shoulder. Nothing says that the amputee lost his leg in war it might have been a traffic accident.
But Cartier Bresson's picture sets up formal echoes between crutches and weapon, fixing a moment when they were literally parallel, making a wordless equation of violence and loss that stands out all the more starkly against the nearby wall.
In 1947, Cartier Bresson co founded the photo news agency Magnum with , and . It would attract many other distinguished photographers in the decades to follow.
Magnum's founders carved up what they saw as the journalistic turf, and Cartier Bresson took Asia. Whether by luck, shrewd calculation or both, he found himself on the scene of such pivotal events as 's expulsion of the Koumintang from Beijing and the assassination and later cremation of Gandhi.
Even as a witness to such historic turning points, Cartier Bresson's eye went naturally to human details that registered the outward ripple of effects from great causes.
"Photography allowed me to lead the life I had chosen," he told a correspondent for . "I was very curious about the world."
Later in life, Cartier Bresson frequently disparaged his own professional work, startling interviewers with statements such as "Everyone is a photographer. Photography is not important . drawing is important."
Many people can effortlessly call to mind Cartier Bresson's definitive camera portraits of , , the young or in conversation on a bridge in a Parisian fog. But few realize that the photographer devoted most of the past 35 years to drawing and painting.
Cartier Bresson cultivated the legend that he copy Cartier love bracelet had renounced photography in the mid 1970s a story his wife, Martine, contradicted along with the myth that he had never set out to be a photographer.
In fact Cartier Bresson had seen photojournalism as a way to avoid entering the family textile business in Chanteloupe, Seine et Marne, where he was born in 1908.
After a year studying painting with the minor luminary , he set out to travel the world.
Between his trips, he assisted in the making of 's classic films "A Day in the Country" and "The Rules of the Game" and worked on two documentaries devoted to the Spanish Civil War.
Cartier Bresson joined the French army fake rose gold cartier bangle in 1940 and was captured by the Germans and imprisoned in Cartier Love imitation Bracelet a labor camp until he escaped in 1943.
He returned to Paris, joined the Resistance and resumed taking pictures, among them some of his most sympathetic portraits of fellow artists, such as the great shot of Giacometti striding across his tiny studio, looking like one of his own sculptured walking men.
Late in life, with his place in the history of photography indelibly fixed, Cartier Bresson was consumed by his interest in drawing.
He told interviewers that he had always regarded the camera as a sketching tool but considered it woefully inconsistent with contemplation.
Cartier Bresson's drawings in ink or graphite, particularly landscapes, display a fierce replica cartier love bracelt attention to the pictorial task at hand. But as additions to the history of graphic art, to his chagrin, they will never rival his greatest photographs.
The Wall