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ruled the red carpet at the Academy Awards
Swan graced the Oscars on Sunday night in several ways: Besides Natalie Portman in her Rodarte violet colored draped gown in silk chiffon with Swarovski crystals, co star Mila Kunis wore a very low cut, lingerie style Elie Saab gown in lavender with lace details. But other stars had a bit of a dancer vibe, including Mandy Moore in a gold beaded, illusion gown by Monique Lhuillier and Hailee Steinfeld custom made Marchesa.
Steinfeld accessorized her crystal covered, hand embroidered, tea length tulle dress in pale pink with a ballerina style, diamond and platinum Fred Leighton headband.
And, added Cernek, Portman was as gorgeous and amazing as you think. The gown by Laura and Kate Mulleavy made skillful use of a delicate neckline to draw attention from the empire waist that is pretty standard for maternity dresses, she observed, and the Tiffany Co. tassel earrings were a perfect complement.
Most Read StoriesNew wife feels sting of inheritance plan snub Dear CarolynSeattle just broke a 122 year old record for rain because of course it didFishing 101 can help parents cope with daughter's nasty 'best friend' Dear CarolynSeattle's March for Science draws thousands on Earth Day including a Nobel Prize winner WATCHCowlitz Tribe opening $510M casino complex they hope will draw 4.5M visitorsUnlimited Digital Access. $1 for 4 weeks.
There was some controversy ahead of the Academy Awards about Swan and who should get the credit for its very influential looks. Rodarte did design some of the outfits,van cleef flower fake necklace, but Amy Westcott was the film official costume designer.
Portman was making a personal choice. She calls the Rodarte designers Cernek says.
Another big statement on the red carpet at the Kodak Theatre in Los Angeles was host Anne Hathaway in a big, attention grabbing strapless red gown from the Valentino archives.
Gwyneth Paltrow metallic, embroidered sheath gown with a slit style V neck by Calvin Klein Francisco Costa hit the trend of a more seductive, sophisticated Oscars look versus flashy, skin baring styles.
I think people looked really good. They went couture and body conscious, not overtly sexy, said Hal Rubenstein, fashion director of InStyle magazine. was a lot of sheer, a lot of high necks. There was no real clunker in the bunch. higher neckline of Amy Adams L Scott gown, covered in purple caviar beads with a back hem slit, was contrasted by her chunky pendant necklace. was a Shanghai nightclub sexy but quite covered up,van cleef clover fake necklace, said Cernek.
one thing we seeing a consistent amount of is silhouettes fitted to their bodies,van cleef and arpel knock off necklace, whether it romantic or structured, said stylist Cristina Ehrlich, who worked with Adams.
Melissa Leo Marc Bouwer gown, which had a collar style neckline, was an atypical choice of this most classic and glamorous occasion of the awards show season.
Reese Witherspoon channeled a bit of Brigitte Bardot in her black gown by Giorgio Armani Prive with a white band around the strapless bustline, and Hilary Swank strapless, gray Gucci had the unexpected twist of delicate feathers at the hemline. (He gave his best tux prize to Tom Ford fitted suit on Justin Timberlake.)
Jennifer Lawrence surely raised her profile status in a slinky, scoopneck, fire engine red Calvin Klein gown. It wasn the usual Oscar glam look. She looked more like a swimsuit pinup except for the 42 carats of Chopard yellow diamonds on her wrist but it worked for her.
Jennifer Hudson showed off her slimmed down figure in a tangerine orange halter gown by Versace. was a great way to say, what? I a star, I got the power and I fierce, said style expert Suze Yalof Schwartz. was the ultimate makeover dress. her dress didn do it, then her jewels did. Jeweler Neil Lane valued her 20 carat ring, long, basket earrings, and bracelets at $1 million.
Cate Blanchett went the couture route in Givenchy by Riccardo Tisci. The pleated, pale wisteria dress was embroidered with pearls, crystals covered in leather and a swath of yellow beads around the neck.
InStyle Rubenstein thinks Michelle Williams beaded Chanel Couture gown will end up the controversial choice in next day conversations, but it doesn deserve it. think Michelle Williams dress doesn show up well in photos, but if you could see the iridescent beading, it an extraordinary piece of work. It photographs very, very simple,van cleef arpel knock off necklace, but it pretty sensational. dress that needed to be seen in person to appreciated was Halle Berry champagne colored Marchesa strapless gown with a pouf of tulle around the bottom. dress was a movie star dress, said Yalof Schwartz from her perch at the red carpet. fit her like it was melted onto her body. Marisa Tomei in a vintage, 1950s era navy gown by Charles James from Lily et Cie paired with 1960 sapphire and diamond jewelry from Van Cleef Arpels, and Nicole Kidman in a strapless, white Christian Dior gown with silver embroidery. If the buzz wasn going to be about her choice to wear Dior in the aftermath of the suspension of designer John Galliano, it would have been about her 19th century, old mine cut diamond necklace from Fred Leighton.
Ehrlich, who partnered with Victoria Secret, said, a lot of psychology involved in making the looks look as effortlessly as they do. It all very glamorous with a lot of different takes on it. Bonham Carter worked with costume designer Colleen Atwood for her black corset gown with cat scratched sleeves. She told E! that she chose an outfit that would film instead of fashion. said he just so pleased there is so much to talk about instead of a sea of safe looks. didn do cookie cutter stuff. I was delighted.
Swan graced the Oscars on Sunday night in several ways: Besides Natalie Portman in her Rodarte violet colored draped gown in silk chiffon with Swarovski crystals, co star Mila Kunis wore a very low cut, lingerie style Elie Saab gown in lavender with lace details. But other stars had a bit of a dancer vibe, including Mandy Moore in a gold beaded, illusion gown by Monique Lhuillier and Hailee Steinfeld custom made Marchesa.
Steinfeld accessorized her crystal covered, hand embroidered, tea length tulle dress in pale pink with a ballerina style, diamond and platinum Fred Leighton headband.
And, added Cernek, Portman was as gorgeous and amazing as you think. The gown by Laura and Kate Mulleavy made skillful use of a delicate neckline to draw attention from the empire waist that is pretty standard for maternity dresses, she observed, and the Tiffany Co. tassel earrings were a perfect complement.
Most Read StoriesNew wife feels sting of inheritance plan snub Dear CarolynSeattle just broke a 122 year old record for rain because of course it didFishing 101 can help parents cope with daughter's nasty 'best friend' Dear CarolynSeattle's March for Science draws thousands on Earth Day including a Nobel Prize winner WATCHCowlitz Tribe opening $510M casino complex they hope will draw 4.5M visitorsUnlimited Digital Access. $1 for 4 weeks.
There was some controversy ahead of the Academy Awards about Swan and who should get the credit for its very influential looks. Rodarte did design some of the outfits,van cleef flower fake necklace, but Amy Westcott was the film official costume designer.
Portman was making a personal choice. She calls the Rodarte designers Cernek says.
Another big statement on the red carpet at the Kodak Theatre in Los Angeles was host Anne Hathaway in a big, attention grabbing strapless red gown from the Valentino archives.
Gwyneth Paltrow metallic, embroidered sheath gown with a slit style V neck by Calvin Klein Francisco Costa hit the trend of a more seductive, sophisticated Oscars look versus flashy, skin baring styles.
I think people looked really good. They went couture and body conscious, not overtly sexy, said Hal Rubenstein, fashion director of InStyle magazine. was a lot of sheer, a lot of high necks. There was no real clunker in the bunch. higher neckline of Amy Adams L Scott gown, covered in purple caviar beads with a back hem slit, was contrasted by her chunky pendant necklace. was a Shanghai nightclub sexy but quite covered up,van cleef clover fake necklace, said Cernek.
one thing we seeing a consistent amount of is silhouettes fitted to their bodies,van cleef and arpel knock off necklace, whether it romantic or structured, said stylist Cristina Ehrlich, who worked with Adams.
Melissa Leo Marc Bouwer gown, which had a collar style neckline, was an atypical choice of this most classic and glamorous occasion of the awards show season.
Reese Witherspoon channeled a bit of Brigitte Bardot in her black gown by Giorgio Armani Prive with a white band around the strapless bustline, and Hilary Swank strapless, gray Gucci had the unexpected twist of delicate feathers at the hemline. (He gave his best tux prize to Tom Ford fitted suit on Justin Timberlake.)
Jennifer Lawrence surely raised her profile status in a slinky, scoopneck, fire engine red Calvin Klein gown. It wasn the usual Oscar glam look. She looked more like a swimsuit pinup except for the 42 carats of Chopard yellow diamonds on her wrist but it worked for her.
Jennifer Hudson showed off her slimmed down figure in a tangerine orange halter gown by Versace. was a great way to say, what? I a star, I got the power and I fierce, said style expert Suze Yalof Schwartz. was the ultimate makeover dress. her dress didn do it, then her jewels did. Jeweler Neil Lane valued her 20 carat ring, long, basket earrings, and bracelets at $1 million.
Cate Blanchett went the couture route in Givenchy by Riccardo Tisci. The pleated, pale wisteria dress was embroidered with pearls, crystals covered in leather and a swath of yellow beads around the neck.
InStyle Rubenstein thinks Michelle Williams beaded Chanel Couture gown will end up the controversial choice in next day conversations, but it doesn deserve it. think Michelle Williams dress doesn show up well in photos, but if you could see the iridescent beading, it an extraordinary piece of work. It photographs very, very simple,van cleef arpel knock off necklace, but it pretty sensational. dress that needed to be seen in person to appreciated was Halle Berry champagne colored Marchesa strapless gown with a pouf of tulle around the bottom. dress was a movie star dress, said Yalof Schwartz from her perch at the red carpet. fit her like it was melted onto her body. Marisa Tomei in a vintage, 1950s era navy gown by Charles James from Lily et Cie paired with 1960 sapphire and diamond jewelry from Van Cleef Arpels, and Nicole Kidman in a strapless, white Christian Dior gown with silver embroidery. If the buzz wasn going to be about her choice to wear Dior in the aftermath of the suspension of designer John Galliano, it would have been about her 19th century, old mine cut diamond necklace from Fred Leighton.
Ehrlich, who partnered with Victoria Secret, said, a lot of psychology involved in making the looks look as effortlessly as they do. It all very glamorous with a lot of different takes on it. Bonham Carter worked with costume designer Colleen Atwood for her black corset gown with cat scratched sleeves. She told E! that she chose an outfit that would film instead of fashion. said he just so pleased there is so much to talk about instead of a sea of safe looks. didn do cookie cutter stuff. I was delighted.
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