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h of field than a 105mm. from xuezhiqian123's blog




When should you use hyperfocal focusing? Well [url=http://www.cheapjerseysjuventus.com/giorgio-chiellini-jersey/]Giorgio Chiellini Jersey[/url] , sometimes when shooting a landscape, you want everything sharp from the front to the back of the scene. Setting a small aperture such as f16, f22 or even f32 can help, but if you really want to maximize depth of field [url=http://www.cheapjerseysjuventus.com/gianluigi-buffon-jersey/]Gianluigi Buffon Jersey[/url] , hyperfocal focusing is the technique you need to use.

To do this, you need a camera where you can switch to manual focusing and a lens inscribed with a depth of field scale (not all modern lenses have these markings, especially zoom lenses). If you're not familiar with these kinds of lens markings, here's a quick explanation:

Lens Markings Primer

A typical lens shows four sets of markings. At top (looking from behind the camera) is the distance scale (on the lens' focus barrel) showing figures in feet and meters (this also shows the infinity position).

Below that are a set of lines beneath which the f-stops of the lens are marked. This is the depth of field scale. For each f-stop [url=http://www.cheapjerseysjuventus.com/federico-mattiello-jersey/]Federico Mattiello Jersey[/url] , there are two equidistant marks, one to the left and one to the right of the central mark on the scale.

The last set of figures shows the selected f-stop for the lens. These are on the lens aperture ring and, as you change the aperture, the selected f-stop under the central line on the depth of field scale will tell you what aperture you've selected.

To find out what part of a scene is in focus is simply a matter of reading the distance scale for the two marks for your selected f-stop on the depth of field scale. For example [url=http://www.cheapjerseysjuventus.com/federico-bernardeschi-jersey/]Federico Bernardeschi Jersey[/url] , let's say you've focused on something that's 3 feet away. If your lens is set at f2.8, then reading the distance values at the two "2.8" marks on the lens shows that everything just shy of 3 feet to about 3.5 feet will be in focus (a little guesstimation is required in reading the distances). This is fine for isolating your subject from everything else.

If you close the lens down to f11, then reading the distances for the two "11" marks shows that everything between just over 2 feet and 5 feet will be in focus.

If the lens is set to focus in infinity (the infinity mark is over the central mark on the depth of field scale), then you only need to read off the distance value for the f-stop mark to the left of the central depth of field scale as everything between it and infinity will be in focus. If you'd set your f-stop to f5.6 on the 28mm lens [url=http://www.cheapjerseysjuventus.com/fabrizio-caligara-jersey/]Fabrizio Caligara Jersey[/url] , everything from just over 10 feet to infinity would be in focus. If you'd selected f16, it would be everything from 5 feet to infinity.

Hyperfocal Focusing

Hyperfocal focusing is based on the fact that depth of field typically extends 23 behind the point focused on and 13 in front, but if you focus on infinity, the depth of field behind is completely wasted. You can make use of it if you refocus [url=http://www.cheapjerseysjuventus.com/emil-audero-jersey/]Emil Audero Jersey[/url] , putting the infinity mark (an "8" on its side) on the focusing ring against the aperture set on the depth of field scale (this is known as the hyperfocal point). If, for example, you set a 28mm lens to f11 and focus on infinity, everything from about 9 feet (2.5m) to infinity will be sharp. Align the infinity mark against the "11" position to give hyperfocal focusing and the depth of field now extends from 4 feet (1.2m) to infinity [url=http://www.cheapjerseysjuventus.com/douglas-costa-jersey/]Douglas Costa Jersey[/url] , which is essential if you want foreground interest to be pin-sharp. If you set your lens to f16 and rotate the focus barrel to place the infinity mark over the "16" position, then reading the scales shows that everything between just under 3 feet to infinity will be sharp.

The Hyperfocal distance is the that point above the central mark on the depth of field scale when the infinity mark has been put over the required f-stop mark on the depth of field scale. In the  horter its focal length and the deeper its depth of field. So, as an example, an 18mm lens will have deeper (longer) depth of field than a 105mm. Also [url=http://www.cheapjerseysjuventus.com/dani-alves-jersey/]Dani Alves Jersey[/url] , the smaller the aperture you use the greater the depth of field; i.e. for a lens of any given focal length, there's more depth of field with it at f16 than at f4, for example.

Seeing the Difference

A subject like this benefits from a few pictures to illustrate the principles and show the results. Explanatory images showing the various lens markings and how to use them along with pictures to illustrate the results of using hyperfocal focusing can be found at: >
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