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Tatiana Von Furstenberg on Her Film 'Tanner Hall'
DIAMONDS glinted like tiny asteroids on Tatiana Von Furstenberg's fingers, every one of them a talisman of sorts. There was the domelike gem she inherited from her father, the faceted stone that was a gift from her former husband and another that belonged to her maternal grandmother.
Kissing each of them reverently, Ms. Von Furstenberg murmured, "I guess you could say fake clover earrings van cleef I carry my entire family on my hands."
That family, she acknowledged, has left its mark. At the rear of the downtown apartment that she shares with her daughter, Antonia, 11, is a cherished photograph of her late father, Prince Egon Von Furstenberg, flashing an engaging gap toothed smile that is uncannily like Ms. Von Furstenberg's own. That image resides alongside several portraits of Diane Von imitation van cleef and arpel earrings Furstenberg, her famous mom, flaunting her monumental cheekbones and a look of intensity that her daughter shares.
But the legacy is more than physical. For starters, there is Tatiana Von Furstenberg's drive. Held in check for a time while she brought up her daughter, it has resurfaced of late. For years, Ms. Von Furstenberg said, she had felt a bit daunted by the pressure of growing up with a famous mom. Her mother, it may be recalled, arrived in New York City in the 1970s armed with little more than a sample case filled with her now classic van cleef flower earrings fake wrap dresses and a fearsome force of will.
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It is a talent she brought to bear on her latest project, "Tanner Hall," a coming of age drama set in a fictional New England boarding school, which she wrote and directed with her girlhood friend Francesca Gregorini. The movie, her first, opened on Friday and mines some of her boarding school experiences at the Cranborne Chase School in England, part of an advantaged upbringing that she has in common with Ms. Gregorini, the daughter of a former Bond girl, Barbara Bach, and the stepdaughter of Ringo Starr.
Deliberately set in an indeterminate time and place, it has the feel of a fable ("We wanted it to be almost folkloric," Ms. Von Furstenberg said), a gently frayed Old World ambience lent by props and clothes, some of which are her own.
Their movie succeeds in conveying the hermetic feel and shabby gentility of the filmmakers' privileged milieu, and aspires as well to probe the character of a group of malleable young women, friends of long standing about to embark on a turbulent senior year. They include Fernanda (played by Rooney Mara, who will star in the forthcoming "Girl With the Dragon Tattoo"), all moody introspection; Victoria (Georgia King) a mean girl in the classic mold; and Kate (Brie Larson), a consummate if good natured tease.
Ms. Von Furstenberg, 40, identified with Fernanda, the sensible but misguided heroine of her ensemble cast, and to a lesser extent with the provocative Kate, who toys with the affections of one of her teachers. During her own school years, "I was a definitely a huge tease," Ms. Von Furstenberg recalled. "But I was all talk. I had not yet acknowledged the consequences of playing like that with someone's heart." If some characters are vacant, or pointedly malicious, so be it, she said.
Reviews of the movie have been less than kind, some even downright dismissive. Variety called it "derivative," veering from "sitcom slapstick to wannabe black comedy." Writing in The New York Times on Friday, Andy Webster said that it "rarely rises above the generic." Others wrote it off as a tepid and predictable example of a genre in serious need of an overhaul.
Ms. Von Furstenberg offered no apologies. "We are very well aware of the imperfections of this film," she said. The movie, made in less than a month for well under $3 million, is a testament to her resourcefulness. In making it, she added rather grandly, "I know we delivered our best efforts and our highest selves."
DIAMONDS glinted like tiny asteroids on Tatiana Von Furstenberg's fingers, every one of them a talisman of sorts. There was the domelike gem she inherited from her father, the faceted stone that was a gift from her former husband and another that belonged to her maternal grandmother.
Kissing each of them reverently, Ms. Von Furstenberg murmured, "I guess you could say fake clover earrings van cleef I carry my entire family on my hands."
That family, she acknowledged, has left its mark. At the rear of the downtown apartment that she shares with her daughter, Antonia, 11, is a cherished photograph of her late father, Prince Egon Von Furstenberg, flashing an engaging gap toothed smile that is uncannily like Ms. Von Furstenberg's own. That image resides alongside several portraits of Diane Von imitation van cleef and arpel earrings Furstenberg, her famous mom, flaunting her monumental cheekbones and a look of intensity that her daughter shares.
But the legacy is more than physical. For starters, there is Tatiana Von Furstenberg's drive. Held in check for a time while she brought up her daughter, it has resurfaced of late. For years, Ms. Von Furstenberg said, she had felt a bit daunted by the pressure of growing up with a famous mom. Her mother, it may be recalled, arrived in New York City in the 1970s armed with little more than a sample case filled with her now classic van cleef flower earrings fake wrap dresses and a fearsome force of will.
Continue reading the main story
It is a talent she brought to bear on her latest project, "Tanner Hall," a coming of age drama set in a fictional New England boarding school, which she wrote and directed with her girlhood friend Francesca Gregorini. The movie, her first, opened on Friday and mines some of her boarding school experiences at the Cranborne Chase School in England, part of an advantaged upbringing that she has in common with Ms. Gregorini, the daughter of a former Bond girl, Barbara Bach, and the stepdaughter of Ringo Starr.
Deliberately set in an indeterminate time and place, it has the feel of a fable ("We wanted it to be almost folkloric," Ms. Von Furstenberg said), a gently frayed Old World ambience lent by props and clothes, some of which are her own.
Their movie succeeds in conveying the hermetic feel and shabby gentility of the filmmakers' privileged milieu, and aspires as well to probe the character of a group of malleable young women, friends of long standing about to embark on a turbulent senior year. They include Fernanda (played by Rooney Mara, who will star in the forthcoming "Girl With the Dragon Tattoo"), all moody introspection; Victoria (Georgia King) a mean girl in the classic mold; and Kate (Brie Larson), a consummate if good natured tease.
Ms. Von Furstenberg, 40, identified with Fernanda, the sensible but misguided heroine of her ensemble cast, and to a lesser extent with the provocative Kate, who toys with the affections of one of her teachers. During her own school years, "I was a definitely a huge tease," Ms. Von Furstenberg recalled. "But I was all talk. I had not yet acknowledged the consequences of playing like that with someone's heart." If some characters are vacant, or pointedly malicious, so be it, she said.
Reviews of the movie have been less than kind, some even downright dismissive. Variety called it "derivative," veering from "sitcom slapstick to wannabe black comedy." Writing in The New York Times on Friday, Andy Webster said that it "rarely rises above the generic." Others wrote it off as a tepid and predictable example of a genre in serious need of an overhaul.
Ms. Von Furstenberg offered no apologies. "We are very well aware of the imperfections of this film," she said. The movie, made in less than a month for well under $3 million, is a testament to her resourcefulness. In making it, she added rather grandly, "I know we delivered our best efforts and our highest selves."
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