How Chinese celebrity deaths expose its big lie about COVID toll They say China is undercounting and excluding deaths to protect its political and social system.To get more chinese entertainment news, you can visit shine news official website. Though China continues to retain an iron grip on the press and social media, a string of celebrity deaths is exposing the official narrative. As per BBC, the death of opera singer Chu Lanlan last month caused a stir given her age.While the family of the 40-year-old did not give specifics on her death, they described her passing as an ‘abrupt departure’. Another death that hit the headlines was of actor Gong Jintang.The 83-year-old was famed for his role as ‘Father Kang’ on China’s longest-running TV show, as per BBC.Please god, please treat the elderly better,” Gong’s co-star Hu Yanfen wrote on Weibo. “R.I.P Father Kang. This wave have really claimed many elders’ lives, let’s make sure we protect the elderly in our families,” another Weibo user said. As per The Guardian, 84-year-old screenwriter Ni Zhen, known for his work on the 1991 masterpiece Raise the Red Lantern passed away last month. A retired professor of Nanjing University, Hu was the main author of a 1987 piece which marks the start of China’s ‘Boluan Fanzheng’ period – a return to normal after the Cultural Revolution, as per BBC.Wang Jingguang, who directed the 2013 movie Never Come Back, passed away at 54 last month. As per The Telegraph UK, some Chines media outlets have attributed high-profile deaths to ‘severe colds’.Like Wu Guanying, a professor at China’s Tsinghua University, who passed away at age 67 in December. The Telegraph UK quoted state media as noting that 16 scientists from China’s top science and engineering schools had died between 21 and 26 December. The string of high-profile deaths has led some on social media to question the state narrative. “Science is only one field, there are people from many other fields who have died too, not to mention more ordinary elderly people who have no voice,” a user wrote on Weibo. “Whether it is academicians or celebrities … or my relatives and friends in close contact, I really feel many people have died, but experts keep saying that was not the case,” one said Another added,: “I beg those adults who can’t see the ants on the ground to see how many people have passed away due to Covid. Just how many people who have great contributions to the country have died? And these were all celebrities.” The Guardian quoted Haishang Yilanghua a Chinese influencer with 364,000 followers as writing on Weibo, “Many public figures have died, with many of them passing at a young age. These deaths were made public, but there were still many other ordinary people who suffered and died that was not posted online.”

Empress of China is the ruler of Chinese TV The only female to ever become an emperor in Chinese history, Wu Zetian, is infamous for her ruthlessness and wit. Legend has it that she killed her own daughter, so she could blame it on the previous emperor’s wife to have her dethroned. China’s entertainment queen, Fan Bingbing, portrays the life and legacy of such a strong woman in her new TV show, “The Empress of China.”To get more news about last empress of china, you can visit shine news official website. Prepare to be amazed by beautiful garments and scenery. The costumes are all vibrant in color, and even eunuchs and maids don elaborate hairstyles and outfits. This TV show is the most expensive TV show ever produced in mainland China. It boasts a budget of $49.53 million U.S. dollars. Not only does the show have stellar clothing, but it also has some of the most popular Chinese actors as titular characters. Zhang Fenyi ,the star of Farewell my Concubine (the only Chinese language film to ever win the Cannes Palme d’Or,) acts as Wu’s first husband, the Emperor Taizong. Fan’s real-life boyfriend, Li Chen, also stars as General Li Mu, Wu’s first love. On Dec. 28, 2014, Chinese officials pulled the show from airing, claiming that the cleavage was too revealing. On Jan. 1, 2015, the show continued to air, with noticeable differences, such as CGI over the cleavages and all intimate scenes between the protagonists cut out. Despite this, viewership remained strong and the show ended as one of the most viewed television series ever to air in China. Watch how a simple court dancer named Wu manages to get the affections of both the emperor of China and his son. Witness her transformation from a simple and kind young lady, determined to find true love, to a woman shaped by the trickery of the inner courts. At times, the show may get boring, with 96 forty-five minute episodes, and an abundance of conflicts that could easily be resolved by talking things out. Also, its unrealistic portrayal of Wu as a simpering, naive young maiden is far from accurate. All her misdeeds are glamorized or not mentioned at all. And the love story between 14 year-old Wu and 40 year-old Emperor Taizong is at times hard to watch because of the age gap. The love story between Wu and her second husband, Emperor Li Zhi, (played by rising star Aarif Rahman) is touching and beautiful to watch. Li’s unrequited love for Wu is lovely and pure, for he falls in love with her at her weakest moment and remains so despite the trials and tribulations of ruling an empire. The show is heartbreaking to watch as favorite characters are killed out of the blue and Wu’s dream of true love is never fully granted. This series will evoke tears as viewers watch how innocent young ladies either succumb to the turmoil in the inner palace or break down from the pressure. The series ends on a melancholy note, as the Wu recalls her story to her grandson and envisions all the people she has met in the palace and their expressions. “Empress of China” lacks in certain areas, such as its overly glamorized portrayal of Wu and using Chinese cinema clichés (evil concubines and manipulative servants), but makes up for these by creating a gorgeous story about how one woman’s quest for power teaches her one of the most valuable lessons of life: time and people are fleeting, but the memories of them are lasting and beautiful.