Beauty and the Beast

It looks like Disney is once again inviting fans to be its guest as Beauty and the Beast: A 30th Celebration is set to premiere this December.To get more news about Japanese and Korean first-class films, you can visit our official website.

In the 1990s, Disney became quite the box office behemoth when it premiered a slew of animated projects, including the classics Aladdin, The Lion King and of course, Beauty and the Beast. The latter of the three movies was widely celebrated by critics and moviegoers upon its release, and it earned a number of accolades in 1992 including a Golden Globe for Best Motion Picture — Musical or Comedy, an Oscar for Best Original Song and even earned an Oscar nomination for Best Picture (a first for animated films). Its impressive Academy Award showing is what the entertainment empire aims to commemorate in the special anniversary event. This will serve as one of the alternative programs to fill in the void of the usual ABC Thursday primetime shows, Station 19 and Grey’s Anatomy, as both series are on a break until February 2023.

We’re still awaiting official word as to when the special event airs in the UK. Once we receive that information, we’ll include it here.

The original Beauty and the Beast film is currently available to stream in both the US and the UK on Disney Plus. Here’s the official synopsis of what viewers can expect to see in the part-animated film, part live-action event:

"The special presentation includes live never-before-seen musical performances and features brand-new sets and breathtaking costumes inspired by the classic story. Each performance is created to pay homage while also adding to the iconic story for viewers at home. Songs from the original animated classic will be performed in front of a live audience at Disney Studios.

"'Beauty and the Beast is a timeless story and we’re so fortunate to work with creative mastermind Jon M. Chu and veteran director Hamish Hamilton to bring a modern twist to this beloved classic for an unforgettable night of Disney magic,'" said Craig Erwich, president, Hulu Originals and ABC Entertainment. 'Stacked with unforgettable performances, this will be a must-see special event for fans of the original and for the new generation being introduced to this cherished tale.'"Fronting the lead roles of Belle and the Beast are singers H.E.R. and Josh Groban respectively. H.E.R. is a Grammy-Award-winning artist who is a relative novice in the world of acting, although she does have an Oscar for Best Original Song for writing "Fight for You" for the movie Judas and the Black Messiah. Groban on the other hand is a Tony-nominated actor for his work in Natasha, Pierre & The Great Comet of 1812, and has been featured in several onscreen projects like Weird: The Al Yankovic Story, The Good Cop and The Office.

The 10 Makeup Products You Will Find on Every Movie Set

Glowing, poreless complexions. Lip colors that don't budge. Cheekbones that could cut glass for days. These things may look effortless on the silver screen, but there's a lot of blood, sweat, tears—and most importantly, super special products—that keep Hollywood stars looking immaculate in front of the HD cameras. Here, the top-secret tools of the trade.To get more news about Japanese and Korean first-class porn, you can visit our official website.

As far as long-lasting lip color is concerned, it just doesn't get better than the notorious L.I.P. treatment. Created specifically for theater (and beloved by the Metropolitan Opera and Cirque du Soleil performers alike), this creamy, stays-put-forever formula is rich and vibrant, but still keeps lips smooth and supple.

For makeup artists, there's nothing more important than keeping their precious brushes clean. Made from citrus spirits and food-grade solvents, the clear, non-toxic elixir dissolves even the most stubborn pigments while conditioning the bristles and ensuring quick-drying results. Its natural orange scent is actually kind of amazing.

When it comes to film makeup, any old makeup remover wipes just aren't going to get the job done. These industrial-strength, individually-wrapped Italian cloths are formulated with soothing rose flower water and work miracles on set.

are the sleeper hit of desired facial features because they indicate health and vitality. Not to mention the fact that they just make your makeup look better. That's why makeup artists always keep some Visine tucked in their kit.

This ultra-fine, translucent mattifying powder provides just a hint of glowing color (banana being its most popular, versatile shade) to color-correct and cover up under-eye bags. It's basically the industry standard for sandbaggingLiterally created for HD film and TV, this lightweight foundation provides buildable, medium-to-full coverage for a flawless finish that doesn't dry the skin out (or create the need for constant touch ups!) It comes in over 40 different shades.

Angela Lansbury's Best Film and TV Roles

Dame Angela Lansbury passed away on October 11, 2022, leaving behind a storied career in film, TV and the stage. She was one of the last remaining stars of Hollywood's Golden Age, and while in the spotlight, she worked alongside such actors as Ingrid Bergman, Danny Kaye, Frank Sinatra, Elizabeth Taylor and many more. Although to many younger generations, she's known for her family-friendly roles, such as Mrs. Potts in Beauty and the Beast (1992) or Eglantine Price in Bedknobs and Broomsticks (1971), she played a variety of women and proved herself extremely versatile.To get more news about 日本色网站, you can visit our official website.

From a scheming maid and a manipulative power-obsessed matriarch to a murderer who makes people into meat pies and an amateur sleuth, she was far from being pigeonholed into any one type of role. In an Associated Press Interview in 2008, she was quoted as saying, "I want women my age to be represented the way they are, which is vital, productive members of society." And until the end, she stretched her acting chops as far as she could.

Lansbury made her film debut at age 17 in Gaslight (1944), directed by George Cukor. It tells the story of Paula Alquist Anton (Ingrid Bergman), who marries widower Gregory Anton (Charles Boyer) and is driven to question her own sanity by her husband's manipulative tactics. Lansbury plays the maid, Nancy Oliver, who assists Anton in his games. She made an icy splash onto the scene as this cavalier and conniving young woman. Her performance made such an impression that it earned her a nomination for Best Supporting Actress and secured her a role in The Picture of Dorian Gray (1945), where she played Sybil Vane.

Based on a novel of the same name, The Manchurian Candidate (1962) saw Lansbury as a politically motivated and controlling mother, Eleanor Iselin, whose son Raymond Shaw (Laurence Harvey) becomes a mindless trained assassin. Once again, she tackles an unsympathetic but engaging female character. She is also a woman whose aspirations will cause her to take down anyone in her path until her dramatic end in the film's climax. Lansbury earned yet another Oscar nomination for this role, her third by this point in her career.

​​​​​​​As one of the original cast members in Stephen Sondheim's dark stage musical Sweeney Todd: The Demon Barber of Fleet Street (1979), Lansbury played the darkly comedic role of Mrs. Lovett. The character is known for her meat pies, but when meat becomes scarce in 1840s London, she resorts to teaming up with barber Sweeney Todd to kill and cook his customers for financial gain. Lansbury imbued the character with zaniness and truly unsettling comedic edge, the likes that Helena Bonham Carter failed to replicate when she took on the role in Tim Burton's 2007 screen adaptation. After the show closed on June 29, 1980, and subsequently toured, it was filmed over four days and released on cable TV on September 12, 1982. The program was nominated for multiple Primetime Emmy Awards, including a nomination for Lansbury.

​​​​​​​If audiences were unfamiliar with Lansbury's work before, she would become a household name with her role as Jessica Fletcher in Murder, She Wrote (1984-1996). Intended for actress Jean Stapleton, Lansbury accepted the part after Stapleton turned down the offer from producers to star. She plays a crime novelist and amateur detective who repeatedly comes through with the answer to a gripping real-life mystery by the end of each episode. Lansbury returned to the role of Jessica Fletcher for four made-for-TV movies and received 12 consecutive Emmy nominations during her time on the show.

All The Beauty And The Bloodshed’ wins 2022 Venice Golden Lion

”I need to thank the festival first and foremost, for understanding that documentary is cinema,” said US director Poitras, accepting the award. She proceeded to voice support for Iranian filmmaker and fellow Competition director Jafar Panahi, who is currently under arrest in his home country. To get more news about Asian Comprehensive Online, you can visit our official website.

Scroll down for the full list of winners
”I call on all of us to do whatever we can with whatever we have to release Jafar Panahi,” said Poitras. The director then dedicated the award to Dianne Weyermann, the chief content officer of the film’s producer Participant, who died last year aged 66.

Poitras’ film, about artist Nan Goldin and her attempts to bring down the Sackler family responsible for the opioid epidemic, follows Gianfranco Rosi’s 2013 Sacro GRA as a non-fiction title taking the top award.

It also marks the third year in a row that a film directed by a woman has won the prize, after Audrey Diwan’s Happening last year and Chloe Zhao’s Nomadland in 2020.

Altitude is representing world sales on All The Beauty… and will release it in the UK and Ireland. Neon handles US distribution.
Saint Omer, Banshees win
Alice Diop scooped two prizes for her fiction feature debut Saint Omer – the Silver Lion Grand Jury prize, and the Luigi De Laurentis Lion of the Future award for best debut film.

With the prizes considered early indicators of success in the upcoming awards season, home favourite Luca Guadagnino took the best director prize for cannibal love story Bones And All, with Taylor Russell receiving the Marcello Mastroianni best new talent award for her performance in the film.

The two main acting prizes went to best actress Cate Blanchett for TÁR and best actor Colin Farrell for The Banshees Of Inisherin, which also won best screenplay for Martin McDonagh.

The ceremony was hosted by Spanish actress Rocio Munoz Morales, who also hosted the opening ceremony. A jury led by Julianne Moore awarded the nine Competition prizes.

The 10 Best Movies to Watch for the Beauty Moments

While new shows and movies are always fun, there is something quite wonderful about settling down to watch a golden oldie or a movie that we remember from our childhoods that conjures up comforting feelings of nostalgia. And since we're all about beauty moments here at Byrdie, we thought we would ask some of our favorite beauty creatives for the films they find especially comforting, as well as the beauty moments in them that have inspired them the most. Personally, while I wouldn’t rock a perm anytime soon, I have a huge appreciation for the power hair being served in the '80s picture Working Girl, starring Melanie Griffith and Sigourney Weaver; Byrdie’s former editorial director Faith Xue turns to the mid-nineties road trip flick To Wong Foo, Thanks for Everything! Julie Newmar, that follows Patrick Swayze and Wesley Snipes as elite drag queens ("It's heartwarming, funny, and the beauty looks and costumes are a visual delight," she says).To get more news about European and American pornographic websites, you can visit our official website.

The next time you're debating what to watch (which will probably be very soon), consider one of these 10 comforting flicks with some seriously iconic beauty moments. Popcorn, optional (but recommended).

"I have so many movie beauty moments I love, but I think the one character I have to mention is Audrey Hepburn’s character in Breakfast at Tiffany’s. I feel like it resonates with my style the most nowadays. It’s so soft and pretty, with the gentlest wash of taupe across the eyelid. The cheeks in this particular still look so fresh to me, which is something I aim for with my clients in real life.
I’d always study Cher’s makeup as a young girl and imagine creating the lines and shapes and details. She looks a little like my mom, so I guess it was always a relatable look I found extremely beautiful."
My favorite movie for makeup inspiration would be Valley of the Dolls, circa 1967. I think it’s one of the most impactful movies for beauty. The glam! The hair was big! It was coiffed! Sharon Tate was a bright young star at the time and the shape that she gave her eye was amazing. There was one scene where she was sick in bed or about to pass away, and she had the most perfectly cut '60s crease with the most beautiful application of mascara. I remember I had the flu at the time—this was about five years ago and we were rehearsing for a show for Beyoncé at the Barclays Center for Title and I just remembered that gave me the inspiration to just get out of bed and get it going. Valley of the Dolls with all those amazing stars—I couldn’t take my eyes off that movie."
One of my favorites of all time—because of the glam and how it inspired me—wasn’t just about how the makeup was applied, but the theory behind it all. Death Becomes Her with Goldie Hawn and Meryl Streep is a movie I grew up off. I can’t see the name of that movie or a picture without it bringing up feelings of nostalgia. And it’s where we are now, in terms of the magic potion that they were fighting so hard for we now know is fillers and Botox. Death Becomes Her it’s such a classic, while Valley of the Dolls is something everyone needs to take a look at and archive and reference, or even try to recreate."
My favorite, and probably first, film beauty moment was Elizabeth Taylor in Cleopatra. I remember watching this with my mother when I was about five or six on Christmas, and being absolutely mesmerized by Elizabeth. Her skin was, and always has been, a skin goal for me. Then the black eyeliner and the incredible blue over her eyes was absolutely incredible to my five-year-old eyes. To me, she was the most captivating woman I’d ever seen. There are many many remarkable faces on-screen but Elizabeth in Cleopatra will stay with me for life.

Lena Waithe and Andrew Dosunmu’s ’80s Music Drama Exposes the Fantasy of Fame

The 1980s music industry is explored in Netflix’s “Beauty,” written and produced by Lena Waithe and directed by Sundance Film Festival darling Andrew Dosunmu, who also executive produces the feature. “Beauty” premiered at the 2022 Tribeca Festival and premieres on Netflix June 29.To get more news about Asian Midnight Paradise Online Porn, you can visit our official website.

Gracie Marie Bradley stars as the titular Beauty, a rising singer who struggles to maintain her identity after being offered a lucrative recording deal by an executive, played by Sharon Stone. Niecy Nash and Giancarlo Esposito star as Beauty’s parents, who worry if she’s “ready” for all the spotlight has to bring.

“You know what they do to stars? They build you up just so they can take you down,” Nash says in the trailer, before warning Bradley, “You won’t be real. You’ll be a fantasy.”Bradley as Beauty states, “I don’t know how to sing Black, white. I just know how to sing, because that’s what I like to do. I just want to use the gift God gave me.”

Queen and Slim” screenwriter Waithe penned the R-rated drama set in the 1980s. The Emmy-winning “Master of None” writer/producer/star also appeared on “Better Things” and lent her voice to “The Proud Family: Louder and Prouder” animated revival series. Waithe additionally writes on TV series “The Chi,” which she created, and is producing basketball drama “Chang Can Dunk” and foster care drama “A Thousand and One” next.

Waithe currently is in pre-production on the documentary “Being Mary: The Mary Tyler Moore Documentary,” which she co-created with late Moore’s husband Dr. S. Robert Levine about the making of “The Mary Tyler Moore Show.”

“Beauty” director Andrew Dosunmu previously helmed “Mother of George,” “Restless City,” and the critically acclaimed “Where Is Kyra?.” The Sundance alum is set to direct the historical period piece “Marked Man,” about a young Black man who joined J. Edgar Hoover’s Federal Bureau of Investigation and infiltrates Marcu Garvey’s Universal Negro Improvement Association organization. Winston Duke, Jesse Williams, and DeWanda Wise are set to star.

“Beauty” is produced by Waithe and Michael Ellenberg, with Dosunmu, Carrie Fix, and Rishi Rajani serving as executive producers.

ALL THE MOST SHOW-STOPPING BEAUTY LOOKS FROM THE VENICE FILM FESTIVAL RED CARPET

In case you’ve been living under a rock, social media has no doubt informed you that the Venice Film Festival 2022 is under way – and there’s a lot going on, to say the least. But Don’t Worry Darling drama aside, there was plenty of beauty inspiration on offer on the red carpet, as stars flooded into the Italian city wearing their most dazzling attire for the world’s oldest film fete.To get more news about 91 mature women show face collection, you can visit our official website.

The ever-talented Tessa Thompson gave us major drama, opting for a deep burgundy lip with a soft bronze smoky eye and a sculptural top knot.

Influencer Leonie Hanne’s technicolour eye makeup featured bold, shimmering shades of lilac, emerald, gold and hot pink that fanned across her lids.

Beauty icon Tilda Swinton tinted the tips of her signature platinum locks neon yellow, styling her choppy crop with lots of piece-y texture for a lived-in finish.

A radiant Julianne Moore opted for a more natural, subdued makeup look, with neutral eyeshadow, defined lashes, groomed arches and a soft pink lip.

Gemma Chan’s polished (yet entirely uncontrived) up-do, paired with a bronze-toned winged eye and mocha lip, is a masterclass in undone red carpet beauty.

Olivia Wilde gave her high-glamour bedazzled gown a relaxed twist by opting for long, loose waves and glistening silver eye makeup.

The world would be talking no matter what Florence Pugh wore to the Venice Film Festival this year, but her fresh, old Hollywood-inspired hair and makeup was arguably worthy of equal attention.

Beauty Review: Lofty Ideas & Beautiful Aesthetics Can’t Overcome Flimsy Script

Beauty, written by Queen & Slim screenwriter Lena Waithe, is a portrait of a young Black woman balancing a career in music, love and family. What endangers her work-life balance is the insidious and parasitic nature of the music industry and fame. However, Beauty ultimately fails due to its weak script, which doesn’t provide a steady framework to tell this particular story. The film is all ideas with no substance.To get more news about pornographic pornographic pornography big free hd, you can visit our official website.

Director Andrew Dosunmu mounts a handsome production, perhaps the most unmistakable charm of a film that is at odds with its ambitions. One can assume that Beauty is a not-so-subtle attempt at an unauthorized Whitney Houston biopic because particular and distinct points in Houston’s life are reinterpreted in the film. This includes her long-rumored romantic relationship with her best friend, Robin Crawford. However, Beauty is not in any way bold enough to claim that title, unlike the recent non-Celine Dion biopic Aline. To further differentiate it from that film, Beauty has an absolute seriousness to it.

The film is scarcely aware of how unendingly dreary it is. It suffers because it attempts to paint a broad picture of the highs and lows of being a Black female artist. It is a distinct experience that has left audiences with a slew of iconic artists whose stories of mistreatment are rooted in misogynoir. It is challenging to encapsulate that experience in under two hours, especially in a satisfying way, but it can be done. However, the attempt to turn a critical lens toward this experience in Beauty is undercut by such a passive, emotionless, blank heroine.

There is no doubt that Gracie Marie Bradley, who plays the titular character, is a beauty. The camera never fails to capture her perfectly poised, but it's accompanied by a face that exudes nothing. Bradley's performance is devoid of any real tangible emotions or substance. She is merely a vessel for the ideas that Waithe attempts to analyze and dissect. In the absence of a narrative structure that facilitates a study of the music industry’s dark side, the film rests on Bradley’s shoulders in a character-driven narrative instead. However, the actress is trapped in an endless saga of aesthetically-driven vignettes featuring her unchangeable face.

Beauty is a strange and unyielding enigma. Luckily, Dosunmu’s style is enough to have one completely and utterly transfixed on what is unfolding on screen. Niecy Nash, who plays Beauty’s concerned mother, is among the few actresses who can capture one's attention with a glance or a breath. To that end, Beauty is not without its talent; many distinguished people appear onscreen — including Giancarlo Esposito — and behind the camer. While the film is elevated by its supporting characters, the most baffling thing of all is the movie's failure to effectively enact the music element of a musical drama. This means the titular performer, modeled after the likes of Whitney Houston, is never heard singing. Her gift is the catalyst for everything in the film, yet viewers are never given a taste of it. This decision crystalizes what is wrong overall: The film is distant. It hints at what it wishes to tackle, but barely scrapes the surface; it is all observed from afar.

Beauty could have gone in a myriad of directions. It could have been a haunting horror that recontextualizes the atrocities of an industry that leeches off of Black women until nothing is left. This could have been a compelling by-the-numbers biopic that used the trajectory of Houston’s life to articulate the specific dangers Black women face. Instead, Waithe and Dosunmu only hint at a critical observation of this industry through a highly stylized lens. The film gives off the impression of being vital and relevant, but that’s about it. It is a surface-level tale that goes nowhere. Beauty is worth watching for the style alone, but the lack of a single note sung by the eponymous lead is a significant turn-off.

These Are The Best Beauty Looks At Venice Film Festival

The 79th Venice Film Festival is here! We’re definitely keeping an eye on the noteworthy films — The Whale starring Stranger Things’ Sadie Sink and Don’t Worry Darling featuring Harry Styles and Florence Pugh are just a couple — but we can’t stop gushing about the beauty looks we spotted on the red carpet too.To get more news about Japan, South Korea, Europe and the United States, you can visit our official website.

The makeup looks this year are more toned down and classic versus the bold and colourful ones we saw in this year’s VMAs, but that’s not a bad thing! In fact, we can definitely rock these subtle glam looks IRL. Here are some of our faves.Model Barbara Palvin wore a dreamy, ethereal look to the Venice Film Festival red carpet. She used Armani Beauty products to emphasise her baby blue eyes while she kept her pout neutrally coloured with a pink lippie. Her minimalist, boho-chic gold accessory tied everything together.

Stranger Things’ Sadie Sink made an appearance at the festival for her new film The Whale and wowed attendees with her silver ensemble. Her makeup artist, Nina Park, focused the colour on Sadie’s eyes with a subtle silver eyeshadow that matches her sparkly Alexander McQueen dress.

Euphoria star Sydney Sweeney kept her look sweet and minimalist. The part that caught our attention, though, is her middle part and half-ponytail ‘do that she finished with a huge black bow.

Maude Apatow is another Euphoria star that graced the Venice Film Festival 2022 carpet. She went full-on retro with her dark red lip — which is the Armani Beauty Lip Power in the shade 504, according to the brand — and chic wavy bob.

Don’t Worry Darling lead actress Florence Pugh went for a natural makeup look and a classy chin-length bob for the movie’s premiere. Her hairstylist Peter Lux kept her bob neatly parted to the side and styled her bangs to artfully swoop away from her face.

There were some experimental beauty looks too. But the one that took the cake was Tessa Thompson who let her curls down and used her chain choker as a multipurpose hair tie. We can safely say that we’ve never seen that done before.