h of field than a 105mm. from xuezhiqian123's blog
When should you use hyperfocal focusing?
Well [url=http://www.cheapjerseysjuventus.com/giorgio-chiellini-jersey/]Giorgio
Chiellini Jersey[/url] , sometimes when shooting a landscape, you want
everything sharp from the front to the back of the scene. Setting a small
aperture such as f16, f22 or even f32 can help, but if you really want to
maximize depth of
field [url=http://www.cheapjerseysjuventus.com/gianluigi-buffon-jersey/]Gianluigi
Buffon Jersey[/url] , hyperfocal focusing is the technique you need to
use.
To do this, you need a camera where you can switch to manual
focusing and a lens inscribed with a depth of field scale (not all modern lenses
have these markings, especially zoom lenses). If you're not familiar with these
kinds of lens markings, here's a quick explanation:
Lens Markings
Primer
A typical lens shows four sets of markings. At top (looking from
behind the camera) is the distance scale (on the lens' focus barrel) showing
figures in feet and meters (this also shows the infinity position).
Below
that are a set of lines beneath which the f-stops of the lens are marked. This
is the depth of field scale. For each
f-stop [url=http://www.cheapjerseysjuventus.com/federico-mattiello-jersey/]Federico
Mattiello Jersey[/url] , there are two equidistant marks, one to the left and
one to the right of the central mark on the scale.
The last set of
figures shows the selected f-stop for the lens. These are on the lens aperture
ring and, as you change the aperture, the selected f-stop under the central line
on the depth of field scale will tell you what aperture you've
selected.
To find out what part of a scene is in focus is simply a matter
of reading the distance scale for the two marks for your selected f-stop on the
depth of field scale. For
example [url=http://www.cheapjerseysjuventus.com/federico-bernardeschi-jersey/]Federico
Bernardeschi Jersey[/url] , let's say you've focused on something that's 3 feet
away. If your lens is set at f2.8, then reading the distance values at the two
"2.8" marks on the lens shows that everything just shy of 3 feet to about 3.5
feet will be in focus (a little guesstimation is required in reading the
distances). This is fine for isolating your subject from everything
else.
If you close the lens down to f11, then reading the distances for
the two "11" marks shows that everything between just over 2 feet and 5 feet
will be in focus.
If the lens is set to focus in infinity (the infinity
mark is over the central mark on the depth of field scale), then you only need
to read off the distance value for the f-stop mark to the left of the central
depth of field scale as everything between it and infinity will be in focus. If
you'd set your f-stop to f5.6 on the 28mm
lens [url=http://www.cheapjerseysjuventus.com/fabrizio-caligara-jersey/]Fabrizio
Caligara Jersey[/url] , everything from just over 10 feet to infinity would be
in focus. If you'd selected f16, it would be everything from 5 feet to
infinity.
Hyperfocal Focusing
Hyperfocal focusing is based on the
fact that depth of field typically extends 23 behind the point focused on and 13
in front, but if you focus on infinity, the depth of field behind is completely
wasted. You can make use of it if you
refocus [url=http://www.cheapjerseysjuventus.com/emil-audero-jersey/]Emil Audero
Jersey[/url] , putting the infinity mark (an "8" on its side) on the focusing
ring against the aperture set on the depth of field scale (this is known as the
hyperfocal point). If, for example, you set a 28mm lens to f11 and focus on
infinity, everything from about 9 feet (2.5m) to infinity will be sharp. Align
the infinity mark against the "11" position to give hyperfocal focusing and the
depth of field now extends from 4 feet (1.2m) to
infinity [url=http://www.cheapjerseysjuventus.com/douglas-costa-jersey/]Douglas
Costa Jersey[/url] , which is essential if you want foreground interest to be
pin-sharp. If you set your lens to f16 and rotate the focus barrel to place the
infinity mark over the "16" position, then reading the scales shows that
everything between just under 3 feet to infinity will be sharp.
The
Hyperfocal distance is the that point above the central mark on the depth of
field scale when the infinity mark has been put over the required f-stop mark on
the depth of field scale. In the horter its focal length and the deeper its depth of field. So, as an example,
an 18mm lens will have deeper (longer) depth of field than a 105mm.
Also [url=http://www.cheapjerseysjuventus.com/dani-alves-jersey/]Dani Alves
Jersey[/url] , the smaller the aperture you use the greater the depth of field;
i.e. for a lens of any given focal length, there's more depth of field with it
at f16 than at f4, for example.
Seeing the Difference
A subject
like this benefits from a few pictures to illustrate the principles and show the
results. Explanatory images showing the various lens markings and how to use
them along with pictures to illustrate the results of using hyperfocal focusing
can be found at: >
Gary Nugent is a software engineer by profession and
has been in the business for over 20 years. Photography has been a hobby for an
even longer period of time and he's now even more passionate about it since
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