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The brightest years of a designing dynasty
(CNN) In the world of jewelry, the Cartier name has long standing cachet. An exhibit, "Cartier: 1900 1939," opens at The Field Museum in Chicago next month and follows evolution of the three Cartier brothers' designs from turn of the century opulence to cartier necklace imitation the art deco and Eastern necklace cartier imitation influences of the 1920s and 1930s.
More than 200 items, including necklaces, brooches, earrings and clocks, catalog the greatest achievements fake cartier ring necklace of the House of Cartier under the leadership of Louis, with brothers Jacques and Pierre. One of Louis' ground breaking design techniques involved unusual combinations of precious stones and metals with onyx, ivory, agate, rock crystal, coral and jade. The explosive contrasts became a hit.
A part of the distinction of the Cartier house's work came from Jacques' frequent trips to India. Louis and designer Charles Jacqueau (hired in 1909 in Paris) pursued a passion for Egyptian, Chinese, Japanese and Indian culture. The result was a perception of jewelry as something beyond decoration it became to these men a specialized art form that required creativity and superior technique.
Staying ahead of the times for Louis meant changing the way people saw time. He took a special interest in wristwatches, which were considered solely a practical item among his clients until a change in fashion left women's arms bare and his "bracelet watches" in demand. Louis responded by using platinum with combinations of rubies, pearls, sapphires and other precious gems.
Cartier's other timepiece revolution came in the form of "mystery clocks," whose hands seemed to move independently of any mechanism at the center of a transparent dial. He used rock crystal, topaz, citrine and aquamarine for the face and various materials for the base and embellishments.
"Cartier: 1900 1939" is cartier love necklace fake organized by the British Museum in London and Metropolitan Museum of Art in New York, with loans from the Art of Cartier collection in Geneva. The exhibit's curators are the British Museum's Judy Rudoe and the Met's J. Stewart Johnson.
"Cartier: 1900 1939" opens October 2 and runs through January 16, 2000, at The Field Museum, 1400 South Lake Shore Drive, Chicago. For more information, call (312) 922 9410.trend imitation cartier yellow gold earring stainless steel You deserve it Let's go more familiar regarding its with circumstance
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(CNN) In the world of jewelry, the Cartier name has long standing cachet. An exhibit, "Cartier: 1900 1939," opens at The Field Museum in Chicago next month and follows evolution of the three Cartier brothers' designs from turn of the century opulence to cartier necklace imitation the art deco and Eastern necklace cartier imitation influences of the 1920s and 1930s.
More than 200 items, including necklaces, brooches, earrings and clocks, catalog the greatest achievements fake cartier ring necklace of the House of Cartier under the leadership of Louis, with brothers Jacques and Pierre. One of Louis' ground breaking design techniques involved unusual combinations of precious stones and metals with onyx, ivory, agate, rock crystal, coral and jade. The explosive contrasts became a hit.
A part of the distinction of the Cartier house's work came from Jacques' frequent trips to India. Louis and designer Charles Jacqueau (hired in 1909 in Paris) pursued a passion for Egyptian, Chinese, Japanese and Indian culture. The result was a perception of jewelry as something beyond decoration it became to these men a specialized art form that required creativity and superior technique.
Staying ahead of the times for Louis meant changing the way people saw time. He took a special interest in wristwatches, which were considered solely a practical item among his clients until a change in fashion left women's arms bare and his "bracelet watches" in demand. Louis responded by using platinum with combinations of rubies, pearls, sapphires and other precious gems.
Cartier's other timepiece revolution came in the form of "mystery clocks," whose hands seemed to move independently of any mechanism at the center of a transparent dial. He used rock crystal, topaz, citrine and aquamarine for the face and various materials for the base and embellishments.
"Cartier: 1900 1939" is cartier love necklace fake organized by the British Museum in London and Metropolitan Museum of Art in New York, with loans from the Art of Cartier collection in Geneva. The exhibit's curators are the British Museum's Judy Rudoe and the Met's J. Stewart Johnson.
"Cartier: 1900 1939" opens October 2 and runs through January 16, 2000, at The Field Museum, 1400 South Lake Shore Drive, Chicago. For more information, call (312) 922 9410.
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