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By Billy Kluver And Julie Martin
Kikis Paris: Artists And Lovers 1900 1930. By Billy Kluver And Julie Martin. Abrams. $39.94.
September 10, 1989By ALAN G. ARTNER, Chicago Tribune
Alice Ernestine Prin was a bakers assistant who became the queen of artistic Paris. Everybody of any importance knew her and, long before she published her memoirs in 1929, knew her simply as Kiki of Montparnasse.
The subject of this marvelous volume is Kikis community of artists. But, for once, fact has been separated from legend.
Each double page spread includes from five to 12 rare photographs and a brief text on an artist or a group of artists, a place or a significant incident.
We learn not only who the artists were but also where they lived, whom they loved and where they ate and drank. It makes for a book that is in every way extraordinary.
ART DECO 1900 1940. BY JEAN BOUILLON. RIZZOLI. $75.
The past 20 years have brought a great many books on this subject, though none sets out the history so clearly or broadens the argument so convincingly to include more than just the decorative arts.
By tracing the development of several design motifs, Bouillon demonstrates how art deco spread from Austria and Scotland to most main art centers in Europe and America, where it had an undeniable effect on architecture, painting, sculpture, interior decoration and crafts.
Whats more, the text shows no sign of the biases that once had art deco diminishing the fine arts and enriching only the applied arts of France. Bouillon acknowledges quality work wherever it occurred, including some unusual examples from Italy and Czechoslovakia.
The books large 11 3/4 by 13 1/2 inch format allows for a pleasing design that deploys white space and color photographs with a high degree of sensitivity.
LINE BY LINE: THE DRAWING OF HENRI CARTIER BRESSON. FOREWORD BY JOHN RUSSELL. INTRODUCTION BY JEAN CLAIR. THAMES HUDSON. $40.
About 15 years ago, one of the worlds greatest living photographers gave up taking pictures to make them, with pencil, paint, ink or chalk and the sureness of his hand.
Since then, Cartier Bresson has had several exhibitions of drawings, some accompanied by catalogs. But the first full scale book of his drawings fake cartier necklace was published only recently and will be a surprise to viewers who think they already know him.
There is nothing the least bit surreal about Cartier Bressons drawings; they do not depict moments in any cartier love necklace for men replica way extraordinary. It is as if, after a lifetime of stalking the unusual in the every day, he now seeks to rediscover only the most basic pictorial truths and relations.
Figures, still lifes, skeletons, landscapes, nudes these are his subjects. And he responds to them with a line at once energetic, probing and impatient. It is a handsome book that presents the drawings without exaggerated claims, purely for our pleasure.
BOSCH: THE GARDEN OF EARTHLY DELIGHTS. BY JACQUELINE AND MAURICE GUILLAUD. POTTER. $100.
The best of replica cartier love collection necklace the Guillauds seven books are those that scrutinize individual works or cycles of paintings. The French couples method of isolating and juxtaposing details is of immediate benefit to single, complex pieces, whereas it illuminates an artists career much less directly.
Here, then, the Guillauds proceed at full strength, bringing light to one of the worlds richest and most complicated paintings. If Maurices accompanying copy cartier love necklace 18K gold for men prose poem is of less help than others have been in the past, Isabel Mateo Gomezs symbolic analysis is an improvement over the essays that have dealt only with condition and conservation.
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Kikis Paris: Artists And Lovers 1900 1930. By Billy Kluver And Julie Martin. Abrams. $39.94.
September 10, 1989By ALAN G. ARTNER, Chicago Tribune
Alice Ernestine Prin was a bakers assistant who became the queen of artistic Paris. Everybody of any importance knew her and, long before she published her memoirs in 1929, knew her simply as Kiki of Montparnasse.
The subject of this marvelous volume is Kikis community of artists. But, for once, fact has been separated from legend.
Each double page spread includes from five to 12 rare photographs and a brief text on an artist or a group of artists, a place or a significant incident.
We learn not only who the artists were but also where they lived, whom they loved and where they ate and drank. It makes for a book that is in every way extraordinary.
ART DECO 1900 1940. BY JEAN BOUILLON. RIZZOLI. $75.
The past 20 years have brought a great many books on this subject, though none sets out the history so clearly or broadens the argument so convincingly to include more than just the decorative arts.
By tracing the development of several design motifs, Bouillon demonstrates how art deco spread from Austria and Scotland to most main art centers in Europe and America, where it had an undeniable effect on architecture, painting, sculpture, interior decoration and crafts.
Whats more, the text shows no sign of the biases that once had art deco diminishing the fine arts and enriching only the applied arts of France. Bouillon acknowledges quality work wherever it occurred, including some unusual examples from Italy and Czechoslovakia.
The books large 11 3/4 by 13 1/2 inch format allows for a pleasing design that deploys white space and color photographs with a high degree of sensitivity.
LINE BY LINE: THE DRAWING OF HENRI CARTIER BRESSON. FOREWORD BY JOHN RUSSELL. INTRODUCTION BY JEAN CLAIR. THAMES HUDSON. $40.
About 15 years ago, one of the worlds greatest living photographers gave up taking pictures to make them, with pencil, paint, ink or chalk and the sureness of his hand.
Since then, Cartier Bresson has had several exhibitions of drawings, some accompanied by catalogs. But the first full scale book of his drawings fake cartier necklace was published only recently and will be a surprise to viewers who think they already know him.
There is nothing the least bit surreal about Cartier Bressons drawings; they do not depict moments in any cartier love necklace for men replica way extraordinary. It is as if, after a lifetime of stalking the unusual in the every day, he now seeks to rediscover only the most basic pictorial truths and relations.
Figures, still lifes, skeletons, landscapes, nudes these are his subjects. And he responds to them with a line at once energetic, probing and impatient. It is a handsome book that presents the drawings without exaggerated claims, purely for our pleasure.
BOSCH: THE GARDEN OF EARTHLY DELIGHTS. BY JACQUELINE AND MAURICE GUILLAUD. POTTER. $100.
The best of replica cartier love collection necklace the Guillauds seven books are those that scrutinize individual works or cycles of paintings. The French couples method of isolating and juxtaposing details is of immediate benefit to single, complex pieces, whereas it illuminates an artists career much less directly.
Here, then, the Guillauds proceed at full strength, bringing light to one of the worlds richest and most complicated paintings. If Maurices accompanying copy cartier love necklace 18K gold for men prose poem is of less help than others have been in the past, Isabel Mateo Gomezs symbolic analysis is an improvement over the essays that have dealt only with condition and conservation.
One really penetrates some of the works mysteries, first through a series of meticulously reproduced passages, then by an afterword establishing links to other visual treatments from the period.
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