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Glittering Garlands

Admit it: Your chin went up, your shoulders went back and for a few moments you were someone special, someone with an impressive lineage or pots of money, or both.

Such is the enduring power of the tiara that the word alone evokes power, wealth and privilege.

Not surprisingly, the new tiara exhibition, Crowning Glories, Two Centuries of Tiaras'' at the Museum of Fine Arts is drawing droves of visitors, even on weekdays.

Great care has been taken to display the 80 or so tiaras some of which are 200 years old to their best advantage. The exhibition space is a darkened and hushed hall, where the tiaras appear to hover in glass cases. As visitors approach, they step into the circles of soft light that surround each display, like admiration around a debutante.

Oh, my God, look at this one,'' is whispered dozens, if not hundreds, of times daily as the women (and most visitors seem to be women) walk to and fro speaking cartier love diamond ring replica of what would go with each.

What about this one for my emerald evening dress, they tease their friends, and that one for my daughter's imitation cartier diamond love ring wedding? Strangers gladly speculate with one another about which would look better on a beehived brunette the topaz tiara or something simple in platinum and diamonds?

The fact that the price of any one of these tiaras is doubtless beyond the means of 99.9 percent of the visitors is irrelevant disbelief is suspended for the hour or so spent in this exhibit.

For this short time, it does not seem so far fetched that you might actually wear a tiara with hundreds of diamonds and a half dozen rubies the size of martini olives. It's a time when names like Cartier, Faberge, Tiffany and Bulgari roll trippingly off the tongue.

From jewelers who created outstandingly beautiful tiaras for the court of Napoleon to contemporary artists creating magnificent tiaras for the next century, this exhibition captures the grand history and the innovative designs of jewelry that dates back to the ancient Egyptians,'' said museum director Malcolm Rogers.

The tiara's noble history and its leading lady role as a hallmark of power and wealth are explained at various points in the exhibition, which was visited by 10,000 people in its first 10 days.

Tiaras imitation cartier love diamond ring have crowned the heads of royal and noble mummies in ancient Egyptian tombs, encircled the heads of Greek statuary, marked victorious athletes and adorned the most privileged and powerful heads in history.

Among those met in the exhibit are Her Majesty Queen of Belgians, Empress Marie Louise, Countess Mountbatten, Queen Margherita of Italy, Doris Duke, Rose Kennedy, the Grand Duchess Vladimir, the Queen of Serbia and Princess Grace of Monaco.

Princess Grace is pictured wearing a tiara to her daughter Princess Caroline's wedding in 1978. In doing so, she pleased the paparazzi no end and continued a tradition begun in feudal society, when every woman of social stature could expect to have a jeweled garland as part of her dowry and to wear at her wedding.

The tradition persists even today.

For example, one of the many tiaras from a private collection, the Oak Leaf tiara, will be removed in June and returned to its owners in England so it can be worn by a family bride. In its place the museum might install a copy of the wedding invitation as an explanation for the tiara's absence.

Before you ask no, the tiara Diana wore at her marriage to Prince Charles is not part of the exhibit, although there is one very much like it, the garland style tiara with a heart motif designed by Cartier.

In addition to numerous tiaras made for brides, there is one meant as a bribe. The Ivy Leaf tiara, 1915, was said to have been bought by the current owner's grandfather for his grandmother on condition that she never drive a car again.''

That particular tiara appeared to be a front runner in a recent afternoon session of the informal exhibit game, name your favorite.

Talk about tough choices.

Other contenders for favorites, judged solely on crowd groupings and overheard comments, include:

The 1854 Londonderry tiara of gold, silver and diamonds with a classic design and 482 1/2 carats in weight. It was worn by the marchioness of Londonderry to George V's coronation in 1911 and later to the state opening of Parliament in 1924.

The Essex Tiara, which includes a series of scrolls surmounted by nine collet set diamonds between the curves. The countess of Essex, formerly Adela Beach Grant of New York, married the earl of Essex in 1893 and wore the tiara to the coronation of Edward VII in 1902. Later it imitation cartier love rose gold ring was lent to Clementine Churchill to wear to the coronation of Queen Elizabeth II in 1953.
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