The Insights Family: Music Drives New Wave of Toys Digital and social media platforms are acting as incubators for viral music and dance crazes, creating new opportunities for toymakers to incorporate music into their playthings – a top 2021 trend identified by The Toy Association in February and supported by data from The Insights Family, a global leader in kids, parents, and family market intelligence.Get more news about children electronic music toy supplier,you can vist our website! “Inspired by the songs they see on social media, families are spending more time singing and dancing together,” said Adrienne Appell, senior vice president of marketing communications at The Toy Association. “Toys that encourage creative music play are becoming commonplace in the toy aisles and visible across a range of categories, including dolls that incorporate music and dance themes, themed toy instruments, screen-free audio players, and more.” This is supported by The Insights Family’s latest data, which shows that while 96 percent of U.S. children ages 3 to 5 were already listening to music with their parents, since January 2021, 28 percent more families are reportedly listing “making/listening to music” as a family hobby. Digital platforms like YouTube and TikTok (along with video games such as Fortnite and Roblox) are encouraging more musical content creation and personalization, and toymakers are using the latest technologies available to tap into the trend. LEGO VIDIYO is just one example, merging customizable minifigures with AR technology to enable kids to create their own music videos. The Insights Family’s research found that smart speakers are also helping drive interest in music. With these devices now found in 43 percent of U.S. homes, there has been a 125 percent increase in the proportion of kids ages 3 to 9 using smart speakers to listen to music. This has also contributed to the growing popularity of audio toys and kid-safe smart speakers by 42 percent since February 2021. Examples include Yoto, a “carefully connected speaker” designed to deliver music, stories, podcasts, and radio for children; and Toniebox, which uses physical 'Tonies' toys featuring popular children’s entertainment brands to deliver stories, lullabies, nursery rhymes, and more. Audio-related toys, content, and experiences present additional opportunities for the toy licensing industry. Over the last six months, 19 percent of kids ages 6 to 9 have made a music-based purchase related to their favorite TV show, video game (11.5%), YouTuber (11%), and movie (5.2%). Travis Scott, who hosted his own concert inside Fortnite, for example, collaborated with McDonald’s to create a line of exclusive Happy Meals toys. “Children are increasingly looking to interact with these creative products as audio-based content and products continue to rise,” said Jonathan Watson, Chief Product Officer at The Insights Family®. “As more parents also look to these toys to satisfy their demand for screen-free and imaginative, music toys will continue to help support children’s creative development as well.”

Playtime Engineering reveals synth and groovestation for kids

US-based Playtime Engineering has revealed the latest additions to their Blipbox line of kid-friendly electronic music production tools, the SK2 synthesizer and the myTracks production groovestation.Both devices come with a colourful design and easy to use buttons in order to make them more attractive as toys for young children, but are also packed with features that will enable any young Deadmau5 to immediately begin producing their own music.Get more news about children electronic music toy supplier,you can vist our website!

The SK2 features 400 built-in melodies with video game pop and classical music riff samples available, and boasts resonant multi-mode filters, wavetable synthesis, 16 oscillator schemes and stereo multi-tap delay. Playtime has also included new set of pitch-shifting drum samples, and has made sure the device will keep kids entertained with a built-in LED lightshow.

The myTracks comes with a 5×5 grid of playpads for sound triggers and sequencer clips. It features 48 unique instrument sounds including acoustic, electronic, and percussion instruments for children to begin experimenting with. Each instrument can be applied to the 5 tracks, and can be controlled using Playtime’s signature levers which feature two effects processors that can be applied to any track.

The device also comes with a built-in microphone allowing for greater experimentation as the user becomes more familiar with the functions of the myTracks. Sets can be saved for the future, and the myTracks also sports a randomisation function to stir inspiration.

The myTracks is also updatable through its class-compliant USB MIDI in-and-out capable USB-C port, and users will be able to download new sound sets for specific styles of music.Both Blipbox devices can be battery-powered, and include 5-pin MIDI In and 1/4” Audio Out. Playtime has also ensured their Blipblox synthesizers are fully certified to international safety standards including FCC, CE, ASTM F963-17, CPSC 16, EN62115, REACH, RohS and CA Prop 65 for toys, for ages 3 and up.

The 8 Best Electronic Music Toys for Kids

Since my daughter was born six and a half years ago, she’s been surrounded by music, and I’d like to think that the immersion is paying off. Mu’s acid-house banger “Paris Hilton” was her first favorite song—fortunately, long before I had to worry about her deciphering the lyrics. We’ve listened to plenty of Frozen and Moana in the car, but we’ve spent even more time singing along to children’s folk singer Ella Jenkins, and lately she’s been amusing herself by learning the lyrical intricacies of Bill Callahan’s “Too Many Birds.” (What can I say; she’s a chip off the old block.)Get more news about children electronic music toy supplier,you can vist our website!

A big part of my daughter’s musical education has also involved making music. When she was just a year and a half old, we started doing Music Together classes, which I rate as one of the highlights of her first couple of years. And since she’s been old enough to bang on things, my wife and I have filled the house with toys and instruments, everything from the typical shakers and slide whistle to one of those musical playmats that you play with your feet, which she encountered at a party and absolutely had to have. (A word to the wise: They’re noisy, take up space in your closet, and your kid will get bored quickly—which is good, since they’re so damn noisy. I don’t recommend them.) In recent years, we’ve graduated to electronic instruments, in part because I’ve been playing with synthesizers since I was 16 and I want my kid to have everything that I did, and then some.

Fortunately, there’s been a recent explosion of synthesizers and other musical gadgets aimed expressly at kids. Some they can figure out on their own, some will require parental supervision, and some are so cool that even non-parents might end up wanting one for themselves.
The Blipblox is a curious, entrancing, and unique device. It’s essentially a kind of groovebox, yet you might just as well call it an infinity machine, because music pours out of it ceaselessly. The source of the sound is an onboard synth paired with a sequencer (that is, a device that plays back patterns of notes, in this case a constantly shifting series of pre-programmed ones); you manipulate the sound via a bevy of colorful knobs and levers that positively beg to be turned, twisted, pushed, and pulled, while drum settings let you add kick, snare, or beatbox patterns. Diagrammed arrows sketch out certain possibilities lurking within the signal chain, but they might as well be the dotted lines on a pirate’s map: Tap this, yoink on that, and see what happens. The makers have intentionally left the machine’s functions cryptic. Features like filter, waveform, and envelope shape—the basic building blocks of synthesis—remain unlabeled; this is a machine you learn by touch, not by reading the manual.

Blipblox has its limitations. You can’t alter the preset sequences, and there’s no on-board keyboard to allow you to play notes. (You can, however, attach a keyboard controller via MIDI, the software protocol that allows electronic instruments to communicate data like tempo and pitch.) But there’s a reason for those design decisions: By keeping the sound flowing, it encourages hands-on play, rather than long pauses between hunting and pecking. Ultimately, the Blipblox may be more a toy than a bona fide musical instrument, but it can reward hours of exploratory play while teaching some of the elementary principles of basic (and not-so-basic!) synthesis. And the flashing lights will give kids the thrill of sitting at the helm of a spaceship.