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Henri Cartier Bresson was a French photographer, born August 22, 1908, died August 3, 2004. He was one of the first photographers to shoot with a 35mm camera, rather than large or medium format cameras. Although originally a painter, he became interested in photography through the work of photojournalists. He said his reason for switching to photography was, ". its ability to capture an eternity in an instant.". His use of the 35mm camera was very much linked to his work, which focused on the photograph of everyday scenes and events. Much of his work is candid shots of people on the street or in everyday situations. He tried to be very sneaky in his photography, often hiding the camera from his subjects. But Cartier Bresson, who late in life returned to painting, argued that his photographic work required fake cartier love white gold ring an essential intuitive, creative impulse.

"Photography is not like painting," he told The Washington Post in 1957. "There is a creative fraction of a second when you are taking a picture. Your eye must see a composition or an expression that life itself offers you, and you must know with intuition when to click the camera."

"That is the moment the photographer is creative," he said. "Oop!/Winter10/159The Moment! Once you miss it, it is gone forever."

Widely known for her spectacular photographs of pristine prairie, Evans here works at low altitudes to focus on the land as an inhabited place. These fifty black and white images document cartier love ring imitation specific locations and disclose some of the contradictions and mysteries about how we live on the prairie. Through her lens we view the site of an ancient Indian village, targets on the Smoky Hill Weapons Range, and old country cemeteries; observe the startling contours of plowed fields and sandpits; and witness the tranquility of deer grazing on new winter wheat. All of these images help us knock off Cartier love ring to understand the layers of life on replica cartier love jewelry the prairie and the complex interweaving of nature and man.
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