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'Sister Act' tour lacks depth
If you know anything about the 1992 comedy, "Sister Act," you know that it marries the inane with the inspirational in telling the story of lounge singer Deloris Van Cartier, a show biz wannabe who takes refuge in a convent after witnessing her gangster boyfriend murder a man.
The movie cemented Whoopi Goldberg's Hollywood credentials, and 20 years later gave rise to a London and Broadway musical that mimics the film's plot, but adds a lot more music to the equation.
The setting is now Philadelphia, yet gangster moll Deloris (Ta'Rea Campbell) is still the odd woman out in a cloistered environment where the stern Mother imitation cartier necklace love Superior (Hollis Resnik) expects her nuns to walk softly and carry a big Bible. The convent choir is a disaster, which makes it perfect fodder for Deloris to work her musical magic. Under her tutelage, quietly sung vespers become tunes rollicking enough to wake Lazarus.
The Mother Superior gave her witness boarder the assignment to get her out of the way. Who knew these swinging nuns would suddenly have people flocking to the near bankrupt church?Of course, those taking notice include crime boss Curtis Jackson (Kingsley Leggs, who originated the role on Broadway) and his henchmen. They're not in the habit of leaving loose ends, even if those loose ends are wearing habits.
The national tour of "Sister Act," currently at the Buell Theatre in Denver, delivers precisely what Middle America wants from Broadway: It's loud, energetic and visually flashy. It avoids deep moral questions for more generic touchstones: Religion and the process of self reinvention.
It also showcases a pew full of powerhouse performances, which help to redeem some of the show's structural weaknesses. Campbell (late of Broadway's "The Lion King" and "The Book of Mormon") commands the spotlight as a two bit singer who finds her true calling beneath the stained glass. Campbell's timing and vocal gymnastics are matched by Resnik's austere Mother Superior, a woman who lives to do God's work, yet suddenly finds herself feeling more afflicted than Job.
In supporting roles, Florrie Bagel shines as Sister Mary Patrick (Kathy Najimy played the role on film), while Legg's crime lord fake cartier ring Curtis exhibits an effectively surly presence right out of Blaxploitation. Chester Gregory charmingly reprises his Broadway turn as policeman Eddie Souther, a man who has loved Deloris since high school and is now determined to protect her.
Kudos also to Ashley Moniz as convent Postulate Sister Mary Robert. Moniz lands the production's sole show stopping solo with a bravura rendition of "The Life I Never Led." Her cartier love necklace imitation success merely amplifies the show's major weakness: music that rarely matches the talents of those performing it. For every truly engaging song "Take Me to Heaven, Haven't Got a Prayer" Oscar winner Alan Menken gives us any number of pedestrian knock offs of 1970s Sound of Philadelphia soul.
Songs like "When I Find My Baby" and "Lady in the Long Black Dress" desperately try to emulate the silky music of a group like the O'Jays, yet seem less necklace cartier knock off accurate than expositional. They're simply there to advance the plot.
"Sister Act" takes about 15 minutes to find its groove and the finale is more predictable than powerful. It's the "in between" that will most delight audiences, a barrage of familiar plot devices swathed in engaging choreography, colorful costumes and manic pacing.Features fake cartier yellow gold bangle size You
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If you know anything about the 1992 comedy, "Sister Act," you know that it marries the inane with the inspirational in telling the story of lounge singer Deloris Van Cartier, a show biz wannabe who takes refuge in a convent after witnessing her gangster boyfriend murder a man.
The movie cemented Whoopi Goldberg's Hollywood credentials, and 20 years later gave rise to a London and Broadway musical that mimics the film's plot, but adds a lot more music to the equation.
The setting is now Philadelphia, yet gangster moll Deloris (Ta'Rea Campbell) is still the odd woman out in a cloistered environment where the stern Mother imitation cartier necklace love Superior (Hollis Resnik) expects her nuns to walk softly and carry a big Bible. The convent choir is a disaster, which makes it perfect fodder for Deloris to work her musical magic. Under her tutelage, quietly sung vespers become tunes rollicking enough to wake Lazarus.
The Mother Superior gave her witness boarder the assignment to get her out of the way. Who knew these swinging nuns would suddenly have people flocking to the near bankrupt church?Of course, those taking notice include crime boss Curtis Jackson (Kingsley Leggs, who originated the role on Broadway) and his henchmen. They're not in the habit of leaving loose ends, even if those loose ends are wearing habits.
The national tour of "Sister Act," currently at the Buell Theatre in Denver, delivers precisely what Middle America wants from Broadway: It's loud, energetic and visually flashy. It avoids deep moral questions for more generic touchstones: Religion and the process of self reinvention.
It also showcases a pew full of powerhouse performances, which help to redeem some of the show's structural weaknesses. Campbell (late of Broadway's "The Lion King" and "The Book of Mormon") commands the spotlight as a two bit singer who finds her true calling beneath the stained glass. Campbell's timing and vocal gymnastics are matched by Resnik's austere Mother Superior, a woman who lives to do God's work, yet suddenly finds herself feeling more afflicted than Job.
In supporting roles, Florrie Bagel shines as Sister Mary Patrick (Kathy Najimy played the role on film), while Legg's crime lord fake cartier ring Curtis exhibits an effectively surly presence right out of Blaxploitation. Chester Gregory charmingly reprises his Broadway turn as policeman Eddie Souther, a man who has loved Deloris since high school and is now determined to protect her.
Kudos also to Ashley Moniz as convent Postulate Sister Mary Robert. Moniz lands the production's sole show stopping solo with a bravura rendition of "The Life I Never Led." Her cartier love necklace imitation success merely amplifies the show's major weakness: music that rarely matches the talents of those performing it. For every truly engaging song "Take Me to Heaven, Haven't Got a Prayer" Oscar winner Alan Menken gives us any number of pedestrian knock offs of 1970s Sound of Philadelphia soul.
Songs like "When I Find My Baby" and "Lady in the Long Black Dress" desperately try to emulate the silky music of a group like the O'Jays, yet seem less necklace cartier knock off accurate than expositional. They're simply there to advance the plot.
"Sister Act" takes about 15 minutes to find its groove and the finale is more predictable than powerful. It's the "in between" that will most delight audiences, a barrage of familiar plot devices swathed in engaging choreography, colorful costumes and manic pacing.
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